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Television: Cultural Deaf Programming
While deaf characters have been portrayed on mainstream television since the 1950s, they were traditionally portrayed as being disabled, mentally ill, and/or needing to be fixed. During the 1950s and 1960s, deaf characters were rarely, if ever, portrayed from a culturally Deaf perspective through culturally Deaf programming. Programs that did include aspects of the Deaf community and sign language were quickly canceled. Over the years, there have been a handful of culturally Deaf television programs both in the United States and internationally. However, a majority of these programs, while they included deaf people, did not always respect input from deaf advisers as to what themes or topics to cover. Ultimately, decisions regarding content, filming, and producing of these types of programs were made by the hearing people in charge. In addition, programs have often been restricted as to when and how they were broadcast.
Culturally Deaf programming refers to television programs incorporating or portraying aspects of the Deaf community and Deaf culture, and having Deaf characters interacting with other Deaf characters and doing so using American Sign Language (ASL), British Sign Language (BSL), French Sign Language (LSF), or other sign languages. Ideally, members of the Deaf community are involved in all aspects of the production process (e.g., writing, directing, production). Another quality unique to culturally Deaf programming is the style of filming and editing. Historically, programs filmed for mainstream audiences that include sign language have been filmed in such a way that signs are often cut off, thus making conversations between characters difficult or impossible to follow. However, producers of culturally Deaf programs take care to capture both the signer’s face and his or her hands to ensure that viewers are able to follow signed dialogue.
Whether in the United States or internationally, culturally Deaf programming has primarily been presented in the following formats: news/magazine programs, children’s programs, and occasionally dramas or documentaries.
News/Magazine Programs
In Europe, the London Deaf Video Project played a key role in the development of culturally Deaf programming. Starting in 1985, the project’s primary goal was to have programs translated into BSL so that they could be accessible to the Deaf community. Years of work finally paid off starting in 1996, when the Broadcasting Act went into effect, requiring at least 5% of British television programming to be translated into BSL. This also opened doors for an increased acceptance of culturally Deaf programming in the United Kingdom. In addition, since 2008, a website called the Sign Zone began to air programs from British network BBC Two that include both culturally Deaf programming and mainstream programs translated into BSL.
One of the programs broadcast on BBC Two is See Hear. This is one of the earliest and longest-running programs presenting aspects of the Deaf community in the United Kingdom. Originally broadcast in 1981, See Hear has aired on BBC Two for over 25 years and continues to air today. The intent of the program is to share weekly episodes interviewing members of the Deaf community as well as incorporating Deaf culture and Deaf history. It is presented in BSL with subtitles. Since the days of its implementation, Deaf people have appeared on screen and in other aspects of the program. However, concerns were raised regarding the content of programming. The Deaf community argued that more critical issues key to the Deaf community were not discussed or, if they were mentioned, were only done on a superficial level (e.g., the topic of cochlear implants). Deaf scholar Paddy Ladd speculates that this was a result of hearing people being in control of all programming decisions.
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