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Television news anchors are among the few journalists known to the public on a national scale. They capture attention because they are vested with a special and powerful role. In addition to keeping the public informed, viewers who watch a television newscast come to feel as though they know the people who report the news. Of all those practicing television journalism, the struggle between the time-honored principles of print and radio journalism and the elements of television appearance, personality, emotion, and celebrity is experienced to the greatest degree by network television news anchors.

Although TV news anchors often ascend to their network posts from local stations and from jobs as correspondents and reporters, they are soon distinguished by their status as the most recognizable figureheads on the nightly network news broadcasts. TV anchors' implicit associations with “hard news” as opposed to softer news and entertainment formats also distinguish them from such other television personalities as program hosts or commentators. Critics note that while British television reporters are rightfully referred to as “newsreaders” (accurately reflecting what they actually do), a marked difference exists in the way they are regarded in the United States where “anchor” and “host” are often used interchangeably. The prestige and notoriety of American television news anchors grew steadily between the inception of the phenomenon in the 1940s and the 1980s, the decade during which they reached their apex in terms of attention and autonomy. Since then, with the influx of competition for viewers' attention from other TV news channels, including cable and satellite, as well as from other newer forms of electronic media, the power of the network television news anchor has been somewhat diluted amidst the sea of available news options, but the anchors are still regarded as an institution within TV news.

Emergence of TV Anchors

The American TV news anchor role came into being after World War II. Although television began operating on a commercial basis in mid-1941, the medium had been stunted by wartime priorities and a halt in the manufacture of receivers. The earliest television newscasts were little more than radio journalists reading the news in front of a camera, sometimes accompanied by still photographs.

In 1948 NBC began a newsreel program that included film clips of news items spliced together. A year later, the program was expanded to 15 minutes and became the Camel News Caravan, anchored by John Cameron Swayze, and lasting until 1957. Swayze provided the introductions to, explanations of, and transitions between the film clips presented. CBS contracted with Telenews, a subsidiary of Hearst-MGM newsreel, for film, and began a regular nightly bulletin, CBS News with Douglas Edwards, in 1948 sponsored by General Motors. As a precursor to current practices, Edwards was seen as “a speaking subject against an abstract map” (quoted in Winston 1993, 187). Later NBC anchor John Chancellor is also credited with having helped define television news in these early days.

Discrepant accounts characterize early anchors as humble figures who merely read the news, yet, at the same time, had some control over the broadcasts. Television journalists developed onscreen personas to connect with viewers by using strategies to mimic face-to-face interaction. These included the anchor looking into the camera (and thus directly into the eyes of the viewer), and speaking directly and personally to each viewer.

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