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Multimodal Interactions: Color-Chemical

Prior to smelling (olfaction) or tasting (gustation) something, we usually see the item producing the smell or taste. This is particularly true when the item is food, which when put in our mouth stimulates taste receptors in the oral cavity and olfactory receptors in the nasal cavity (via what is called retronasal olfaction). It is also often true for items we smell in our external environment (e.g., flowers), which stimulate our olfactory receptors by chemicals inhaled through our nostrils (orthonasal olfaction). One of the most salient visual properties of an object we are also experiencing through one of our chemical senses (i.e., gustation or olfaction) is its color. Color can serve to predict olfactory or gustatory qualities to follow. For example, before drinking an orange-colored beverage, we might expect it to be a bit sweet and a bit sour (gustatory qualities) and also to be orangey (olfactory quality) because orange-colored beverages have had those properties in the past. Such learned associations between color and both gustatory and olfactory properties can result in an influence of color on odors and tastes. This entry will discuss the influence of color on odor and taste.

Influence of Color on Odor

Certain colors seem to go with or correspond to certain odors. For example, people find that more intense odors correspond to darker colors. Some specific correspondences have been found between particular colors and the odors of compounds used in perfumes. For example, people indicate a correspondence between the smell of cinnamic aldehyde (cinnamon) and the color red, whereas they indicate a correspondence between caramel lac-tone (caramel) and the color brown. Even complex perfumes have corresponding colors. Perfumes perceived as masculine correspond to blue and perfumes perceived as feminine correspond to pink.

These correspondences are not fully understood. Some might result from learned associations between the color and the odor. For example, after repeatedly seeing an orange-colored solution prior to smelling its orange odor, a person might come to associate the color and odor. Some connections may be innate and reflect a type of synesthesia. How these correspondences might affect people's perception of odors is discussed next.

Visual input, particularly color, helps us identify odors. We have difficulty identifying an odor when the color of the odorant is masked or altered. For example, a cherry-flavored drink colored orange is often misidentified as being orange-flavored (cherry rather than orange being the odor component of the drink). Similarly, red birch beer is often misidentified as cherry soda and white wine colored red is misidentified as red wine. In addition, we are able to identify orthonasal odors both more accurately and more quickly when the color of the stimulus is more appropriate to the odor.

Color can also affect pleasantness by affecting identifiability. For example, grape odor is more often identified correctly and found to be more pleasant when colored purple than when colored yellow. This increase in pleasantness with identifiability might be related to the fact that people find familiar odors more pleasant than unfamiliar ones. Enhanced identifiability contributes to familiarity, thereby increasing pleasantness. Brain areas associated with the hedonic evaluation of odors are more strongly activated by appropriately colored than by inappropriately colored odors.

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