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A diner is a particular kind of restaurant that historically sells plain, hearty American food quickly and cheaply. The diner takes several forms from railway dining cars to urban storefronts. Service counters with stools and booths are common to all diners. Of the more than 616,000 restaurants in the United States in 2013, few can be classified as true “diners.” This was not always the case, since before the 1950s, diners of various sorts were ubiquitous in North American cities and were to be found along many highways. Some appeared in Europe, most of them recent imports by restaurant chains. Diners were and, though much diminished in numbers, remain part of American folk culture. Edward Hopper’s painting called Nighthawks, depicting customers sitting in an urban diner (actually in New York City) at night, is arguably the most famous American painting (along with Grant Wood’s piece of rural Americana, American Gothic). James M. Cain’s classic pulp novel The Postman Always Rings Twice is set in a diner on a dusty road near Los Angeles, California, a place that would have been familiar to American travelers. These images translated into many movies, especially the film noir genre. Additionally, a number of specialized terms for food and preparations used in diners, called diner slang, entered American vocabularies. One of the best known sobriquets for diners says a lot about American perceptions of the food served in them: “greasy spoons.” After detailing the origins of diners, this entry discusses diner-associated issues such as health and safety, economy, and regulations.

Origins

Diners originated in the northeastern part of the United States, and the region—especially New Jersey—retains the greatest number of them. Many Americans think of diners as streamlined stainless steel and chrome structures that resemble (or in some cases had been) railroad dining cars. Johnny Rockets, an American chain with locations around the globe, and Eddie Rockets, an Ireland-based company, carry out the stainless– chrome–glass theme, sometimes in dining car–like structures. That modern diners, at least since the 1920s and 1930s, look like railway dining cars has often led to the conclusion that the former descended from the latter. In fact, diners began as lunch wagons in 1872, when Walter Scott, a Providence, Rhode Island, street vendor, put his cart inside an enclosed horse-drawn wagon.

Scott’s wagon was hauled to locations where people working in urban offices could buy dinners from dusk to 4:00 a.m.—times when fixed-location restaurants were closed. The small wagon had cutout squares on both sides where Scott could serve food and collect money more quickly than a single window could. The food, mostly sandwiches and pies, was all made at home by the proprietor rather than being cooked on the premises. The lunch wagon was such a success that many imitators followed and then improved on the original. By the late 1880s, fully enclosed “night owl” lunch wagons that permitted patrons to stand inside during inclement weather were common in Massachusetts factory towns. By 1900, enclosed wagons such as these were further developed by T. H. Buckley, among others, and had full-scale cooking apparatuses in them. T. H. Buckley & Co. and its rivals built elaborately decorated vehicles that were advertised as rivaling famous restaurants such as Delmonico’s in New York City. The food served was nothing like that of fancy restaurants but rather quick-service fare such as sandwiches, hot dogs, egg dishes, corned beef hash (hence, another term for a place serving cheap food, “hash house”), and plenty of coffee. Lunch wagons were and remained mainly working-class eating places.

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