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Feature
A feature is any property of a sensory stimulus. In this meaning, there are two main types of features: a local one, which is a characteristic of part of the stimulus, and a global one, which is a characteristic of the stimulus as a whole.
In a more scientific approach, a feature is a discrete (discontinuous) element of mental representation of knowledge with clearly defined boundaries. The reality is represented by a system of features and the relations between them. These features as well as relations must act simultaneously so that a meaning can be created. For example, the meaning that is attached to traffic lights results from the integration of features: the shape of the light signal, the color of the light, and, probably, some features of context. A proper meaning of information emerges only when these features are inherently related with each other. Other relations between them or lack of any feature give no meaning or, eventually, a completely different meaning; for example, one does not stop at the sight of a printed image of a red traffic light.
The modern word feature also refers to any of the characteristic elements of a face, like eyes, ears, mouth, nose, etc. Feature detector is specified for detecting specific features. These are individual neurons responding selectively to a particular feature, like an edge detector, a bar detector, or a cell responsible for facial recognition in the visual cortex. In earlier times, the French word faiture meant “feature” and the Latin words factura and facere, respectively, meant “a making” and “to make.”
Feature Theories and Models
Feature theories and models is the large group of conceptions that consider, in the process of categorization, examining individual features of an object or a concept and comparing them to the defined list of attributes of the prototype model from the class of objects or concepts. Definitional features are those that are held by all objects of a class and are necessary and sufficient to define some concept, for example, for the class of dogs, it is barking. Feature theories do not explain relations between features, which is regarded as their flaw.
Feature comparison model. Feature comparison model refers to a group of theories of concept formation, according to which the process of categorization of whether or not an object belongs to some class is made on the basis of comparative analysis of the features of the object with those of the class. For example, some object that is considered to be a bird belongs to the class of birds because it has features from the birds' class: it is a living organism, has wings, plumage, and so on.
Feature detection theory. Feature detection theory is also called feature abstraction theory and refers to a group of theories according to which a perception of an object is based on recognition of individual features and grouping them to a form of coherent, specific pattern. For example, if the object has four paws, pelage, and can bark, it must be a dog. Feature detection theory differs from feature comparison model by features operations: in detection theory, features of an object are gathered and then assembled into a coherent pattern, whereas in comparison model they are compared with a class.
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- Aesthetics and Emotion
- Action Tendencies
- Aesthetic Response
- Affect
- Arousal, Emotional
- Authenticity
- Belief
- Circular Tones
- Cues and Signals
- Emotion
- Emotional Contagion
- Emotions, Aesthetic
- Emotions, Mixed
- Emotions, Primary and Secondary
- Empathy
- Evaluative Conditioning
- Meaning
- Mood
- Music Preference
- Musical Semantics
- Nostalgia
- Personality
- Rating Scales
- Relativism, Cultural
- Repetition
- Sad Music, Psychological Implications of
- Schema
- Style
- Subjectivity
- Syntax
- Tension
- Violence and Aggression
- Business and Technology
- Access, Digital
- Advertising
- Affordance and Appropriation
- Algorithm
- Appraisal
- Arthouse
- Authorship
- Classification, Music Store
- Computer Music
- Consumerism
- Copyright Law
- Copyright, Defined
- Driving While Listening to Music
- Green Music Alliance
- Lyrics
- Marketing
- Music Journalism
- Musical Instrument Digital Interface
- Pay to Play
- Payola (Radio)
- Phonograph
- Royalties
- Sectors, Music Industry
- Song
- Songwriting as Profession
- Touring
- Workout Playlists and Portable Devices
- Communities and Society
- Algerian Raï
- Antiestablishment Music
- Antiwar Music
- Apartheid
- Attunement and Affiliation
- Bards
- Blind Musicians
- Campaigns
- Civil Rights, U.S.
- Database Studies
- Diplomacy
- Ecological Validity
- Enculturation
- Fascism
- Fight Songs
- Generation
- Historical Musicology
- Indigenous Music
- Mass Hysteria
- Music Collectives
- Oral Tradition
- Patriotism
- Poetry
- Political Music
- Protest
- Race
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- Terrorism
- Troubadour
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- Chords, Perception of
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- Community Music
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- Cultural Heritage
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- Cultural Meaning of Gender, Music and
- Cultural Renaissance
- Dance
- Death
- Drugs, Recreational
- Ecomusicology
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- Ethnographic Studies
- Ethnomusicology and Ethnomusicologists
- Everyday Uses of Music
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- Social Networking
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- Auditory Stream Segregation: Applications
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- Distraction
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- Feature
- Features, Independence and Interaction of
- Fourier Analysis
- Generative Theory of Tonal Music
- Gesture
- Harmonicity
- Harmony
- Hearing Damage
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- Humor
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- Imaging Techniques
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- Instruments
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- Melody Processing
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- Music, Definitions of
- Musical Meme
- Musical Research, Causal Effects in
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- Noise Versus Music
- Observation Techniques, Ethnomusicology
- Pattern
- Pitch Perception
- Pitch Perception: Development
- Pitch, Absolute
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- Pitch, Relative
- Post-Tonal Music
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- Protolanguage
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- Scale
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- Systematic Musicology
- Timbre
- Tonal Pitch Space
- Tonality
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- Evolutionary Psychology
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- Achievement, Musical
- Anxiety, Performance
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- Motor Skill Acquisition
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- Musicking
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- Notation
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- Performance
- Practice
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- Sight Reading
- Singing, Acoustics
- Singing, Pedagogy of
- Singing, Psychology of
- Statistical Learning
- Theory
- Training
- Voice and Musical Identity
- Voice Leading, Rules of
- Neuroscience
- Achievement, Academic
- Applied Musicology
- Arousal, Science of
- Attention
- Brain Specialization for Music
- Brain Waves
- Cognition and Learning, Childhood
- Cognitive Constraints
- Critical Period
- Entrainment
- Episodic Memory
- Facial Expression
- Fetal Development
- Genetic Basis of Music
- Hemispheric Asymmetry
- Hormones
- Immune System
- Melodic Intonation Therapy
- Mirror Neurons
- Modularity
- Motivation
- Mozart Effect
- Music Exposure, Short-Term Effects of
- Music Training, Long-Term Effects of
- Neural Network Models
- Neurotransmitters
- Parkinson's Disease
- Physiological Responses, Peripheral
- Plasticity
- Prodigy
- Psychoacoustics
- Psychoanalysis
- Second Language Acquisition
- Sleep
- Perception, Memory, and Cognition
- Accent
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- Auditory Stream Segregation: Applications
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- Background Music
- Circle of Fifths
- Complexity
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- Dissociation
- Earworms
- Embodied Cognition
- Executive Function
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- Expressive Timing
- Feedback, Role of
- Fusion
- Gestalt
- Hierarchical Organization
- Implication–Realization
- Implicit Learning
- Individual Differences
- Memory
- Meter
- Modulation
- Multimodality
- Music Cognition
- Perception
- Priming
- Rhythm
- Roughness and Beats
- Semiotics
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- Structure
- Synaesthesia
- Tactus and Pulse
- Tempo
- Theory of Mind
- Timing
- Transfer Effects
- Politics, Economics, and Law
- Therapy, Health, and Well-Being
- Aging
- Autism Spectrum Disorder
- Belonging
- Cancer
- Communicative Musicality
- Cooperation
- Dementia
- Health and Wellness
- Health Care
- Health, Public
- Intimacy and Affiliation
- Language Disorders
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- Music Therapy
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- Musical Disorders
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- Relaxation
- Rhythmic Auditory Entrainment
- Self-Esteem
- Social Bonding
- Social Exclusion
- Special Needs
- Speech Therapy
- Spirituality
- Stroke
- Suicide
- Synchronization
- Teamwork, Music Education and
- Trauma, Post-Traumatic Stress Disorder
- Vibrotactile Devices for the Deaf
- Well-Being
- Workout Playlists and Portable Devices
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