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Grand Narratives
Following the work of Jean-Francois Lyotard, grand narratives (also known as grands récits, master narratives or meta narratives) refers to all-encompassing bodies of knowledge that purport to offer general and sweeping explanations of history, nature, and every aspect of the human condition. These bodies of knowledge were a chief feature of modernity, though they also existed in earlier historical periods. They have a narrative character in as much as, like stories and myths, they have a time dimension, but their chief characters are abstract ideas or concepts rather than concrete people. Thus science, with reason as its protagonist, can be seen as a powerful grand narrative promising to emancipate humanity from superstition, poverty, disease, and suffering. Within a grand scientific narrative, disease, for instance, is viewed as caused by pathogenic agents (such as microbes, viruses, and genetic factors) rather than visited on people by divine caprice or bewitchment. It can be overcome and even eliminated through scientific knowledge, which has a universal validity and applicability, rather than prayer, exorcism, or traditional medicine. Socialism, communism, liberal democracy, fascism, but also Christianity and Islam, all count as grand narratives. Within the human sciences, allinclusive doctrines such as Marxism, psychoanalysis, or positivism are also seen as grand narratives.
Conceptual Overview
A defining feature of the Enlightenment was its unflinching belief in progress coupled with a confidence that knowledge, in the form of generalizable scientific laws aimed at uncovering a universal truth, was the instrument that will deliver it. Modernity was built on the Enlightenment project to replace tradition, superstition, and irrational belief with grand narratives of incontestable rational authority. Confidence in the Enlightenment project has declined or even collapsed in what many scholars view as postmodernity. Lyotard and others have argued that grand narratives fragment and disappear, being replaced by small stories, through which people seek to make sense of their experiences and communicate them to others. Faith in progress is shaken, faith in reason dwindles, and faith in universal truths all but disappears as truth is revealed to be contingent on language, discourse, and power relations.
More particularly, it is argued that supposedly objective and eternal truths entail deeply enshrined power relations, including those rooted in colonial, race, gender, and sexual domination and subordination. Lyotard stages a powerful critique of the Enlightenment narratives of progress, science, reason, and absolute truth, arguing that they privilege certain discourses while silencing others and certain types of authority at the expense of others. Scientific reason, in particular, can be said to embody the values of patriarchy, aspiring, as it does, to explain, control, and dominate nature and providing the means whereby small sections of humanity can dominate, exploit, or oppress others (for instance, through military technology or the economics of aid).
Postmodernist theorists argue that a profusion of voices is now being heard where in the past there were sounds of choirs singing in unison. Where once everybody deferred to the power of the grand narrative (driven by universal reason, a universal aesthetic, and moral standards, universal regimes of truth), people are currently seeking to discover their own voice, based on their own experiences and forging their own individual identities. Even science is being challenged, when the voice of the expert scientist, for instance the physician, is questioned and contested by the voice of the patient, who is nonexpert and nonobjective, but has the authority of personal experience of an illness. Speaking with authority is no longer the exclusive privilege of the educated; it is the privilege of everybody who has an experience to narrate.
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