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1911–1980

Media Theorist

Canadian intellectual Marshall McLuhan remains one of the most influential new media theorists. He evaluated the social construction of technology and the technological construction of society with rich, detailed studies of the history of communication, skillfully reduced to evocative turns of phrase that are still embedded in the popular imagination. He believed that new media could be socially debilitating if used improperly. However, he did not want humankind to be bound by new media, but to be freed by it, and through his investigations, McLuhan sought to chart a course of social development that would avoid the risks of oppressive technologies.

Marshall McLuhan was born in Edmonton, Alberta, Canada, on July 21, 1911. His interest in literature took him from the University of Manitoba to Cambridge University, where he earned a Ph.D. in 1943. A devout Catholic, he was happy to take a post at St. Michael's College at the University of Toronto in 1944, and he remained based there for most of his career. McLuhan was made a full professor in 1952, a year after publishing his first book, The Mechanical Bride: Folklore of Industrial Man. Subsequently, he headed up some of the first large projects in communication studies. Between 1953 and 1955, he was chairman of the Ford Foundation Seminar on Culture and Communication, and between 1959 and 1960 was the director of the Understanding New-Media Project of the National Association of Educational Broadcasters. At the University of Toronto, he helped found the Centre for Culture and Technology in 1963, mandated to study the psychic and social consequences of media technologies, and he remained its director until shortly before his death in 1980.

McLuhan's Catholicism and his studies of contemporary literature, especially James Joyce, would help him assemble rich metaphors and referents for his cultural criticism. From the end of the Great Depression to the close of World War II, he taught in the United States, and later wrote that his initial teaching experiences at the Universities of Wisconsin and St. Louis introduced him to a cultural and media environment that he did not always understand. Along with Harold Innis and other scholars, McLuhan developed ideas that became known as the Toronto School of medium theory.

Culture as Business

During his lifetime, McLuhan's most frequent role as a public intellectual was as a critic of advertising, popular culture, and the commercial applications of information technology. He believed that Hollywood and the industry of advertisers and marketing specialists provided the content for collective hallucinations. Many media were deliberately used to manufacture demand by saturating popular culture with commercial messages. The resulting polluted mental environment was the most dangerous consequence of many new media.

Of course, McLuhan himself contributed to the business of pop culture in the late 1960s with the release of The Medium is the Massage, in which he made the basic argument that the study of communication patterns must emphasize media context over particular media content. The technologies themselves, he argued, have subliminal effects on users because they transmit and transform the user's experience of reality. This book was a bestseller, combining words and images in a way that challenged the reader's notions of how ideas could be communicated in print. He described himself as a metaphysician, skilled in the art of generating cultural insights and recognizing large patterns in media ecology and human

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