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Docudrama
A docudrama is a reenactment, or dramatization, of current or historical events. Docudrama combines fictional elements with the re-creation of events and with documentary. It is, as the word suggests, documentary drama, a hybrid of the real and the fictional. Docudrama has also been called nonfiction drama and reality-based drama.
Scholars, filmmakers, and critics disagree about many aspects of docudrama, including what it should be called. They also disagree about the definition of this hybrid. Some scholars argue that the docudrama has received insufficient study. There is, however, general agreement that whatever docudrama is, it is an immensely popular form of information and entertainment and it continues to find a large and avid audience.
It has been noted that, unlike documentary, there is no pure form of docudrama. Most docudramas might be categorized as reconstructions of dramatic stories, including investigative reconstructions. An important subgenre of docudrama is biography, or the biopic. Many analysts consider Disraeli (1929) to be the first biopic. However, there were others that came before, including a French cinematic depiction of the life of Napoleon in 1914.
During the 1930s, when the biographical film was first recognized as a genre in the United States, it became a Hollywood staple and a significant number of them were commercial and artistic successes. Among the films were Alexander Hamilton (1931), Voltaire (1933), The Story of Louis Pasteur (1935), The Life of Emile Zola (1937), and Juarez (1939). While many of Hollywood's earliest biopics did not depict Americans, that oversight was soon corrected. In the late 1930s, Young Mr. Lincoln and Abe Lincoln in Illinois began a decades-long trend in the American movie industry concentrating on the lives, deeds, and myths of American lives.
The biopic has always found a ready audience. Most docudramas on television today are biopics and appear on two cable networks, E! Entertainment and A&E's Biography, the latter devoted to biopics.
Origins
The origins of the film docudrama can be traced to the late 1800s when pioneering filmmakers exhibited in penny arcades. It was then common practice to include re-creations with real footage and recordings. This was particularly true for some of the filmmakers telling the story of the Spanish-American War. Certain incidents were re-enacted, not to deliberately deceive the viewing public, but because filmmakers were not present at the scene of the action. One example was the use of tiny replicas of a Spanish fleet that had been defeated at Santiago. Film pioneer Edward H. Amet filmed the sinking of the “fleet” in a bathtub. Combined with actual war footage, the faked material was good enough to convince Spanish military archivists who later included it in a collection. An early example of a film docudrama based on actual events was The Assassination of the Duke of Guise (La Mort du duc de Guise), produced in Paris in 1907. The film was a recreation of the circumstances surrounding the murder of a rival of King Henri III.
Early-twentieth-century examples of docudrama can be found in the work of British filmmakers Humphrey Jennings (1907–50) and Harry Watt (1906–87). Watt's 1938 film North Sea employed reconstructions of a dramatic rescue at sea. His work is credited with helping lay the groundwork for the documentaries that depicted events during World War II. Jennings's 1943 film Fires Were Started, for example, was a study of London firemen who helped save the city during the Blitz. Foregoing the use of actors, Jennings cast real firemen in the roles.
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