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Black Press (United States)
Black newspapers have existed in the United States since 1827, reaching the height of their power and influence from 1910 to 1950 when they played a major role in setting the stage for the civil rights movement. Then, they began a rapid decline in circulation and never again were the force they once were. Meanwhile, coinciding with the decline, Black magazines quickly rose to become the dominant Black print media.
Early Development
On March 16, 1827, Freedom's Journal in New York City became the country's first Black newspaper. Published weekly by a group of free Blacks who wanted to combat local Anti–Black sentiments, the first issue informed readers, “We wish to plead our own cause. Too long have others spoken for us” (http://www.wisconsinhistory.org/libraryarchives/aanp/freedom). The newspaper lasted only slightly more than 2% years before closing for lack of money. By the end of the Civil War in 1865, there were about 40 Black newspapers in six states and one territory, slightly more than half published in New York State. Burdened by low circulations, little advertising, and shaky funding, along with a high illiteracy rate among potential Black subscribers, it was not surprising that the longest one lasted merely 12 years and the shortest only 2 months.
Among the early publishers, Frederick Douglass stood out. A runaway slave who became an outspoken abolitionist, he started the North Star in 1847 in Rochester, New York, and 4 years later merged it with another paper to become Frederick Douglass' Paper, which lasted until 1860. The papers' strong and well-written attacks on slavery and other Black injustices attracted national attention and numerous White readers, including reportedly U.S. presidents.
From 1866 to 1905, the number of Black newspapers increased dramatically to more than 1,200. The largest paper, the New York Freeman, had a weekly circulation of 5,000, though papers continued to appear and disappear quickly, some within months, mainly because they had little advertising and had to depend on sales. However, as the country's Black literacy rose—from only 5% in 1865 to 55.5% in 1900—the papers became increasingly indispensable to Blacks because they were essentially the only place where they could get news about themselves.
White-owned newspapers virtually refused to write about Blacks unless they were involved in criminal activities or lynched by White mobs, mostly in the South. Incensed by the lynchings and forced to leave Memphis when Whites destroyed her paper and its press in 1892 because of her uncompromising editorials, Ida B. Wells launched a famous antilynching campaign in the Black New York Age that lasted until she died in 1931.
Robert Abbott and the Chicago Defender
In 1905, Robert Abbott started a fourth Black newspaper in Chicago, the Defender, because, according to a friend, he wanted “to express his views on the race question.” In 5 years, he had about 10,000 in circulation. Always looking for a way to sell more papers, he made a decision that permanently changed the Black press. His newspaper became sensationalistic as it featured injustices against Blacks, sometimes with large front-page headlines in red, thus appealing to the masses rather than being directed primarily at Blacks with education and money. Within 10 years, his circulation grew to around 200,000, making the Defender the largest Black newspaper up to that time, and other Black papers quickly followed his lead.
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- Audiocassettes and Political Critique (Kenya)
- Ballyhoo Magazine (United States)
- Barbie Liberation Organization (United States)
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- Beheading Videos (Iraq/Transnational)
- Belle de Jour Blog (United Kingdom)
- Berber Video-Films (Morocco)
- Bhangra, Resistance, and Rituals (South Asia/Transnational)
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- Challenge for Change Film Movement (Canada)
- Channel Four TV and Underground Radio (Taiwan)
- Chipko Environmental Movement Media (India)
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- DIVA TV and ACT UP (United States)
- Documentary Film for Social Change (India)
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- Leninist Underground Media Model
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- Love and Rockets Comic Books (United States)
- Low-Power FM Radio (United States)
- Madang Street Theater (Korea)
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- May 1968 Poetry and Graffiti (France/Transnational)
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- Media Education Foundation (United States)
- Media Infrastructure Policy and Media Activism
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- Medvedkine Groups and Workers' Cinema (France)
- Migrant Workers' Television (Korea)
- Miners' Radio Stations (Bolivia)
- Mobile Communication and Social Movements
- Moon River Movement Media (Thailand)
- Mother Earth (United States)
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- Murals (Northern Ireland)
- Music and Dissent (Ghana and Nigeria)
- Music and Social Protest (Malawi)
- Nairobi Slumdwellers' Media (Kenya)
- National Alternative Media Network (Argentina)
- National Socialist German Workers' Party (Nazi Party) to 1933
- Naxalite Movement Media (India)
- New Culture and May 4th Movements Media (China)
- New Media and Activism
- New Media and Alternative Cultural Sphere (Iran)
- Non-Aligned News Agencies Pool
- November-December 1995 Social Movement Media (France)
- OhmyNews (Korea)
- Online Diaspora (Zambia)
- Online Nationalism (China)
- Palestinian Interwar Press
- Paper Tiger Television (United States)
- Paramilitary Media (Northern Ireland)
- Parodies of Dominant Discourse (Zambia)
- Participatory Media
- Peace Media (Colombia)
- Performance Art and Social Movement Media: Augusto Boal
- Pirate Radio (Israel)
- Pirate Radio (Lebanon)
- Political Cartooning, 1870s-Present (India)
- Political Critique in Nollywood Video-Films (Nigeria)
- Political Graffiti (Greece)
- Political Jokes (Zimbabwe)
- Political Song (Liberia and Sierra Leone)
- Political Song (Northern Ireland)
- Popular Music and Political Expression (Côte d'Ivoire)
- Popular Music and Protest (Ethiopia)
- Prague Spring Media
- Prisoners' Radio
- Prometheus Radio Project (United States)
- Protest Music (Haïti)
- Public Access
- Radical Software (United States)
- Radio Andaquí and the Belén Media School (Colombia)
- Radio La Tribu (Argentina)
- Radio Lorraine Coeur d'Acier (France)
- Radio Mille Collines and Kangura Magazine (Rwanda)
- Radio Student and Radio Mars (Slovenia)
- RAW Magazine (United States)
- Reggae and Resistance (Jamaica)
- Rembetiko Songs (Greece)
- Resistance Through Ridicule (Africa)
- Revolutionary Media, 1956 (Hungary)
- Samizdat Underground Media (Soviet Bloc)
- Sarabhai Family and the Darpana Academy (India)
- Sex Workers' Blogs
- Sixth Generation Cinema (China)
- Small Media Against Big Oil (Nigeria)
- Social Democratic Media to 1914 (Germany)
- Social Movement and Modern Dance (Bengal)
- Social Movement Media (Macedonia)
- Social Movement Media (Philippines)
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- Social Movement Media, 1971–1990 (Haïti)
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- Social Movement Media, Anti-Apartheid (South Africa)
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- Southern Patriot, The, 1942–1973 (United States)
- Spare Rib Magazine (United Kingdom)
- Spread Magazine (United States)
- Stay Free! Magazine (United States)
- Stonewall Incident (United States)
- Street Theater (Canada)
- Street Theater (India)
- Tamil Nationalist Media (Sri Lanka/Transnational)
- Third Cinema
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- Vernacular Poetry Audiotapes in the Arab World
- Video SEWA (India)
- Wartime Underground Resistance Press, 1941–1944 (Greece)
- Wayruro People's Communication (Argentina)
- Weimar Republic Dissident Cultures (Germany)
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- Zionist Movement Media, Pre–1948
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