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Miami's media landscape has undergone substantial change since 1960. For decades, the city's major media outlets were predominantly English language. But media industry development shadowed the social and demographic transformations of the city, and by the end of the twenty-first century, Miami was an international center of English-and foreign-language media catering to diverse audiences. Because of this heterogeneity, media in Miami serve many different functions beyond simply being means of disseminating information. They have served, among other roles, apparatus for cultural assimilation (helping exile groups adjust by learning more about host country characteristics), or conversely, instruments for cultural maintenance (when immigrants seek information from their home countries in order to remain distinct from host cultures); networks of communication and assistance for members of émigré communities; arenas of conflict between and within groups; and instruments for accountability for a city with historical problems of corruption and lax oversight. The transformation of Miami's population also presents compelling challenges for journalists working in the city. Media professionals in Miami must be aware of issues not only relevant to very culturally heterogeneous audiences but also of those in global news that have import for large immigrant communities.

Development

Development of Miami's modern media scene began with the incorporation of the city in 1896, pushed by growing investor interest in the then-sleepy Southern outpost. The Miami Metropolis (later, the Miami Daily News and then The Miami News) was founded that year. Frank Shutts, backed by railroad magnet Henry Flagler, bought the Miami Morning-News Record (an earlier version had been established in 1903) in 1910 and changed its name to the Miami Herald. Frank Stoneman became the editor, after a stint at a newspaper in Orlando. By 1913, Shutts was able to buy Flager's portion of the paper and the purchase proved to be financially fruitful, as a thriving real estate sector poured advertising dollars into the newspaper and circulation soared. Devastation wrought by a powerful hurricane in 1926 and the subsequent Great Depression curbed investor enthusiasm in the area to a certain extent. But the lure of beautiful beaches, exotic nightlife, cheap land, and little regulation continued to draw many. Indeed, Miami's later reputation as a sun-drenched Sin City had deep historical roots. Researcher Aurora Wallace (2005) characterizes Miami in the early part of the twentieth century as a glamorous tourism center lined with pristine beaches and steeped in a balmy climate, but stricken with corrupt governance, lawless behavior such as gambling, smuggling and prostitution, deep poverty, and racism.

Nevertheless, the regions' seemingly endless financial opportunities continued to beckon investors and spur industry development. A newspaperman from Ohio, John Knight, acquired the Miami Herald in 1937 for $2.25 million. Broadcasting began with the first radio stations in the early 1920s. Television operations first aired after World War II. WTVJ began broadcasting as a primarily CBS affiliate in 1949, the first local news station in South Florida (later becoming an NBC affiliate). South Florida's beautiful natural resources spurred change in terms of covering the environment: Frank Stoneman's daughter, Marjory Stoneman Douglas, had begun writing for The Herald. In 1947, she published her famous work The Everglades: River of Grass, which brought much publicity to Florida's lush natural life and made Douglas famous as one of the country's most-recognized environmental journalists.

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