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Gangsta rap is a subgenre of hip-hop music which emerged in South Central Los Angeles and Compton during the 1980s. N.W.A., Ice-T, DJ Quik, and others rapped about urban poverty, police brutality, unemployment, gang violence, drugs, prostitution, and other social problems in the inner city. Today, gangsta rap has grown into a multibillion-dollar industry and has become a part of popular culture. At the same time, opponents of gangsta rap also grew in numbers and influence. Several critics have argued that gangsta rap celebrates violence and misogyny, initiating a debate over its merits and consequences that still continues.

It is important to understand the broader social conditions from which gangsta rap emerged. During the 1980s, inner-city communities were devastated by deindustrialization and the rise of a service sector economy. Many working-class blacks lost their jobs and could not find employment when manufacturing plants closed. These trends were particularly visible in inner-city Los Angeles, which experienced record highs in unemployment and crime during the 1980s and 1990s.

Gangsta rap reflects many of these themes. Los Angeles- and Compton-based groups like N.W.A. and South Central Cartel and solo artists like MC Eiht rap about street violence in their neighborhoods. Others, such as Ice-T, DJ Quik, and Eazy-E, rapped about pimping and the emergence of an underground economy in “the hood.” Many of the same themes continue in today's generation of rappers. For example, Snoop Dogg and The Game carry on the legacies of previous gangsta rappers.

Negative Responses to Gangsta Rap

The growth of gangsta rap also fueled different social responses. Several journalists decried gangsta rap, arguing that it has a negative effect on today's youth. Similarly, in the 1990s former civil rights advocate and (then) president of the National Congress of Black Women, C. Delores Tucker, led a crusade against gangsta rap, arguing that it encouraged violence and misogyny among youth. This resulted in a series of court cases against record labels for distributing controversial rap albums.

Law enforcement also responded negatively to the commercial rise of gangsta rap. Many saw gangsta rap as a threat to mainstream U.S. values. In 1989, N.W.A. released their second album, “Straight Outta Compton,” which contained several critiques of the police. In particular, “Fuck the Police” described the inner-city black community's sense of alienation and frustration with local police and other institutions. The Federal Bureau of Investigation (FBI), however, did not see this song and others as valid social commentary. In the same year, the FBI sent critical letters to Ruthless and Priority Records about N.W.A.'s lyrics.

Some academics also criticize gangsta rap. Public health researchers argue that exposure to gangsta rap increases the likelihood one will engage in “risky behaviors” such as premarital sex, drug abuse, and other anti-social behaviors. Black feminists such as bell hooks argue that gangsta rap essentializes blackness by perpetuating the image of violent, oversexed, and misogynistic black men. Others criticize gangsta rap for encouraging youth to reject mainstream values, some linking black underachievement in schools to the negative values promoted in gangsta rap music. The underlying assumption is that gangsta rap socializes youth away from the mainstream and encourages them to adopt anti-social or oppositional behaviors.

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