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Enculturation refers to the acquisition of one's own culture, including its values, behaviors, beliefs, understandings, social norms, customs, rituals, and languages. A term used in sociology and anthropology, it can be thought of as a socialization process whereby family members, peers, and other members of society help people learn normative social standards. In so doing, individuals become “insiders” of their own cultures, gain a sense of identity, and are then able to fit into and survive in their societies. Enculturation occurs as a result of both conscious and unconscious conditioning, through formal and informal means, and is often regarded as an ongoing, lifelong process.

Like enculturation, acculturation is also a socialization process; however, acculturation occurs whenever two different cultures meet. Although acculturation may result in modifications in both cultures, the changes are more likely to be felt in the subordinate rather than the dominant culture. In some cases, the minority culture may even be completely absorbed, supplanted, or acquired by its majority counterpart. Although enculturation and acculturation are conceptually distinct, it may be difficult to disentangle the two in the phenomenal world. This is especially so in pluralistic societies. As cultures and subcultures intermingle, identities are often mixed; it becomes difficult to say precisely just what constitutes one's own culture, thereby blurring boundaries between enculturation and acculturation. In some societies, acculturation may be considered a part of enculturation rather than a separate socialization process.

Musical Enculturation

From infancy through adulthood, humans are musically enculturated into the musical worlds of the cultures they are born into, grow up in, and live in. Children often form their musical identities due to initial exposure in their families; as they mature, the web of musical influences gradually increases in complexity. Through the shaping of the environment and active participation in the social rituals of music making, as well as formal and informal instruction, humans develop culturally specific frameworks and musical schemata through which they perceive music. They assimilate the values and ideals of their musical cultures, including their expressive and aesthetic norms, as well as the use of music in different social, cultural, and political contexts.

Research in Musical Enculturation and Perception

Researchers have investigated musical enculturation over a wide range of age groups and across multiple cultures. Research with Western infants has shown that infants who actively participated in a music class were enculturated to Western musical norms earlier than those who experienced music passively. In another study, children without formal music training were found to be musically enculturated into Western harmony by 4 and 5 years of age. Furthermore, qualitative research found that children from Irish American, Mexican American, Vietnamese American, African American, and Native American families became musically enculturated in the United States through musical speech, media and technology, and active engagement with ethnic cultures in America. On the Asian front, findings from research with five diasporic Chinese xianshi musicians in Hong Kong indicated that their musical enculturation from their homeland might have contributed to their value of and long-term commitment to making music.

Research evidence indicates possible links between musical enculturation and musical memory. For example, research involving native-born participants from the United States and Turkey found that all subjects were more adept at remembering music from their own cultures, suggesting that enculturation influences the ways in which humans process and recognize musical information. In a follow-up study involving children and adults born in the United States, all participants were better able to remember music from their own culture than music from the Turkish culture.

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