Skip to main content icon/video/no-internet

Buchi Emecheta was born in Lagos, Nigeria, in 1944 and moved to London in 1960, where she started a family and worked in a library. She became a student at London University in 1970, and later became a community worker. Her writing explores the intersecting issues of race, gender, and class, and focuses in many cases on the struggles of young, poor, black, and often single mothers.

Emecheta is a formidable voice in African women's literature, and a prolific one as well. She has written more than 11 novels, an (official) autobiography, two children's books, four juvenile novels, and four plays. Besides this, she has written numerous personal and critical essays and is a regular contributor to the New Statesman, the Times Literary Supplement, and The Guardian, and runs her own publishing house with her son. Not only is her writing widely read and acclaimed, it also provided a living for her and her five children while they were growing up. In fact, all of her children were born prior to the publication of her first book, which was published before she even finished her bachelor's degree.

The Joys of Motherhood

The Joys of Motherhood (1979) concerns a Nigerian village woman who believes her purpose in life was to bear and nurture children. She escapes a barren marriage and flees to Lagos, where she bears and raises children only to see them grow up and move away. She thus misses out on the “joys of motherhood” she anticipated: growing old among her children and grandchildren. The novel, set in the 1930s, is a critique of colonialism as well as traditional Nigerian society.

Emecheta is credited for successfully integrating her personal and intellectual life with her role as a mother and a woman, and is able to write characters who are also able to integrate many roles. Her writing explores Igbo culture, both before and after colonialism's impact. She also writes (fictionally) about her experiences of immigrating to London during the early years of her marriage. She exposes the problems of sexism, racism, and poverty, and proposes solutions; but above all, she challenges. She critiques both Igbo traditional culture and the fragmentation that colonialism caused within it.

Critics often call her a feminist, implying the Western meaning of that term by claiming that if she exposes or challenges problems in the Igbo system, she has changed allegiances from Nigeria to the West. It is easy for a Western reader to see Emecheta's criticisms as an indictment of an entire culture, but Emecheta commends what is good in Igbo tradition, especially those characteristics of tradition that give women power. Therefore, the importance of African feminism is a force in her works. Specifically, Emecheta seems to show her characters relying especially on the African feminist tenets of adaptability, networking, and survival strategies in her novels.

Furthermore, her novels, especially as evidenced in The Joys of Motherhood (1979), are complex, in the same way that colonial and postcolonial cultures and subjects are complex. The women in her novels navigate many problems within and without their traditional cultures, often utilizing African feminism as a positive force in their lives. Therefore, Emecheta challenges both patriarchy and colonialism/imperialism. Emecheta was named one of 20 Best of Young British Writers by the Book Marketing Council in 1983. She has been a visiting lecturer in the United States and Nigeria, and earned an honorary doctorate from Farleigh Dickinson University. A recent novel is called The New Tribe and was published in 2000.

...

  • Loading...
locked icon

Sign in to access this content

Get a 30 day FREE TRIAL

  • Watch videos from a variety of sources bringing classroom topics to life
  • Read modern, diverse business cases
  • Explore hundreds of books and reference titles

Sage Recommends

We found other relevant content for you on other Sage platforms.

Loading