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According to the National Institutes of Health–National Institute on Deafness and Other Communication Disorders, approximately 41,500 adults and 25,500 children have received cochlear implants in the United States. A cochlear implant is an electronic auditory prosthesis designed to provide individuals with severe to profound hearing loss access to speech and spoken language. An external microphone picks up and converts sound into an electrical signal. A speech or sound processor then manipulates the electrical signal based on one's understanding of speech perception. An external transmitter passes the electrical signal to an internal receiver, which then sends the electrical signal to an array of electrodes located in the cochlea that stimulate auditory nerve fibers. Although there is substantial variability in outcomes across individual cochlear implant recipients, cochlear implants generally transmit speech signals well enough for speech and spoken language understanding. However, cochlear implants do not transmit suprasegmental information, such as pitch and timbre, very well, leading to potential deficits in music perception and production.

There are several reasons why cochlear implants are poorer at transmitting pitch and timbre than traditional speech cues. One important factor is that the electrode array cannot be fully inserted into the cochlea. A typical electrode array will span one and one-half of the possible two and one-half turns of the cochlea. If there is ossification, surgeons can drill only a straight line into the cochlea, resulting in even fewer inserted electrodes. This means that the cochlear implant will transmit all of the environmental frequencies onto a limited portion of the basilar membrane of the cochlea, and the likelihood of these frequency bands matching the tonotopic portion of the basilar membrane is very low. In other words, the electrical stimulation is both frequency-compressed and frequency-shifted. Moreover, there are at most 24 electrodes providing the stimulation that approximately 13,000 inner ear hair cells would provide in a normal-hearing ear, and there are overlapping regions of stimulation from adjacent electrodes. Finally, there is a lack of fine-temporal structure in the stimulating pattern of electrical activity. These factors, among others, converge to provide limited pitch and timbre information to cochlear implant recipients. Nevertheless, cochlear implant users continue to report listening to and participating in music. What do they hear when they listen to music?

Music Perception in Postlingually Deafened Adults

Early studies assessing discrimination of melodic and rhythm patterns in postlingually deafened adults who received the first generation of cochlear implants revealed that the adults performed better on rhythm than melodic discrimination but still scored above chance on both tasks. Nevertheless, listeners could correctly identify very few of the tunes themselves. The adult cochlear implant users also had difficulty identifying the instruments playing the melodies, and there was a wide range in ratings of the pleasantness of the instruments.

Although there have been a number of technological advances in cochlear implants in the two decades following these studies, the pattern of poorer pitch and timbre perception and intact rhythm perception has remained quite similar in follow-up studies of music perception in adults with cochlear implants. Specifically, cochlear implant users have greater difficulty than adults with normal hearing on pure tone discrimination, discrimination of complex tones separated by less than 7.5 semitones, pitch ranking, melodic contour identification (particularly when interval size is less than 5 semitones), chord discrimination, identifying the number of pitches in 1- to 3-pitch chords, and instrument/timbre identification. Pitch perception deficits may result in poorer melody recognition and identification of real-world music in adults with cochlear implants compared to adults with normal hearing. However, pitch perception performance is rarely correlated with music recognition. It is also important to note that there is considerable variability in results across cochlear implant recipients and they do recognize some melodies; their performance is not at zero or chance levels, particularly with the addition of rhythm cues and lyrics.

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