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Commentators, Television

Television news commentators populate a historically narrow but sometimes powerful dimension of broadcast journalism that goes beyond reporting. Commentators peer beneath the surface of news developments in an effort to expose, explain, or illustrate to viewers what the news really means to them. If this step fails to occur, some stories are at risk of being whisked across the television screen too quickly for viewers to understand them well, let alone to benefit from how a commentator can illuminate the issues that stories raise.

Each of television's analytical reports, news-based essays, and opinion pieces—often lumped together as “commentary”—not only is delivered by a human voice, as in radio, but also comes with a human face. Combined, these factors can heighten viewer attention to important news issues. Even traditional journalists often put aside strict journalistic neutrality, most dramatically in moments of crisis, to present their interpretations of events.

Some research suggests that television commentators on political or other topics can have an impact on how viewers think. At a minimum, commentators contribute to an important function of agenda setting: persuading viewers not how to think but what to think about as they consider the world around them.

History

In broadcasting, analysis or opinion presented by identifiable people has always had audience appeal. Early radio producers discovered that a thought-provoking commentator could draw an audience to almost any important news topic. By the 1930s, leading commentators such as H. V. Kaltenborn were building their radio reputations. By the 1950s, commentary played a respected role at the legacy networks (ABC, CBS, and NBC), one that would last into the 1970s and occasionally later.

Evening network newscasts in their 1960s to 1980s heyday, thanks to the dependably massive audiences they reached, were the most powerful broadcast news platforms (and revenue producers) available. This made them the logical sites to offer commentary as an added public service. A few specialists in news analysis and comment held regular slots in newscasts, though in some cases the higher-profile anchors of such programs delivered commentaries of their own (notably Walter Cronkite speaking about the Vietnam War in 1968). In addition to the dinner-hour limelight, some commentators thrived in dedicated news and interview hours elsewhere in the weekly schedule.

While network policies sought to draw a clear line between straight reporting and opinion, the divide was at best a fuzzy one. To some viewers, reporters often revealed the speakers' biases or at least their unconscious framing of stories. An interview program or segment positioning veteran reporters near outspoken experts in a field could combine fact, insight, and opinion that would both inform viewers and stimulate further thought. Additional programs such as CBS Reports and NBS White Paper unfolded in documentary style, using strong visuals to illustrate and frame reporting and analysis.

Selected Network Commentators

Edward R. Murrow (1908–65)

Early CBS documentaries showcased a man who set a standard for reporters, commentators, and journalists in general. Murrow had built a national reputation in 1940 with searing eyewitness radio reports from London about the Battle of Britain. In an often oblique form of commentary, those dramatic reports nevertheless made clear his political-journalistic stance—that the free world had to win the war, which first meant seeing and feeling it intimately. More than a decade later, in the historic CBS See It Now television series, Murrow visited soldiers in Korea, and sent back poignant vignettes, often projecting his own empathy with the fighting men in ways that touched the hearts of viewers back home.

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