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The phrase production of space comes from French philosopher Henri Lefebvre, who used it as the title of a famous book published in France in 1974. The book was a sophisticated attempt to bring the analytical rigor and political edge of Marxist theory to bear on questions of space and, with that, to revolutionize Marxist theory itself. In it, Lefebvre challenged the dominant conception of space in social theory that saw it as but an inert container for other more important and, on the whole, historical processes. Instead, Lefebvre argued that society was a fundamentally spatial phenomenon and that capitalism was a spatial process. Lefebvre argued against the view that space could be little more than a passive backdrop of social life and preferred to see it as an active medium.

Lefebvre's emphasis on the production of space reflected the influence of Marxist theories of materialist practice. Social space did not exist for Lefebvre apart from the active practices that created, modified, and sustained it. In part, then, Lefebvre was reacting against an idealist view of space that saw it as but a subjective realm of experience largely divorced from human labor and practice. His ideas on space, however, were equally a reaction against the more structural Marxism of Louis Althusser. Lefebvre rejected the tendency to treat space as if it were only a geometric field without human actions and purpose or simply a product of the subjective mind. Instead, he sought to bring together a rigorous Marxist theory and a humanist strain in Marxism that always sought to ground revolutionary thought in human feeling and desire.

Lefebvre's Spatial Triad

Philosophically and politically, then, Lefebvre sought to transcend the simplistic dualisms that opposed space and time, subjectivity from the material world, the local from the global. Lefebvre believed that the dominant tendency in Western philosophy toward dualisms had the effect of flattening the richness and complexity of human experience. To break through the philosophical and conceptual impasse of dualistic frameworks, Lefebvre proposed a conceptual triad. Lefebvre's conceptual framework distinguished among three different kinds of space: spaces of representation, representational space, and spatial practices.

Lefebvre defined spaces of representation as the rational spaces of planners and engineers. It is, in short, a view of how space ought to be, representing a kind of power over space. In contrast, Lefebvre saw representational space as passively experienced, imaginative, and ultimately dominated space. Although both are forms of representation of space, the former is a reflection generally of a hegemonic group and thus has the power to actually build that representation into landscapes. The latter, however, is a space of resistance that challenges those dominant representations of space. The final category, spatial practices, involves the activities that collectively serve to produce space and are interwoven with the other two dimensions of Lefebvre's triad.

Lefebvre's production of space framework also contained a historical argument about the development of social space. Here Lefebvre distinguished abstract space from what he termed concrete space. As he characterized it, concrete space was the space of lived experience. Abstract space, in contrast, was space abstracted from lived experience and embodied in the distant perspective of planners, bureaucrats, and businessmen and crystallized in maps, planning documents, and shopping malls. For Lefebvre, modernity involved the gradual colonialization of concrete space by abstract space. The task of a progressive politics, then, was to reclaim the spaces of everyday life from the homogenizing tendencies of both capital and state power.

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