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The different ways in which people understand nature have been at the heart of struggles over what kind of discipline geography ought to be. Recent years have seen the emergence of a range of critical approaches to the study of nature that seek to critique and change it. Nevertheless, conceptually, nature remains notoriously difficult to define, and as will become clear, definitions often reveal much more about an overall political position—and a view about what geography ought to be—than they do about plants, animals, landscapes, and the many things we think of as nature.

In its earliest manifestations, geography was defined by an emphasis on the manner in which natural environments shaped and determined human societies. Here, nature assumed a determining role over the social: Differing levels of civilization were interpreted through this deterministic lens. This position was brought into question by those who sought to place a greater influence on the role of culture as a mediating factor between the social and the natural. Nature, in the process, came to be understood as something imbued with a variety of social and cultural characteristics. Rather than being seen as a pristine realm, devoid of human influence, nature was viewed as a product or construct. These constructions of nature have varied historically and geographically. Subsequent debates have followed similar lines to these first confrontations, with contemporary critical work increasingly assuming an antiessentialist or denaturalizing track. To put things crudely, the aim has been to show that nature is anything but natural.

As several authors have noted, the dominant view of nature has served to deepen the gulf between human and physical geography. However, more recent critiques have sought to establish the myriad ways in which apparently discrete social and natural entities are actually co-constitutive. Although in according nature a greater agency this might seem to be a move back toward the ground of environmental determinism, the thrust of this work is entirely different. Instead, the aim has been to dismantle the false dichotomies through which nature and society have been read and interpreted. Perhaps here, there may be more grounds for a conversation, and it is perhaps no surprise that environmental geographies seem to be undergoing a minor renaissance. In what follows, this shifting focus from the social construction of nature toward a growing recognition of the mutually constitutive relationships between nature and society is charted. At the same time, the important synergies with other approaches, from feminism to Marxism, are captured.

Constructing Nature

If the overarching thrust of critical work has been to undermine the authenticity of the natural, this has tended to be through a focus on historically and geographically varying constructions or representations of nature. Different meanings are shaped by dominant representations of nature in a particular place at a particular time, as well as an individual's place within a particular social structure. In spite of these particularities, it is possible to isolate three common understandings. Thus, nature is (1) the nonhuman world (and occasionally the human and nonhuman worlds together), (2) an inherent force directing the human or nonhuman world, and (3) the essence of something (as in a thing's “natural properties”). These definitions are potentially contradictory, again merely reemphasizing the real difficulty in isolating what exactly nature is. Critical studies of nature have picked up on these ambiguities while demonstrating the way in which meaning is constructed through particular relations of power. Here, the apparent neutrality of representations of nature has been exposed to be ideologically driven. Landscape painting, as one dominant mode of representing the beauty of a particular environment, has been presented as a representational practice that enables everything from property rights to gender relations to appear as natural or authentic expressions of the way the world ought to be. Both property rights and gender are social constructions, but associating them with the natural world appears to give them a much stronger legitimacy. They come to be dominated by a force outside human control. Because of this, work on the social construction of nature has had a broadly liberatory agenda. It seeks to demonstrate how many of those characteristics considered to be natural are social constructions. Rather than contenting ourselves with the world as a natural given, the possibilities for a better, more egalitarian, and more ecologically sustainable future begin to emerge.

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