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    [MARCHING BAND PLAYING]

Death can be defined as the suspension of all biological operations that are required to sustain a living organism. Death can occur from a number of factors, including biological aging, disease, suicide, murder, accidents, trauma, and malnutrition. Over the course of history, the views and ways that people have dealt with death continuously change and adapt. When studying death rituals and the ideology of death, it is found that people use music to surround the individual before dying, as they are dying, and after they have died, as well as the subject of death for discussion and exploration in songwriting. Just as death is a part of every life, music is also, and as a result many connections are seen in the history of the study of death and themes of music in association with death.

The history of death is very largely one that shows how people have shared a belief in some sort of life after death. While there are individuals who do not believe in life after death, it has been exceptional for any society to have held such a view; among the major exceptions appear to be societies following communist ideology. Theological approaches have provided one of the most extensive avenues of inquiry, largely because religions have provided the major means for dealing with death in humans. Anthropological and sociological studies focus on the common features of mourning and funerary rites, and psychological approaches focus on individuals and the inner dynamics of personal identity in relation to death, grief, bereavement, and fear of death. In studying the history of death, it is apparent that music plays a key role in the way humans live, grieve, and die.

Ancient Civilizations: Fifth Century B.C.E. to Fifth Century C.E.

In ancient Egypt, there was a complex and detailed belief in the afterlife. The monuments, inscriptions, artifacts, and pyramids all show a history of belief in the body and soul continuing after death. Music was an essential aspect of religious worship in Egypt and was often integral in the afterlife ceremonies, pyramids, and tombs. Many tombs, paintings, and scenic drawings depict performances of music and dance, and inscriptions in tombs dictate mortuary offerings through song and chant.

In ancient Greece and Rome, music also played an important role in funeral processions and death rituals. Apollo, a Greek god whose many attributes include music, is associated with medicine and healing, and yet Apollo was also seen as a god who could bring ill health and deadly plague. Apollo is an example of a Greek god who demonstrates the connection between death, healing, and music. Orpheus was another prominent Greek figure who played music so “magically” that he could soothe wild beasts.

Music has been associated with medicine since Paleolithic times. In ancient Greece, philosopher and mathematician Pythagoras was linked with connecting music and healing. Sixth-century philosopher and theologian Boethius claimed that harmony provided a balancing effect for different parts of the body and the soul. In other ancient civilizations, similar trends are seen making a connection between music and death. When a death was announced in ancient India, drummers were hired to send out a distinctive rhythm that would spread throughout the village and beyond. The Tibetan Book of the Dead examines the use of chanting for the purpose of assisting the person who has died as he/she begins their afterlife. It is clear that music was an essential part of the dying process dating back to many centuries B.C.E. and that people viewed music in relation to the spirit.

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