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Reporters, Radio
In a media era dominated by the alluring speed of immediate breaking news coverage on cable television and the Internet, the relevance of radio reporting is often marginalized. However, radio can be the fastest, most accessible way to hear breaking news. Without the luxuries of visuals and text, radio reporters must work harder and more creatively to take us to the scenes of stories with their vivid descriptions and use of sound. While the numbers of radio reporters are dwindling and news budgets at radio stations continue to shrink, radio reporting remains not just a relevant, but also a vital facet of the journalism landscape.
History
Radio reporting dates to the very beginnings of the medium. One of the first people to read news over the radio was Westinghouse Electric engineer Frank Conrad. He first read newspaper stories over the air in 1919. Westinghouse executive Harry Davis reported election-night results of the presidential race on November 2, 1920, an event often cited as the beginning of regular broadcasting.
In 1930, magazine editor Lowell Thomas initiated his regular network nightly news by reading 15-minute newscasts that were simulcast by NBC to the eastern half of the country and CBS to the western states. The program was called Lowell Thomas and the News. Radio reporting developed slowly during the Depression, limited by a “pressradio war” where newspapers tried to limit radio's use of news agency reports. That restriction in mid-decade forced larger stations in major markets to field their own reporters. The news agency restriction faded by the end of the decade. The late 1930s became a defining period for radio reporters, who were soon providing field reporting not just from America but also about the growing political crises in Europe and Asia that would lead to World War II.
CBS hired Edward R. Murrow as a manager of radio talks in 1935. Within a few years, now based in London, Murrow began to build the foundation of CBS News. Starting in 1938 he assembled a remarkable radio news war staff that would eventually include Charles Collingwood, Eric Severeid, William L. Shirer, and Howard K. Smith, among others. Murrow's own reporting often involved significant personal risk. His reports beginning with the words “This is… London” from London streets and rooftops during the 1940 German Blitz became classics. The combination of his evocative delivery and courageous storytelling encouraged people to listen to radio for news about the war. It was one thing to read about the war in the local newspaper, but thanks to Murrow and his colleagues at both CBS and NBC, American audiences could hear war updates much faster and in more vivid detail. By 1945, radio reporting had become a well-established form of journalism.
In the postwar years, radio news developed along two parallel lines—prestigious network reporting on regular newscasts and documentaries, and local station coverage that relied on news agency reports supplemented with local reporters. Despite the growth of television competition in the 1950s, news remained a mainstay of radio network programming.
In the 1960s, station owner Gordon McLendon and others modernized radio news by adding sound bites and natural sound from speeches, press conferences, and interviews, in addition to live reporting. This approach, basic to today's radio reporting, came about in part because of the growing competition from television news. Many talented radio reporters migrated to television stations. By the peak of the Vietnam War in the late 1960s, it was dubbed “The Living Room War” as the first conflict Americans watched instead of only hearing it on radio.
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- Audience
- Audience Research
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- Circulation, Controlled
- Mass Media, Decline of
- News Audiences, Decline of
- Polls and Public Opinion
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- Reporters, Radio
- Reporters, Television
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- Sportscasters, Television
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- Convergence
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- Editing, Online and Digital
- Internet Impact on Media
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- Reporters, Online
- Social Network Websites
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- Press and Government Relations
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- Agenda Setting
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- Editing, Newspaper
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- Electronic News Gathering
- Framing
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- Rip-and-Read News
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- Streaming Media
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- Discussion Boards
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- Electronic News Gathering
- Facsimile
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- News Aggregators
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- Printing
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- Type and Typography
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- British Broadcasting Corporation
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- Electronic Media Organizations
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- Facsimile
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- Fox News
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- Reporters, Television
- Satellite News Gathering
- Simulcasting
- Sound Bites
- Sportscasters, Television
- Streaming Media
- Tabloid Television
- Television News Magazines
- Video News Release
- Videotex and Teletext
- About the Volume Editor
- Volume Introduction
- Introduction
- Constitutional Amendments
- Antigovernment Issues and National Security
- Clear and Present Danger Speech
- Prior Restraint
- Libel Issues
- Privacy Protection
- Access to Public Records
- Reporter's Privilege to Withhold Information
- Intellectual Property Protection
- Regulating Electronic Media
- Further Readings
- Introduction
- General Professional Associations
- General Broadcast Organizations
- Print Organizations
- Interactive Media Organizations
- News Wire Services
- Further Readings
- Reporting Specializations
- Introduction
- Accreditation Standards in Journalism Education
- Journalism White Papers on Changes in Education and Media
- Schools of Journalism: Values and Curriculum
- Further Readings
- Audience Research
- Introduction
- Public Opinion
- Internet Impact on Media
- Newsroom Diversity
- Journalism Employment/Careers
- Key Trends in Journalism
- Further Readings
- Introduction
- The Pulitzer Prizes
- General Journalism Awards
- Specialized Journalism Awards
- Electronic Journalism Awards
- Photography and Editorial Cartooning Awards
- Introduction
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- Notes to the User
- Acknowledgments
- Section 1. General Reference
- Section 2. History
- Section 3. Technology
- Section 4. Journalism Business and Process
- Section 5. News Categories
- Section 6. Political Communication
- Section 7. Journalists
- Section 8. Regulation, Ethics, and Critique
- Section 9. Audiences
- Section 10. Global and Comparative Journalism
- Section 11. Journalism Periodicals
- Section 12. A Library User's Guide for Journalism and Mass Communication Subjects
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