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Jenny Holzer (1950-), one of the most influential conceptual and multimedia artists of the 20th and 21st centuries, was the first woman to represent the United States at the Venice Biennale (1990). Born in Ohio, she now resides and works in Manhattan, as well as on her farm in Hoosick Falls, New York. Holzer received a bachelor of arts degree from Ohio University in 1972 and a master's of fine arts from the Rhode Island School of Design in 1977, before moving to New York City in the late 1970s, where she pursued writing at the Whitney Museum Independent Study Program.

Soon she realized that her strength was in conceptual art rather than in writing: “The epiphany for me was that I wasn't a writer, and I had to do something with these texts. I put them in the street as posters.” The written word therefore continues to factor prominently in Holzer's artwork, in particular, her installations, most of which are large light-emitting diode (LED) projections displayed at night in cities around the world. According to one art critic, “The postmodernist ‘text’ suggested a very different kind of entity: in the influential definition of Barthes, ‘a multidimensional space in which a variety of writings, none of them original, blend and clash.’ This notion of ‘textuality’ seemed well suited to the strategy of appropriated images and/or anonymous writings, as used in the early… poster-statements of Jenny Holzer.”

Blurring the Boundaries

Holzer is best known for her use of short, deceptively simple yet provocative quotations projected in public settings-plaques, street posters, telephone booths, monuments, and buildings, among others-which, despite their brevity, encapsulate the struggles of the modern condition. Holzer's work blurs boundaries between the private and public spheres while exploring the intersection of art, via technology, with ideas and concepts culled from current events (including AIDS, genocidal rape in the former Yugoslavia, and the war in Iraq) as well as issues of gender, dynamics of power, the pervasiveness of consumerism, and acts of violence. Holzer's Truisms (1977-79) is a group of quotations and aphorisms (among others, “Abuse of Power Comes as No Surprise”) that she compiled and displayed in many venues, most famously on an enormous LED billboard in Times Square in 1982. “Men Don't Protect You Anymore,” from her 1983-85 Survival Series was printed on street signs, billboards, and condoms.

Since 1996, her LED quotation projections have appeared globally, such as in a permanent installation in the Guggenheim Museum Bilbao. Holzer is the recipient of several honorary doctorates: from the University of Ohio (1993); the Rhode Island School of Design (2003); and New School University in New York (2005) celebrating her impact on modern art. She was awarded numerous honors, including the Leone d'Oro, at the XLIV Biennale di Venezia, Venice, 1990; The Crystal Award, World Economic Forum, Geneva, 1996; and she is a Chevalier de l'Ordre des Arts et des Lettres from France, 2002, among others.

MarcellineBlockPrinceton University
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