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Many civilian groups contribute to supporting military personnel in times of war. One group rarely mentioned in research literature and that faces specific challenges in war zones is entertainers. Since World War II, entertainers, both celebrity and non-celebrity, have been recruited by the armed forces of many nations to boost morale among its personnel on active service around the world. This tradition of entertaining military personnel by bringing a touch of home into often dangerous and threatening environments continues. The entertainers are drawn from singers, dancers, musicians, comedians, cheerleaders, and celebrities of sports, movies, and television. In the United States, the nongovernmental United Service Organization (USO), a private, nonprofit organization, provides more high-profile entertainers for recreational and morale services to military personnel, but these are less likely to perform near front lines than are U.S. Armed Forces Entertainment (AFE) performers. Since 1941, the USO has worked in partnership with the Department of Defense (DoD); however, it relies chiefly on private contributions and on funds, goods, and services from DoD. In 1951, the AFE was founded to provide entertainment to U.S. troops and their family members stationed overseas. These performers often provide entertainment to those serving in remote and isolated locations, ships at sea, and close to the front line. During the Vietnam War, many allied countries—including Australia, New Zealand, the Philippines, and the United States—sent entertainers to boost morale. These entertainers were recruited to entertain all allied forces.

Environmental Risks

Civilian entertainment support of military personnel in war zones is not without risk. Glenn Miller, the famous swing bandleader, disappeared over the English Channel while traveling to entertain U.S. troops in France during World War II. His body has never been found. Cathy Wayne, an Australian singer and dancer, was shot and killed while onstage in Da Nang, South Vietnam, during the Vietnam War by a U.S. Marine.

Injured or killed civilians are excluded from wartime morbidity and mortality statistics. Similarly, indirect environmental factors specific to particular war zones are rarely documented. For civilians working in war zones, lack of privacy, environmental challenges, and long working hours contribute to unrelenting levels of stress, physical and mental ill health, and accidents resulting in death. These civilians are likely to witness war atrocities and be exposed to risk of personal safety when working on military bases; female entertainers may experience aggravated sexual exploitation and harassment. As part of their support effort, many civilian entertainers visit severely injured military personnel in hospitals and are exposed to physical illnesses that often develop following the demise of infrastructure and health facilities during war. Entertainers are at risk of psychological distress from exposure to war related events as well as any physical threat. Military protection is not always guaranteed, and they carry no weapons for self-protection. As a consequence, postwar adjustment and reintegration difficulties may result from war zone exposure in civilians similar to that seen in military personnel but for different reasons. The phenomenon of war and its psychological aftermath may differentially affect their lives for many years.

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