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Phenomenology (Philosophy)
As a branch of philosophy, phenomenology is the study of consciousness and the objects of focus within our private mental experience. In this entry, Edmund Husserl, the founder of phenomenology, will be discussed, along with his connection to early experimental psychology, as well as intentionality, bracketing, and direct reference as they relate to phenomenology. As psychology evolved into an autonomous science during the late 19th century, its agenda was steeped less in historical philosophical dogmas and agendas and more in the exploration of conscious experience and its attributes. Phenomena are the direct, central objects of attention. Our awareness of phenomena is instantaneous, even if their meaning is not. These raw, “unprocessed” mental events occur without analysis, opinion, or judgment. Indeed, the phenomenological approach to conscious experience requires the suspension of personal habits of thought, memory, and cultural influences. Whether this is possible has been debated vigorously. Phenomenology holds a strong nativist perspective, as opposed to a theory of mind requiring cognitive synthesis of “elements” of mental life. For the phenomenologist, immediate experience confirms timeless mental facts.
Edmund Husserl
Edmund Husserl (1859–1938) was a student of both Franz Brentano at the University of Vienna and Carl Stumpf at the University of Halle. The publication of Logische Untersuchunger (“Logical Investigations”) in 1900 through 1901 represents the beginning of phenomenology. Husserl was distressed by the diminished importance of ancient philosophy and the growing influence of naturalism in the European scientific tradition. He believed that philosophy was moving away from what was true, immutable, and eternal and toward conceptions of truth that were tied to ever-changing, contemporary, relativistic standards. It was Husserl's deeply held belief that philosophy must address a clear understanding of what was essential and irrefutably true in nature. Phenomenology, he believed, offered a glimpse of the essence of human conscious experience, unaffected by constantly emerging (and often conflicting) scientific discoveries about the nature of man and the mind.
For Husserl, phenomenology was much more complex than an examination of subjective experience or a person's idiosyncratic perceptions of cognitive events. It was Husserl's goal to inform psychologists of the structure of mental events that supported such activities as memory, recognition, and expectancy—a more ambitious agenda than the one begun by Wilhelm Wundt (1831–1920) at Leipzig in the mid-1870s with the application of trained introspection to the elements of conscious experience. “Naturalizing consciousness” with the methodological tools and concepts of the natural sciences was, for Husserl, an error. He would never accept the premise that consciousness was a phenomenon of physical reality that followed all the laws and principles of physical science. He could not accept the identity of consciousness and psychophysiological processes in the central nervous system.
This raises the question as to the nature of these basic, background psychological events that were thought to be behind our most vivid, personal perceptions. Husserl's objective was to study the nature of “essences” in his attempt to answer these questions. In a nativistic sense, essences are identical for all people in all places and have been for all time. An essence is a subjectively experienced point in time with no shared, agreed-upon linguistic descriptors. It is an understanding of the supraordi-nate descriptors of a class of objects. For example, houses exist in many sizes, shapes, and architectural styles. They are built of brick, stone, boards, vinyl, and aluminum. Their windows have a variety of appearances. They are surrounded by beautifully landscaped lawns or malodorous concrete walkways. The phenomenologist here asserts that we comprehend (and recognize and recall) the quality of “houseness” wherever we go. Enclosed dwellings that protect inhabitants from the elements are too simplistic generalizations but approaches the idea of Husserl's “essence” of “houseness.”
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- Action
- Action and Vision
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- Effort: Perception of
- Embodied Perception
- Event Perception
- Eye and Limb Tracking
- Eye Movements and Action in Everyday Life
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- Wine Tasting
- Cognition and Perception
- American Sign Language
- Attention and Medical Diagnosis
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- Attention: Divided
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- Context Effects in Perception
- Cultural Effects on Visual Perception
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- Dyslexia
- Eye Movements during Cognition and Conversation
- Eyewitness Testimony
- Film (Cinema) Perception
- Language
- Magic and Perception
- Mind and Body
- Motion Perception: Social
- Music Cognition and Perception
- Music in Film
- Neural Prosthetic Systems
- Pain: Cognitive and Contextual Influences
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- Speech Perception
- Theory of Mind
- Time Perception
- Top-Down and Bottom-Up Processing
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- Computers and Perception
- Consciousness
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- Agnosia: Auditory
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- Agnosia: Visual
- Amblyopia
- Aphasias
- Assistive Technologies for the Blind
- Attention: Disorders
- Auditory System: Damage Due to Overstimulation
- Body Perception: Disorders
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- Color Deficiency
- Consciousness: Disorders
- Cortical Reorganization following Damage
- Dyslexia
- Loss of a Sense: Effect on Others, Psychological
- Neural Prosthetic Systems
- Neuropsychology of Perception
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- Pain: Treatments for Chronic
- Phantom Limb
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- Sensory Rehabilitation
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- Illusory Perceptions
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- Absolute Pitch
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- Cultural Effects on Visual Perception
- Echolocation
- Electroreception
- Emotional Influences on Perception
- Individual Differences in Perception
- Nature and Nurture in Perception
- Pain: Cognitive and Contextual Influences
- Perceptual Expertise
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- Taste and Food Preferences
- Taste: Genetics of
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- Video Games
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- Phenomenology (Philosophy)
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- Content of Perceptual Experience
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- Mind and Body
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- Molyneux's Question
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- Qualia
- Seeing As
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- Physiological Processes
- Aftereffects
- Binding Problem
- Contrast Enhancement at Borders
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- Experience-Dependent Plasticity
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- Mirror Neurons
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- Oscillatory Synchrony
- Physiological Approach
- Receptive Fields
- Speed of Processing in Sensory Systems
- Tuning Curves
- Sense Interactions
- Action and Vision
- Attention: Cross-Modal
- Cortical Reorganization following Damage
- Cross-Modal Transfer
- Extrasensory Perception
- Flavor
- Loss of a Sense: Effect on Others, Psychological
- Molyneux's Question
- Motion Perception: Social
- Multimodal Interactions: Color-Chemical
- Multimodal Interactions: Neural Basis
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- Multimodal Interactions: Thermal-Chemical
- Multimodal Interactions: Visual-Auditory
- Multimodal Interactions: Visual-Haptic
- Perceptual Development: Intermodal Perception
- Perceptual-Motor Integration
- Sensory Restoration and Substitution
- Synesthesia
- Taste and Food Preferences
- Skin and Body Senses
- Ageing and Touch
- Agnosia: Tactile
- Body Perception
- Body Perception: Disorders
- Braille
- Constancy
- Cutaneous Perception
- Cutaneous Perception: Physiology
- Electroreception
- Embodied Perception
- Haptics
- Itch, Tickle, and Tingle
- Kinesthesia
- Migraine
- Molyneux's Question
- Multimodal Interactions: Pain-Touch
- Multimodal Interactions: Tactile-Auditory
- Multimodal Interactions: Thermal-Chemical
- Multimodal Interactions: Visual-Haptic
- Out-of-Body Experience
- Pain: Assessment and Measurement
- Pain: Cognitive and Contextual Influences
- Pain: Neuromatrix Theory
- Pain: Physiological Mechanisms
- Pain: Placebo Effects
- Pain: Treatments for Chronic
- Perceptual Development: Touch and Pain
- Phantom Limb
- Proprioception
- Reaching and Grasping
- Surface and Material Properties Perception
- Tactile Acuity
- Tactile Map Reading
- Temperature Perception
- Texture Perception: Tactile
- Tool Use
- Vibratory Perception
- Virtual Reality: Touch/Haptics
- Visceral Perception
- Weight Perception
- Theoretical Approaches
- Bayesian Approach
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- Direct Perception
- Ecological Approach
- Embodied Perception
- Evolutionary Approach
- Evolutionary Approach: Perceptual Adaptations
- Gestalt Approach
- Indirect Nature of Perception
- Information Theory
- Physiological Approach
- Psychophysical Approach
- Theoretical Approaches
- Theory of Mind
- Visual Perception
- Action and Vision
- Aesthetic Appreciation of Pictures
- Aftereffects
- Afterimages
- Ageing and Vision
- Agnosia: Visual
- Amblyopia
- American Sign Language
- Ames Demonstrations in Perception
- Amodal Perception
- Animal Color Vision
- Animal Depth Perception
- Animal Eye Movements
- Animal Eyes
- Animal Motion Perception
- Assistive Technologies for the Blind
- Atmospheric Phenomena
- Attention and Consciousness
- Attention and Emotion
- Attention and Medical Diagnosis
- Attention: Cognitive Influences
- Attention: Covert
- Attention: Cross-Modal
- Attention: Disorders
- Attention: Divided
- Attention: Effect of Breakdown
- Attention: Effect on Perception
- Attention: Object-Based
- Attention: Physiological
- Attention: Selective
- Attention: Spatial
- Attention: Theories of
- Attractiveness
- Binding Problem
- Binocular Vision and Stereopsis
- Bistable Perception
- Camouflage
- Causality
- Change Detection
- Color Constancy
- Color Deficiency
- Color Mixing
- Color Naming
- Color Perception
- Color Perception: Physiological
- Color: Genetics of
- Color: Philosophical Issues
- Computer Graphics and Perception
- Computer Vision
- Constancy
- Context Effects in Perception
- Contrast Perception
- Corollary Discharge
- Depth Perception in Pictures/Film
- Digital Imaging
- Direct Perception
- Dyslexia
- Ecological Approach
- Embodied Perception
- Event Perception
- Evoked Potential: Vision
- Experience-Dependent Plasticity
- Eye and Limb Tracking
- Eye Movements and Reading
- Eye Movements during Fixation
- Eye Movements: Behavioral
- Eye Movements: Physiological
- Eye: Structure and Optics
- Eyes: Evolution of
- Eyewitness Testimony
- Face Perception
- Face Perception: Physiological
- Film (Cinema) Perception
- Gestalt Approach
- Impossible Figures
- Inverted Spectrum
- Lateral Inhibition
- Light Measurement
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- Lightning and Thunder
- Linear and Nonlinear System Analysis
- Low Vision
- Magic and Perception
- Mary the Color Scientist
- McCollough Effect
- Mirages
- Mirror Neurons
- Molyneux's Question
- Motion Parallax and Structure from Motion
- Motion Perception
- Motion Perception: Physiological
- Motion Perception: Social
- Multimodal Interactions: Color-Chemical
- Multimodal Interactions: Visual-Auditory
- Multimodal Interactions: Visual-Haptic
- Navigation through Spatial Layout
- Neuropsychology of Perception
- Nonveridical Perception
- Object Perception
- Object Perception: Physiology
- Object Persistence
- Optic Ataxia
- Perception in Unusual Environments
- Perceptual Development: Face Perception
- Perceptual Development: Imitation
- Perceptual Development: Object Perception
- Perceptual Development: Visual Acuity
- Perceptual Development: Visual Object Permanence and Identity
- Perceptual Development: Visually Guided Reaching
- Perceptual Organization: Vision
- Perceptual Segregation
- Perceptual-Motor Integration
- Pictorial Depiction and Perception
- Prostheses: Visual
- Reaching and Grasping
- Reading Typography
- Recognition
- Recovery of Vision following Blindness
- Retinal Anatomy
- Sleep and Dreams
- Social Perception
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- Spatial Layout Perception, Psychophysical
- Spatial Memory
- Speechreading
- Statistical Learning
- Surface and Material Properties Perception
- Texture Perception: Visual
- Unconscious Processes
- Video Games
- Virtual Reality: Vision
- Vision
- Vision: Cognitive Influences
- Vision: Developmental Disorders
- Vision: Temporal Factors
- Visual Acuity
- Visual Categorization: Physiological Mechanisms
- Visual Disorders: Blindness
- Visual Displays
- Visual Filling in and Completion
- Visual Illusions
- Visual Imagery
- Visual Light- and Dark-Adaptation
- Visual Masking
- Visual Memory
- Visual Processing: Extrastriate Cortex
- Visual Processing: Primary Visual Cortex
- Visual Processing: Retinal
- Visual Processing: Subcortical Mechanisms for Gaze Control
- Visual Receptors and Transduction
- Visual Scene Perception
- Visual Scene Statistics
- Visual Search
- Visual Spatial Frequency Analysis
- Visual Stimuli
- Visual System Structure
- Visual System: Evolution of
- Visually Guided Actions
- Word Recognition
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