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Like all forms of cultural transmission, television plays an important role in the communication and propagation of religion. When Constantin Perskyi first coined the term television in 1900 in an academic paper on selenium-based photoelectric capture and transmission systems, the Russian physicist could not have imagined that the phenomenon of which he spoke would one day achieve a place of centrality in peoples' lives the world over. To say that television has changed human life as we once knew it is to make a gross understatement. In fact, humanity still has a long way to go before we fully understand the capacities of television as a communicative, informative, and entertainment medium. There is no doubt that the human habituation to television has induced in us a peculiar set of devotions: Families gathered in front of a television eating “TV dinners” at regular times throughout the week appear eerily similar to devout religious practitioners performing rites that shape their lives. Even “secular” television culture, some scholars claim, is distinctly religious in this respect.

That global TV audiences can unite virtually in their observance of local events (e.g., think of the New Year's celebrations in New York's Times Square) was not lost on the religious leaders of communities who welcomed the new medium into their homes. Almost since the earliest popular embrace of television in the 1950s, the shrewdest religious leaders of the era sought to take advantage of the format's potential for reaching new believers. For nearly 30 years, radio, which itself benefited from an early interest by American ministers who realized its capacity to reach “those with ears to hear,” demonstrated the viability of new media technologies in the service of religion. Today, television effectively blankets the globe and plays a critical role in the phenomenon of global religion, but for reasons that will become manifest, the story of religion and television is a distinctly American one, or at least a Western one.

Popular Television's American Roots

One of the reasons why the story of religion and television, even in its modern global iterations, is such an American one is that television's technology developed using first-world technologies and perspectives on knowledge common in post-Enlightenment western Europe and America; this cultural location, in effect, determined its interaction with religious communities, notably upper-middle-class White America. American evangelical Christians, who for years had put radio and print literature to the service of getting their message out, jumped at the opportunity to reach believing audiences in new ways. Aimee Semple McPherson, the Pentecostal minister and founder of the International Church of the Foursquare Gospel and who in 1926 became the first woman granted a broadcasting license by the Federal Communications Commission, had begun investing in an experimental television station prior to her death in 1944. By 1950, more than 5 million Americans had television sets.

One of the first ministers to reach this growing audience, albeit at the regional level, was the Roman Catholic theologian Bishop Fulton John Sheen. From 1930 to 1950, Sheen had hosted The Catholic Hour, a popular radio show that served in some ways as a counterpart to McPherson's evangelical Protestant performances on KFSG. In 1951, however, Sheen made the move to television and began broadcasting Life Is Worth Living, which often depicted Sheen seated before a live studio audience and discussing the active social issues of the time, placing Sheen in the same mold of Catholic activism as Dorothy Day. The series only lasted 6 years, but during that time, Sheen picked up an Emmy award for Most Outstanding Television Personality. As the first person of faith to use both radio and television in the service of advancing the Gospel, Sheen earned the title of “first televangelist” from most scholars of religion and media.

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