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Becoming proficient in a foreign language takes a number of different skills, from acquiring a new set of syntactic structures to learning a new vocabulary and its pronunciation. The reason for exploring the relationship between music and second language production is because many of the mechanisms that such skills entail are also relevant in music listening and performance. For example, distinguishing slight variations in pitch to decipher correct tuning could be compared with distinguishing slight variations in timbre for phonemic discrimination of a new language. Alternatively, both language and music are comprised of hierarchical structures, and hence music could be used to provide a framework on which to lay a new linguistic sequence.

There are two main ways in which music has been incorporated into language learning research. First, because of the relationship between music and language processing, it has been theorized that expertise in music leads to better second language acquisition. Evidence for a benefit of musical training in second language (L2) acquisition has been relatively consistent, particularly with respect to pronunciation skill. Second, presenting verbal information using song or background music has been found to facilitate memory and learning in both the native language and additional languages, though this field of research is small and requires further exploration. It has been suggested that the reason for such a link between music and second language acquisition is because of a set of shared neural networks, with musical training enhancing discrimination skills, and paired musical-linguistic presentation enhancing information encoding.

Music and Language

Music and language can both be analyzed as systems of individual sound units, consisting of timbre, pitch, rhythm, and intensity information. Notably, both domains use sound categories to define perceptually discrete units, which vary according to the language or music system to which they are heard in relation. For example, in language, although /r/ and /l/ sound different to a native English speaker, they are indistinguishable to a Japanese speaker. This is because the two sounds span separate phoneme categories in English, but are both variations of the same one in Japanese. A similar phenomenon can occur with pitch or rhythm in different musical cultures. Certain intervals are distinguishable in the context of one music system, but undifferentiated in another.

The units underlying language can be phonemes, syllables, or words, and in music, they can be notes or note-groups, and in both music and language these are subsequently combined according to hierarchical structural rules to make sentences, phrases, dialogues, or entire works. In order to understand such stimuli, auditory analysis is employed in a similar way between domains, both requiring segmentation and blending for appropriate discrimination. Furthermore, evidence suggests that music and language are similarly processed in the brain, with many of the same neural regions activated by both, and interactions between the neural response to music and the neural response to language reported. Such evidence has led to heated debate regarding the relationship between music and language, and their possible evolutionary and neurological link.

Musical Training and Second Language Learning

These perceptual and neurological links between music and language provide a foundation for studying the relationship between musical training and language acquisition. Regarding native language, musical aptitude is an important predictor of language skill in childhood. For example, pitch discrimination ability significantly correlates with both phonemic awareness and reading ability in 4- and 5-year-olds. However, because pitch discrimination and phonemic awareness both require distinction of slight acoustic differences, and phonemic awareness is correlated with reading ability in early childhood, this relationship may result from a primary effect of musical training on phonemic awareness. Because of these findings from the native language, the effect of musical training on second language acquisition has focused on the relationship between musical skill and phonemic discrimination and production.

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