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Apocalyptic Ideas
Basic to any understanding of apocalyptic ideas is a distinction between their use in the contexts of social and cosmic disruption and their use in contexts of disclosure and revelation. Both of these usages can claim some basis in the primary biblical apocalyptic text, whose opening is “The revelation (apocalypse) of Jesus Christ” (Revelation 1:1). On the one hand, on those occasions when we find words like apocalyptic or apocalypse used relating to cataclysmic events, we can see the influence here of the Book of Revelation as a whole, which is full of colorful descriptions of the disasters that overtake humanity before the coming of the millennium and the descent of the New Jerusalem from heaven to Earth. Such usage is based on the content of the Book of Revelation, which is largely (but by no means entirely) concerned with the upheavals that have to precede the new age, beliefs that were typical of much contemporary expectation about the future in both Christianity and ancient Judaism.
In the New Testament, we find ideas similar to those in the Book of Revelation in passages like Matthew 24–25, Mark 13, and Luke 21. On the other hand, we find apocalyptic used in something like its literal sense, where it means a disclosure of things that had hitherto been hidden. In such usage, it is the form of the Book of Revelation that determines the usage, as divine mysteries are unveiled, whether by vision or dream or some other extraordinary means, to a privileged seer. In the New Testament, we find ideas similar to these in Mark 1:10, Galatians 1:12 and 16, and Acts 10:11.
The apocalypse is a particular literary type found in the literature of ancient Judaism, characterized by claims to offer visions or other disclosures of divine mysteries concerning a variety of subjects. Usually, in Jewish and early Christian texts, such information is given to a biblical hero like Enoch, Abraham, Isaiah, or Ezra. There is an enormous variety of material contained in the ancient apocalypses. If we approach them as revelations of divine secrets, whose unveiling will enable readers to view their present situation from a completely different perspective, we shall best understand their distinctive character.
Origins of Apocalyptic Ideas
The origins of apocalyptic literature have been much debated. Some consider apocalyptic work to be the successor to the prophetic texts of the Old Testament and particularly to those about the future of hope of the prophets. The concern with human history and the vindication of Israel's hopes in Revelation all echo themes from the prophets, several of whom have contributed widely to Revelation's language, particularly Ezekiel, Daniel, and Zechariah.
Some see a subtle change in the form of that hope in the apocalyptic literature as compared with most of the prophetic texts in the Bible. It is suggested that the future hope has been placed on another plane, the supernatural and otherworldly (e.g., Isaiah 65–66 cf. Revelation 21 and 4 Ezra 7:50). But evidence for such a change from the earthly to the supramundane is in fact not widespread. More important is the subtle change of prophetic genre in the later chapters of Ezekiel, with its visions of a New Jerusalem, and the highly symbolic visions of early chapters of Zechariah and the cataclysmic upheavals of the last chapters of the same book and the probably late eschatological chapters of Isaiah 24–27 and Isaiah 55–66. Also important is the emergence of the apocalyptic heavenly ascent evident in passages like 1 Enoch 14. The glimpse into heaven, which is such a key part of John's vision from Chapter 4 onward, has its antecedents in the call visions of Ezekiel 1 and 10 and Isaiah 6, as well as the parallel glimpses of the heavenly court in 1 Kings 22 and Job 1–2.
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