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The terms green design and green development are open to several interpretations and associated with a series of other terms, including sustainable development, sustainable design, eco- or ecological design, and environmental design. Two ways in which these terms have been employed can be identified. First, they refer to the design and/or construction of objects, environments, and services that have minimal detrimental impact on their surrounding environments, are sustainable, and, in some cases, may potentially have beneficial impacts. Second, they refer to designs and/or developments that draw inspiration from understandings of nature and its operation. In this sense, green designs/developments are viewed as being constructed such that they work within or learn from the rules, limits, designs, or ethos of nature. These two senses of green design/development connect to differences in broader attitudes and practices, such as the distinction between technocentrism and eco-centrism or the differentiation between light or shallow green and deep green, as made by people such as Arne Næss; or even the difference between ecological modernization and counterproductivity theories, as outlined by Gert Spaargaren and Arthur Mol. Technocentric and light green perspectives, for instance, can be seen to focus predominately on the first sense of green design/development, while eco-centrism and dark green perspectives often make much of learning from nature and are often critical of technological/design-focused approaches to nature. For this reason, the two perspectives on green design/development are discussed separately in this entry, although it is important to recognize the considerable overlap between them and the variability within each.

Light Green Design and Development

Green Design as Appropriate Technology

While much design and development has proceeded without consideration of its environmental basis and consequence, the growth of environmental concern, particularly from the 1960s and 1970s, saw growing attention to the level of environmental resource extraction and the impacts of human activities on the environment. Geographers were heavily involved in the formation of means to assess levels of resource use and environmental impacts and in consideration of the meaning of terms such as resource, environment, and nature. Other professionals, including engineers, planners, economists, and architects, as well as environmental activists, began to consider the environmental resource and impact dimensions of object and building design and construction.

In 1973, for instance, the economist Ernst Schumacher published Small Is Beautiful, a book that criticized existing models of economic development for fostering reliance on Western technology and thereby heightening dependency relationships. Schumacher argued that Western technologies were often highly inappropriate for many poor/developing/underdeveloped countries, both socioeconomically and environmentally. Schumacher advocated the development of more appropriate forms of technology, which he described as being intermediate technologies, lying somewhere between the technologies of the developing and the developed world in terms of capital and labor intensities. Schumacher sought to put his ideas into practice through the Intermediate Technology Development Group (now Practical Action), and they were also influential within organizations such as the Centre for Alternative Technology at Machynlleth, Wales. Schumacher's ideas were picked up by designers such as Victor Papanek and Gui Bonsiepe, who were influential in the “design for need” movement of the 1960s and 1970s. His ideas were also influential in development studies, where they were connected to, and critiqued within, debates over the meaning of development.

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