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  • 00:00

    (SINGING) Well, what do you know?He smiled at me in my dreams last night.My dream are getting better all the time.And what do you know?He looked at me in a different light.My dreams are getting better all the time.To think that we were strangers a couple of nights ago.

  • 00:22

    And though it's a dream, I never dreamed he'd ever say hello.Well, maybe tonight he'll hold me tightwhere the moonbeams shine.My dreams are getting better all the time.I'm happy to say, I hit the hay around about 8:00 or 9:00.My dreams are getting better all the time.

Nostalgia is the longing for one's past, often taking the form of a longing for one's youth and childhood home, or a longing for a simpler past that one may or may not have personally experienced. Nostalgia comes in many forms, and is often represented in artistic genres such as literature and music.

In general, there are two types of nostalgia: personal nostalgia, those in which one wishes to return to their past to relive it or return to their youth, either mentally or physically; and false nostalgia, or the longing for a past that one has not personally experienced, usually having occurred before one's time. Music functions in this way by creating a process of historical recreation through both atmosphere and sonic codes in order to produce nostalgia.

Psychology

Music functions in various ways in a nostalgic context through these two lenses. Many cases of nostalgia also function as the exhibition of the power of emotion in music. In personal nostalgia, simply hearing a song from one's past, whether popular during the person's past or one that can be associated with a specific moment or event, can trigger a longing for the past in the same way that a scent can trigger a similar memory. In the case of secondary nostalgia, music that is from a past that one has not personally experienced, such as a brass band playing a folk song, can trigger a feeling in the listener of a long to return to a simpler time or place in order to escape the hustle and bustle of everyday life.

It is not simply the sound of a piece of music that renders nostalgia, but also its structure allows for this association. The very nature of music evokes strong emotions while emotions enhance memory processes. One proponent of this idea that the feeling that the music evokes is not inherent in the music, but rather in the memories or events that the music reminds one of, is John Booth Davies in his “they're playing our tune” theory. Similarly, Patrik N. Juslin and Daniel Västfjäll's theory of the underlying mechanisms in music that produce appropriate emotional responses supports this idea. Musical scores that evoke nostalgia tend to gravitate toward an earlier moment in the music through a series of passages that move away from the home key and ultimately return to it, representing an attempt to return home and return to origins that characterize the nostalgic experience. This places the nostalgic experience hand-in-hand with the utopian experience because one tends to think of the past as a perfect time and place.

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