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Jocasta, also known as Jocaste or Epikasté, is a character in Greek mythology. Daughter of Menoeceus of Thebes and sister of Creon and Hipponome, she marries King Laius and becomes the Queen of Thebes, Greece. Before their first child is born, her husband consults an oracle, which divines that their son is destined to kill his father. Hence, when they have their first child, a boy, Laius pierces the feet of the baby and gives him to a herdsman to kill him outside of the city. (In some versions of the myth, Laius abandons the baby outside the city, and the herdsman finds him by chance.)

The herdsman takes him to King Polybus of Corinth, and the childless couple names the boy Oedipus and raises him as their own child. After he grows up, Oedipus is also told of the prophecy that he is going to kill his father and sleep with his mother. He then leaves Corinth for Thebes in the hope that he can avoid the prophecy. However, he gets involved in a dispute with King Laius as he is traveling, and kills him without realizing that Laius is his true father. The widowed Jocasta then marries Oedipus, not recognizing him as her own son. From her son Oedipus, she gives birth to Antigone, Eteocles, Polynices, and Ismene.

In the Sophocles version of the story, when Jocasta discovers that she married her own son and bore children from him, she commits suicide by hanging herself, and Oedipus pierces his eyeballs with her brooches. In the Euripides version in Phoenician Women, Jocasta commits suicide by stabbing herself in the throat with a sword upon witnessing the death of her sons (and grandsons) Eteocles and Polynices, who slay each other in a battle for Thebes. In this version, Jocasta is described as an optimistic rationalist. She appeals to traditional wisdom and sophisticated theorizing about the order of things in her vain attempt at reconciliation between her two sons to avoid the approaching calamity.

Theories and Taboos

In psychoanalytic theory, the Jocasta Complex refers to a mother's libidinous fixation on a son. Jocasta has also been interpreted as the personification of an ongoing developmental need on the part of all mothers to separate from their children, coupled with a universal longing for reunion.

The story of Jocasta also reproduces the incest taboo. As a story of fate and human misery, the myth of Oedipus and Jocasta constructs patricide and incest among the worst of all evils. The story also delineates a woman's duties of affective performance to her family. Jocasta's marriage to her husband's murderer is presented as an acceptable act. On the other hand, in the Euripides version, Jocasta commits suicide after her sons kill each other. In the Sophocles version, she commits suicide after she learns that she had an incestuous affair with her son. In either case, the stories stress a mother's duty to protect her children. Jocasta's failure in protecting her children from herself or from each other results in the loss of her dignity, leaving suicide—the ultimate performance of affect—as the only option.

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