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Brain Stem
The brain stem is a collection of neural structures lying between the spinal column and the cerebrum. For researchers interested in music, the brain stem is important due to its significant role in the neural processing of acoustic information. This processing involves not only high-fidelity transmission of signals from the auditory periphery to the auditory cortex but also connects the auditory system to neural systems dealing with affect and evolutionarily primitive mechanisms that may facilitate self-monitoring and environmental monitoring for optimizing survival in an uncertain world.
Auditory Brain Stem: Overview
The auditory brain stem serves as a primary link in the path in which signals from the peripheral auditory system (the structures of the ear, from the outer ear—the pinna—up through the inner ear—the cochlea) travel to the cortex. Important structures in the auditory brain stem include the inferior colliculus and superior olivary complex. The inferior colliculus (IC) receives inputs from a number of other neural structures, notably, the cochlear nuclei. The IC is not merely a passive, afferent transmitter of signals to the cortex, however; it is responsible for a significant amount of signal integration in both the frequency and time domains, and receives somatosensory signals as well as more purely auditory ones. Thus, the IC is centrally involved in many sensory processes. In addition to receiving, processing, and transferring neural information upstream to the cortex, the IC receives efferent neural signals back from cortical regions. The superior olivary complex (SOC) receives its primary inputs from the cochlear nuclei and is important in processing binaural information. The SOC is crucial for processing of interaural time differences, at resolutions on the order of microseconds, and also interaural amplitude differences. These two acoustic features are some of the most important for perceptual lateralization of sound, a key aspect of sound localization; the IC is also involved in sound lateralization.
Methods of Investigating Brain Stem Function
Brain stem investigations use different methods for different species. For nonhuman studies, intercellular recordings may be used; however, with human subjects, scalp electrodes are used to noninvasively record the auditory brain stem response, or ABR. The ABR can be recorded easily in passive listening conditions (even while subjects are asleep); a common practice is to present the auditory stimuli of interest while participants are watching a subtitled film with the audio turned off. Although a cortical montage based on the 10–20 system may be used, the ABR can be recorded with only a few electrodes, and optimal recording parameters for ABR and cortical signals are quite different. One common question that emerges in discussions of ABR recordings is determining the source of the signal to be analyzed (cortical versus subcortical). Neurons in the brain stem phase lock to acoustic signals in a distinctive manner, allowing differentiation of brain stem and cortical responses.
The signals recorded from the ABR can be related to the acoustic signals that stimulated them with a high degree of fidelity (although there is significant high frequency roll-off). This means that the ABR can be compared with the originating acoustic signal in both time and frequency domains to examine the way in which the neural system transduces acoustic inputs. A number of types of acoustic signals have been studied with respect to the ABR. The first is a simple impulse sound, or “click.” ABRs to click signals have been used for decades and are commonly used in clinical settings for assessment of hearing disorders, particularly in infants and children; pure tones may also be used for these purposes. More complex stimuli can also be used, including speech sounds, whether synthesized (for example, a Klatt-synthesized syllable such as “dah”) or natural (such as spoken phrases or a baby's cry), and musical sounds such as instrumental tones, melodies, or chords.
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- Aesthetics and Emotion
- Action Tendencies
- Aesthetic Response
- Affect
- Arousal, Emotional
- Authenticity
- Belief
- Circular Tones
- Cues and Signals
- Emotion
- Emotional Contagion
- Emotions, Aesthetic
- Emotions, Mixed
- Emotions, Primary and Secondary
- Empathy
- Evaluative Conditioning
- Meaning
- Mood
- Music Preference
- Musical Semantics
- Nostalgia
- Personality
- Rating Scales
- Relativism, Cultural
- Repetition
- Sad Music, Psychological Implications of
- Schema
- Style
- Subjectivity
- Syntax
- Tension
- Violence and Aggression
- Business and Technology
- Access, Digital
- Advertising
- Affordance and Appropriation
- Algorithm
- Appraisal
- Arthouse
- Authorship
- Classification, Music Store
- Computer Music
- Consumerism
- Copyright Law
- Copyright, Defined
- Driving While Listening to Music
- Green Music Alliance
- Lyrics
- Marketing
- Music Journalism
- Musical Instrument Digital Interface
- Pay to Play
- Payola (Radio)
- Phonograph
- Royalties
- Sectors, Music Industry
- Song
- Songwriting as Profession
- Touring
- Workout Playlists and Portable Devices
- Communities and Society
- Algerian Raï
- Antiestablishment Music
- Antiwar Music
- Apartheid
- Attunement and Affiliation
- Bards
- Blind Musicians
- Campaigns
- Civil Rights, U.S.
- Database Studies
- Diplomacy
- Ecological Validity
- Enculturation
- Fascism
- Fight Songs
- Generation
- Historical Musicology
- Indigenous Music
- Mass Hysteria
- Music Collectives
- Oral Tradition
- Patriotism
- Poetry
- Political Music
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- Race
- Revolutions
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- Terrorism
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- World Music
- Culture and Environment
- Anthems
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- Cultural Heritage
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- Cultural Meaning of Gender, Music and
- Cultural Renaissance
- Dance
- Death
- Drugs, Recreational
- Ecomusicology
- Environmental Causes and Campaigns
- Ethnocentricity
- Ethnographic Studies
- Ethnomusicology and Ethnomusicologists
- Everyday Uses of Music
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- Fieldwork
- Folk Music
- Gender
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- Habitus
- Human Behavior, Music as
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- Identity
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- Immigrant Communities
- Inspiration
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- Men
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- Nature, Music in
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- Philosophy
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- Prosody
- Religion
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- Social Networking
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- Whale Songs
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- Women
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- Elements of Musical Examination
- Analogy, Metaphor, and Narrative
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- Architectural Acoustics
- Atonality
- Auditory Stream Segregation: Applications
- Auditory Stream Segregation: Boundaries
- Auditory System
- Behavioral Measures
- Brain Stem
- Case Studies
- Categorical Perception
- Closed Systems
- Closure
- Cochlear Implant
- Computer Models of Music
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- Consonance and Dissonance
- Continuous Response Measurement
- Converging Evidence
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- Distraction
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- Fourier Analysis
- Generative Theory of Tonal Music
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- Harmony
- Hearing Damage
- High Fidelity
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- Imaging Techniques
- Information-Processing Paradigm
- Instruments
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- Interval
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- Mode
- Music, Definitions of
- Musical Meme
- Musical Research, Causal Effects in
- Nature–Nurture
- Noise Versus Music
- Observation Techniques, Ethnomusicology
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- Pitch, Absolute
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- Evolutionary Psychology
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- Motor Skill Acquisition
- Movement
- Music Analysis
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- Musicking
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- Notation
- Originality, Measures of
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- Performance
- Practice
- School Bands and Choirs
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- Singing, Pedagogy of
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- Statistical Learning
- Theory
- Training
- Voice and Musical Identity
- Voice Leading, Rules of
- Neuroscience
- Achievement, Academic
- Applied Musicology
- Arousal, Science of
- Attention
- Brain Specialization for Music
- Brain Waves
- Cognition and Learning, Childhood
- Cognitive Constraints
- Critical Period
- Entrainment
- Episodic Memory
- Facial Expression
- Fetal Development
- Genetic Basis of Music
- Hemispheric Asymmetry
- Hormones
- Immune System
- Melodic Intonation Therapy
- Mirror Neurons
- Modularity
- Motivation
- Mozart Effect
- Music Exposure, Short-Term Effects of
- Music Training, Long-Term Effects of
- Neural Network Models
- Neurotransmitters
- Parkinson's Disease
- Physiological Responses, Peripheral
- Plasticity
- Prodigy
- Psychoacoustics
- Psychoanalysis
- Second Language Acquisition
- Sleep
- Perception, Memory, and Cognition
- Accent
- Agency
- Auditory Stream Segregation: Applications
- Auditory Stream Segregation: Boundaries
- Background Music
- Circle of Fifths
- Complexity
- Decoding
- Dissociation
- Earworms
- Embodied Cognition
- Executive Function
- Expectancy
- Expressive Timing
- Feedback, Role of
- Fusion
- Gestalt
- Hierarchical Organization
- Implication–Realization
- Implicit Learning
- Individual Differences
- Memory
- Meter
- Modulation
- Multimodality
- Music Cognition
- Perception
- Priming
- Rhythm
- Roughness and Beats
- Semiotics
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- Structure
- Synaesthesia
- Tactus and Pulse
- Tempo
- Theory of Mind
- Timing
- Transfer Effects
- Politics, Economics, and Law
- Therapy, Health, and Well-Being
- Aging
- Autism Spectrum Disorder
- Belonging
- Cancer
- Communicative Musicality
- Cooperation
- Dementia
- Health and Wellness
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- Intimacy and Affiliation
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- Music Therapy
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- Musical Disorders
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- Self-Esteem
- Social Bonding
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- Special Needs
- Speech Therapy
- Spirituality
- Stroke
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- Synchronization
- Teamwork, Music Education and
- Trauma, Post-Traumatic Stress Disorder
- Vibrotactile Devices for the Deaf
- Well-Being
- Workout Playlists and Portable Devices
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