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Literature, Deaf Characters in

Deaf literature is written work on issues related to deaf people and Deaf culture. From the 18th to the 21st centuries, deaf characters may be found in various genres within fiction and nonfiction literature. For example, authors include deaf characters in mysteries, science fiction, historical fiction, and realistic fiction. Nonfiction literature includes biographies and autobiographies of deaf individuals. In addition, deaf characters are included in several formats of literature, such as picture books and graphic novels. They are utilized by both hearing and deaf authors to convey information on deaf people, technology use, or education; as a vehicle to instill supernatural abilities; as a catalyst for discovering oneself or coming of age; to illustrate feelings of isolation; and to immerse the reader in Deaf culture. How deaf characters are portrayed is important because it can influence how both hearing and deaf individuals in a society perceive deaf people and Deaf culture.

Some of the early literature that included deaf characters portrayed them as tragic characters who needed to be rescued from ill-treatment, fixed, or protected by hearing characters. Wilkie Collins in Hide and Seek (1854) created a deaf heroine, Madonna, who became deaf as a result of a circus act accident and was adopted and protected by a hearing couple. Gothic fiction, a combination of horror and romance, perpetuated negative stereotypes of the deaf. For example, the protagonist of Gypsy’s Curse by Harry Crews (1974) is a deaf man with a physical disability in his legs so severe that he walks on his hands. His tragic relationship with antagonist Hester leads him to kill Hester and her lover and to his imprisonment. In The Heart Is a Lonely Hunter (1940) by Carson McCullers, John Singer is a deaf man isolated in a small town during the Great Depression. In more recent literature, the portrayal of deaf characters may still reflect some inaccurate stereotypes but has grown to also reflect the diverse experiences of the deaf and an awareness of Deaf culture.

Fiction

In the mystery genre, deaf characters may use their communication and visual skills to solve a mystery. In some juvenile mysteries, the manner in which communication skills are described may perpetuate inaccurate stereotypes, for example, that lip-reading is easy and accurate or that the character has extraordinary abilities or senses. For instance, one of the protagonists in the Invisible Inc. series by Elizabeth Levy (1994–1998) is Justin, a deaf student who reads lips, including those of his invisible friend Chip, to solve mysteries. Also, the main character in Christina Bridges’s The Hero (1982) is a person who can read lips and so informs the police of a robber’s hideout. A similar plot is used by Claire Blatchford in Nick’s Mission (1995). Nick is a sixth-grade student who attends a public school and has to attend speech classes over the summer. His lipreading skills lead him to catch bird smugglers and to accept the importance of speech and communication. Some juvenile mysteries include Deaf protagonists who sign and are members of the Deaf community. Gaps in Stone Walls (1998) by John Neufeld is the story of a 12-year-old deaf girl who is falsely accused of murder and then sets out to prove her innocence. It is set in Martha’s Vineyard in 1880, and the author includes conversations with both Deaf and hearing signers. The young adult mystery series Flying Fingers by Jean F. Andrews introduces the reader to a deaf boy who signs with his sister and friends throughout the process of solving mysteries. These books accurately and positively incorporate communication of the deaf. Adult mysteries tend to include strong, capable deaf main characters. For example, the novel Talk, Talk (2006) by T. C. Boyle has a strong, determined protagonist, a Deaf teacher at a school for the Deaf, who has her identity stolen. Intrigue follows as she attempts to find the thief and recover her identity. In the Connor Westphal Mysteries (1997–2007) by Penny Warner Connor, a deaf journalist, is involved in adventures as she acts as a sleuth. These last two mysteries weave together all the ways in which the Deaf can communicate, as well as the use of various technologies and service dogs.

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