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Children identified by creativity measures as gifted have not always produced significant creative works as adults. Indeed, it is during the college years, at the time of transition from childhood to adulthood, in a university environment rich with resources that creative individuals may be both the most vulnerable to underachievement and the most likely to develop the specific knowledge and skills needed to channel their talent into creatively productive careers.

The definition of creativity is elusive. Though most creativity researchers agree that creativity includes such components as novelty, appropriateness, and social value, they have not agreed on a single definition. Many of the available creativity measures identify divergent thinking or ideational fluency but fail to predict future creative behavior. Other creativity measures identify personality traits of creative people, the most prominent of which include autonomy, introversion, and openness to experience. In Understanding Those Who Create, Jane Piirto found that artists tend to be more spontaneous than other creative people; writers more nonconforming; musicians more introverted; and inventors and engineers more well adjusted on the whole. Yet, little is understood about the process by which creative children become eminent adults.

College Creativity in Context

Theresa Amabile encouraged creativity researchers to go beyond the assumption that individual creativity depends primarily on talent and to consider environmental influences on creative production. Her componential model of creativity, which proposes three major components of creativity—skills specific to the task domain, general creativity-relevant skills, and task motivation—provides a useful way to conceptualize the importance of the college environment for creativity. College departments offer domain-specific educational programs for mastery of knowledge and skills that are required for entry into specific fields. In a groundbreaking examination of creative people, Mihaly Csikszentmihalyi studied 100 adults who had produced works that were publicly acknowledged as creative and who had all affected their culture in some important way. In this study of scientists, artists, writers, educators, politicians and social activists, engineers, and religious leaders, he found that the first and foremost characteristic of creative adults is this mastery of a domain of knowledge or skill. Without it, diverse thinking or ideational fluency are not likely to lead to creative products. These profoundly curious and self-guided individuals had little good to say about their educations prior to college. In college and advanced training, however, they found a match between their interests and those of others, in mentors and significant teachers who provided the knowledge they desired so intensely.

The second component is creativity-relevant skills, which are those skills that contribute to creative performance across domains, such as divergent thinking, imagination, and ideational fluency. Programming specifically designed for talented college students often is housed in honors programs via honors colleges. Honors colleges offer opportunities to develop critical thinking skills and domain-specific knowledge at an accelerated rate appropriate for highly creative students. The final component is intrinsic task motivation, the component most influenced by social environment. Research shows that college students who feel rewarded by the creative process itself are more likely to continue creating than those who create in order to receive external rewards.

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