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Textual Analysis
Textual analysis is an interdisciplinary qualitative method used to critique cultural artifacts, most commonly media texts. Though textual analysis has historically been associated with cultural studies, the method has increasingly been utilized in mass communication research to expose power dynamics in media representation, reception, and production. Textual analysis is grounded in a critical or interpretive research perspective that views reality as constructed through interaction and discourse. In the critical paradigm, the researcher is the primary instrument of analysis because she is understood as an active, subjective part of the knowledge-building process. Carrying a postmodern disillusionment with truth claims, critical perspectives interrogate power hierarchies and inequity. Textual analysis has been identified as an ideal method for analyzing hegemonic representations of gender, race, class, and sexuality, as well as illuminating subversive messages embedded in dominant texts.
The very use of the word text illustrates a certain post-structuralist perspective at the root of textual analysis. In the practice of textual analysis, there is an understanding that people from different cultures experience reality differently and that there is no right or wrong way to interpret texts such as films, advertising, books, and fashion. As Alan McKee argues, the meanings of texts are culturally specific, and researchers must be aware of the ways in which language, culture, values, and relationships change over time and place. Understanding the diversity of possible interpretations and experiences, researchers may turn the same critical lens on their own culture and begin to dissect and discuss the meaning embedded in texts. Textual analysis often focuses on the geographically and temporally specific nature of texts but situates the texts historically. Illuminating themes in texts requires an understanding of the culture that produces and consumes them: the myths, embedded norms, and stereotypes that underlie the texts.
Textual analysis is an effort to decode the latent meanings that exist in texts. In a sense, it is taking a given text (such as an advertisement) and working backward to try to understand the cultural values and norms that would have informed the production of the text. Researchers may ask, What stereotypes are present? What cultural norms would have informed the reproduction of those stereotypes? There is less concern with determining how the text may or may not “match” a given “reality” and more effort to understand the ways that texts represent the embodiment of producers' own notions of what reality is and then how the texts may further construct or influence what consumers believe about reality. Texts therefore provide insight into the intentions, beliefs, values, and norms of any given culture. Textual analysis requires an examination of those cultural norms that have become so ubiquitous as to be considered invisible, inconsequential, or “normal” and to question why those norms exist and how they are reproduced in text as unquestioned realities.
Furthermore, researchers often discuss a range of possible interpretations based on the audiences' subject positions. One of the foundations of textual analysis is a concern with the fluidity of meanings in any given cultural artifact. Cultural theorist Stuart Hall argues that every text carries traces of dominant ideology but that all texts are also polysemous and may incorporate embedded meanings that allow for oppositional or negotiated interpretations. Thus, a major consideration of textual analysis is the variety of possible interpretations of meaning and the role that the consumer plays in decoding texts. Therefore, there is also an onus on researchers who use textual analysis to be self-reflective by explaining their own subject positions and experiences with the texts.
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- Barthes, Roland
- Berger, John
- Bordo, Susan
- Boyd, Danah
- Doane, Mary Ann
- Douglas, Susan J.
- Ellul, Jacques
- Fiske, John
- Gamson, Joshua
- Giroux, Henry
- Guerrilla Girls
- Hall, Stuart
- Hanna, Kathleen
- hooks, bell
- Jenkins, Henry
- Jervis, Lisa
- Jhally, Sut
- Kellner, Douglas
- Kilbourne, Jean
- Kruger, Barbara
- Lasn, Kalle
- McChesney, Robert
- McLuhan, Marshall
- Miller, Mark Crispin
- Moyers, Bill
- Mulvey, Laura
- Radway, Janice
- Rushkoff, Douglas
- Steinem, Gloria
- Cognitive Script Theory
- Critical Theory
- Cultivation Theory
- Desensitization Effect
- Discourse Analysis
- Encoding and Decoding
- Feminism
- Feminist Theory: Liberal
- Feminist Theory: Marxist
- Feminist Theory: Postcolonial
- Feminist Theory: Second Wave
- Feminist Theory: Socialist
- Feminist Theory: Third Wave
- Feminist Theory: Women-of-Color and Multiracial Perspectives
- Gender Schema Theory
- Hegemony
- Ideology
- Male Gaze
- Mass Media
- Media Convergence
- Media Ethnography
- Media Globalization
- Media Rhetoric
- Mediation
- Patriarchy
- Polysemic Text
- Postfeminism
- Postmodernism
- Post-Structuralism
- Quantitative Content Analysis
- Queer Theory
- Reception Theory
- Scopophilia
- Semiotics
- Simulacra
- Social Comparison Theory
- Social Construction of Gender
- Social Learning Theory
- Televisuality
- Textual Analysis
- Transgender Studies
- Transsexuality
- Beauty and Body Image: Beauty Myths
- Beauty and Body Image: Eating Disorders
- Class Privilege
- Heterosexism
- Homophobia
- Identity
- Intersectionality
- Minority Rights
- Misogyny
- Prejudice
- Racism
- Sexism
- Sexuality
- Stereotypes
- Violence and Aggression
- Avatar
- Blogs and Blogging
- Cyberdating
- Cyberpunk
- Cyberspace and Cyberculture
- Cyborg
- Electronic Media and Social Inequality
- E-Zines: Third Wave Feminist
- Hacking and Hacktivism
- Hypermedia
- Massively Multiplayer Online Role-Playing Games
- Multi-User Dimensions
- Online New Media: GLBTQ Identity
- Online New Media: Transgender Identity
- Social Inequality
- Social Media
- Social Networking Sites: Facebook
- Social Networking Sites: Myspace
- Viral Advertising and Marketing
- Virtual Community
- Virtual Sex
- Virtuality
- Web 2.0
- Wiki
- YouTube
- Audiences: Producers of New Media
- Audiences: Reception and Injection Models
- Fairness Doctrine
- Federal Communications Commission
- Media Consolidation
- Network News Anchor Desk
- New Media
- Telecommunications Act of 1996
- Workforce
- Advertising
- Children's Programming: Cartoons
- Children's Programming: Disney and Pixar
- Comics
- E-Zines: Riot Grrrl
- Film: Hollywood
- Film: Horror
- Film: Independent
- Graphic Novels
- Men's Magazines: Lad Magazines
- Men's Magazines: Lifestyle and Health
- Music: Underrepresentation of Women Artists
- Music Videos: Representations of Men
- Music Videos: Representations of Women
- Music Videos: Tropes
- Newsrooms
- Pornification of Everyday Life
- Pornography: Gay and Lesbian
- Pornography: Heterosexual
- Pornography: Internet
- Radio
- Radio: Pirate
- Reality-Based Television: America's Next Top Model
- Reality-Based Television: Makeover Shows
- Reality-Based Television: Wedding Shows
- Romance Novels
- Sitcoms
- Soap Operas
- Sports Media: Extreme Sports and Masculinity
- Sports Media: Olympics
- Sports Media: Transgender
- Talk Shows
- Textbooks
- Toys and Games: Gender Socialization
- Toys and Games: Racial Stereotypes and Identity
- Tropes
- Tween Magazines
- Video Gaming: Representations of Femininity
- Video Gaming: Representations of Masculinity
- Video Gaming: Violence
- Women's Magazines: Fashion
- Women's Magazines: Feminist Magazines
- Women's Magazines: Lifestyle and Health
- Gay and Lesbian Portrayals on Television
- Gender and Femininity: Motherhood
- Gender and Femininity: Single/Independent Girl
- Gender and Masculinity: Black Masculinity
- Gender and Masculinity: Fatherhood
- Gender and Masculinity: Metrosexual Male
- Gender and Masculinity: White Masculinity
- Gender Embodiment
- Heroes: Action and Super Heroes
- Television
- Affirmative Action
- Cultural Politics
- Culture Jamming
- Diversity
- Empowerment
- Equal Employment Opportunity Commission
- Gender Media Monitoring
- Media Literacy
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