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Travel is a common topic for writers, yet travel journalism has a rather ambiguous definition. Though it appears at first glance to be fairly self-explanatory, the field as a whole is complex, broad, and lends itself to many different forms and styles of journalism. Indeed, it is difficult to pin down a single representative example of travel journalism, because it can be tailored to suit almost any literary need. In the sense of being any communication about a voyage outside one's immediate vicinity, travel journalism can be found in almost every type of publication or periodical. Magazines are devoted to the subject, newspapers have weekly columns, and popular travel destinations readily provide their own literature.

Why, then, is travel literature such a gray area if it is such a popular subject? The genre is certainly well known to almost everyone—whether in the form of a guidebook on a vacation hotspot, an exposé on political unrest in a foreign country, or a restaurant review from an out-of-town diner. Indeed, the average person comes across this form of journalism quite often. Many people fancy themselves to be amateur travel writers, imagining an Indiana Jones style of adventuring and coming back to tell tales of exotic locations. However, this glorified view does not accurately reflect the actual profession.

Development

In the broadest sense, travel journalism has been around since the written word began. Explorers, after surveying new land, would come back with tales of new cultures and places. Marco Polo's Il Milion was widely popular among thirteenth-century Europeans, and publications from missionaries and explorers were published for those who remained at home (and who often financed the voyages). In later centuries, tales came back to the old country extolling the beauties and abundance of the new American continent. Early-nineteenth-century writers became famous with tales of their voyages: notable authors like Herman Melville gained fame with his chronicles of voyages as a sailor (A Narrative of Adventures on the South Seas), as did Robert Louis Stevenson (In the South Seas), James Cook (The Journals of Captain Hook), and Paul Theroux (The Happy Tales of Oceana).

As technology expanded during the nineteenth and twentieth centuries, making faraway destinations less expensive and quicker to reach, greater accessibility allowed travel writing to rapidly develop. Early publications like National Geographic (first published in 1888) began as research journals but slowly changed to allow armchair travelers—those who read for entertainment value with no intention of traveling to the destinations covered—to go to remote, foreign locations. Although the magazine was published irregularly for the first decade of its existence, it had become a monthly magazine by the late 1800s. Initial readership was low but quickly escalated with the introduction of photography—most notably color photographs of the natural world by 1910. The boost that color photography, maps, and in-depth articles gave to National Geographic as it lengthened the magazine in the 1950s indicated that the thirst for travel coverage among the public was large. Many other publications stepped into the growing market. Travel and Leisure (introduced in 1971) targets budget-minded travelers, while Conde Nast Traveler (introduced in 1987) caters to higher-end travelers, although both claim to appeal to both demographics. Travel and tourism is ranked as the third largest retail-sales industry in the United States, so it is no surprise that the travel writing featured in books, magazines, and newspapers is so popular.

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