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Storytelling is a central mode of human communication and journalists can be viewed as the primary narrators of public events in contemporary societies. News stories—the product of journalism—constitute a distinct, nonfictional narrative genre. They share with other types of narrative a reliance on storytelling devices as a means of making sense of the world, but differ in their structure, cultural authority, social roles, and relation to reality.

Influenced by what came to be called the “narrative turn” in human and social sciences, scholarly inquiries into narrative qualities of news emerged in the mid-1970s, gained considerable momentum by the early 1990s, and continued to flourish into the new century. Underlying these investigations was a growing recognition of the significance of narrative in understanding news. However, different academic traditions emphasize different dimensions of the relationship between news and narrative. From a literary or linguistic perspective, emphasis is on narrative forms and styles, while assuming that only part of news stories are structured as narratives or have narrative qualities. From a philosophical perspective, the emphasis is on the epistemological status of all news stories as constructions rather than objective representations of reality. From a cultural or folkloric perspective, emphasis is on roles played by news stories in expressing and reaffirming prevailing values, beliefs, and ideologies, particularly through creation and retelling of cultural myths. These three different perspectives are reviewed in turn.

News and Narrative Forms

As a particular news form or writing style, narrative news stories are often described as standing in opposition to the inverted pyramid style (where facts are presented in a descending order of importance), simple chronicles, or the more general “information model” of journalism, which emphasizes factuality over aesthetics or emotion. The information model, which developed towards the end of the nineteenth century and gained prominence in the twentieth, marginalized the once-prevalent narrative style in favor of a fact-centered, “hard news” style. However, narrative journalism has gained renewed popularity in the early twenty-first century, where traditional news outlets are looking for strategies to combat declining readership, and provide added value to available online information. Narrative journalism, which goes beyond a mere rendering of facts, is one such strategy.

A narrow definition of narrative news stories refers to texts that begin with an anecdote rather than a summary lead and proceed to describe events in sequential order rather than presenting information in a descending order of importance. A broader view of narrative forms in news suggests that news stories incorporate narrative devices as wide-ranging as temporal structure, setting, point of view, characterization, personalization, conflict, dialogue, suspense, climax, metaphors, or irony. These varied narrative strategies can be found in different combinations and to different degrees in print or broadcast news texts. They also serve multiple aims, from capturing readers'/viewers' attention through ideological framing, to establishing journalistic authority. News texts are thus seen as having different degrees of narrativity rather than being narratives or not. Similarly, while narrative style is often associated with soft news, human interest stories, magazine journalism, tabloids, or “new journalism,” researchers have widely demonstrated the presence of narrative elements in hard news and mainstream journalism, including bastions of “information journalism” like The New York Times. One can therefore see different journalistic modes—such as soft versus hard news or tabloids versus broadsheets—as different positions on a “storytelling continuum.”

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