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Visual images play a vitally important role in science communication. The way in which scientific information is visually presented helps summarize vast amounts of complex data and facilitates understanding and informed opinion. With figures, drawings, and other visual imagery, ideas, facts, and processes are communicated to the general public or a professional audience. Visual images can bring complex scientific processes and the sometimes invisible world of scientific phenomena to light. Esoteric scientific ideas can be brought to life with photographs, illustrations, and animations while stimulating interest and providing new understanding. However, such imagery can also be deceptive, misleading, and incorrectly used.

Visual forms of science communication include tables, charts, photographs, motion pictures (film, video, computer animation, and big screen productions), museum displays, computer-generated pictures, holographic imagery, models, and even sculpture. Images of science are communicated in an assortment of venues, from academic journals and textbooks to the popular media of television, newspapers, magazines, and the Internet. The technology for displaying such imagery ranges from simple line drawings to high-definition digital motion pictures. And most, if not all, of the sciences have their characteristic visual imagery; from mathematics (geometric shapes, fractals, and the golden section) and physics (light, structures, and materials) to astronomy (speckle imaging, low-energy imaging techniques, and spectroscopy), chemistry (optical and nuclear magnetic resonance images), the earth sciences (sonar imaging and seismic profiles), and the human sciences (X-rays, magnetic resonance imagery, and positron emission tomography), to name a few. In the emerging science of nanotechnology, things take place on a scale invisible to the human eye and can be visualized only through “artificial” representations using sophisticated simulation tools.

Science Images, a Short History

Traced to prehistoric times, the communication of scientific ideas, facts, and processes using visual symbols and images has a long history. Utilizing maps and drawings, humans have been visualizing geographical, astronomical, and mathematical aspects of the scientific world for hundreds or even thousands of years. For example, one of the oldest existing maps dates to 1155 CE. It shows the western part of China, including part of the Great Wall. People have also been charting the heavens for millennia. Alexander Marshack's controversial theory about the beginnings of symbolic notation argues that ancient markings on fossilized bone denote early human observation of lunar cycles. Dating to the Upper Paleolithic era (10,000–40,000 years ago), these are possibly the earliest forms of scientific notation.

In mathematics, fragments of Euclid's famous textbook, Elements, showing diagrams of his geometric principles, date to 100 CE. Commingling art with science, illustrations of flora and fauna have also been a long-standing enterprise. In the biological sciences, Robert Hooke's Micrographia from 1665 is a celebrated example, including detailed drawings of his microscopic and telescopic observations. In the 1800s, John James Audubon catalogued North American birds with his paintings. Audubon's contribution to ornithology is well-known, as it crossed into the realm of the artistic. Some would argue that the origins of biological renderings can be traced all the way back to the animals depicted on the cave paintings of Altamira and Lascaux some 10,000 to 20,000 years ago.

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