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Media Globalization
Transnational media can be defined as media that are produced, distributed, and consumed across national boundaries through the new communication and information technologies that became available at the end of the 20th century. These technologies include satellite television and the Internet. Transnational media appeared in the era of globalization, an era characterized by an increased connectivity, interconnectedness, or interdependence. Transnational media are most often studied from an economic or cultural perspective. An economic perspective focuses on the concentration of power in the hands of only a few global media giants that aim to enrich themselves and their owners, potentially at the cost of consumers and citizens. For women, this increasing media concentration means a smaller number of media outlets worldwide and less diversity of ideas in the marketplace. A cultural perspective focuses on the impact of imported cultural products on local cultures as well as the reception of these products by various audiences. The flow of cultural products across nations is of specific interest to women, as ideas about appropriate gender roles are often quite nation-specific. Global news agencies, for example, often exclude voices of women in their news reports and typically represent women as victims. Third World, postcolonial, and transnational feminists are working to point out problems of access and representation of women in the media, especially of those in developing countries. Media activism groups around the world engage in activities such as the Global Media Monitoring Project, which is taking place every five years, to gather information about the participation of female journalists in the news media as well as the inclusion of female sources and the representation of women in the news. This research is used to lobby media houses for the inclusion of women in all aspects of the newsmaking process and to demand more gender-sensitive representations of both men and women.
Globalization and advances in technology have led to an era of more connectedness and interdependence, including the ready availability of transnational news.

Globalization
Media globalization can be seen as part of the more general phenomenon of globalization, which refers to an increased global connectivity, interconnectedness, or interdependence that results in the shrinking of the world and the compression of time and space. Globalization is often defined in terms of global capitalist markets, but Arjun Appadurai suggested that globalization and global cultural flows could be described in terms of five “scapes,” or dimensions: ethnoscapes, mediascapes, technoscapes, finanscapes, and ideascapes. These scapes refer to the flow across borders of, respectively, people, media, technologies, money, and ideas. Of most interest to media scholars is the flow of media and ideas across national boundaries. A result of globalization is deterritorialization, where the relationship between culture and space becomes destabilized. Feminist scholars have pointed out that “grand theories,” those focusing on the macro level, typically ignore gendered dimensions of globalization. The globalization of media has been studied primarily from an economic and a cultural perspective.
The Economic Perspective
The economic perspective on media globalization uses the approach of a critical political economy to study structures of media ownership. According to this approach, media reflect the interests of powerful elites, including media owners and advertisers. In patriarchal societies, men are those in powerful positions, and media owners are typically men. These elites are often seen as politically conservative. As a result, media serve the conservative interests of (male) media owners.
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- Barthes, Roland
- Berger, John
- Bordo, Susan
- Boyd, Danah
- Doane, Mary Ann
- Douglas, Susan J.
- Ellul, Jacques
- Fiske, John
- Gamson, Joshua
- Giroux, Henry
- Guerrilla Girls
- Hall, Stuart
- Hanna, Kathleen
- hooks, bell
- Jenkins, Henry
- Jervis, Lisa
- Jhally, Sut
- Kellner, Douglas
- Kilbourne, Jean
- Kruger, Barbara
- Lasn, Kalle
- McChesney, Robert
- McLuhan, Marshall
- Miller, Mark Crispin
- Moyers, Bill
- Mulvey, Laura
- Radway, Janice
- Rushkoff, Douglas
- Steinem, Gloria
- Cognitive Script Theory
- Critical Theory
- Cultivation Theory
- Desensitization Effect
- Discourse Analysis
- Encoding and Decoding
- Feminism
- Feminist Theory: Liberal
- Feminist Theory: Marxist
- Feminist Theory: Postcolonial
- Feminist Theory: Second Wave
- Feminist Theory: Socialist
- Feminist Theory: Third Wave
- Feminist Theory: Women-of-Color and Multiracial Perspectives
- Gender Schema Theory
- Hegemony
- Ideology
- Male Gaze
- Mass Media
- Media Convergence
- Media Ethnography
- Media Globalization
- Media Rhetoric
- Mediation
- Patriarchy
- Polysemic Text
- Postfeminism
- Postmodernism
- Post-Structuralism
- Quantitative Content Analysis
- Queer Theory
- Reception Theory
- Scopophilia
- Semiotics
- Simulacra
- Social Comparison Theory
- Social Construction of Gender
- Social Learning Theory
- Televisuality
- Textual Analysis
- Transgender Studies
- Transsexuality
- Beauty and Body Image: Beauty Myths
- Beauty and Body Image: Eating Disorders
- Class Privilege
- Heterosexism
- Homophobia
- Identity
- Intersectionality
- Minority Rights
- Misogyny
- Prejudice
- Racism
- Sexism
- Sexuality
- Stereotypes
- Violence and Aggression
- Avatar
- Blogs and Blogging
- Cyberdating
- Cyberpunk
- Cyberspace and Cyberculture
- Cyborg
- Electronic Media and Social Inequality
- E-Zines: Third Wave Feminist
- Hacking and Hacktivism
- Hypermedia
- Massively Multiplayer Online Role-Playing Games
- Multi-User Dimensions
- Online New Media: GLBTQ Identity
- Online New Media: Transgender Identity
- Social Inequality
- Social Media
- Social Networking Sites: Facebook
- Social Networking Sites: Myspace
- Viral Advertising and Marketing
- Virtual Community
- Virtual Sex
- Virtuality
- Web 2.0
- Wiki
- YouTube
- Audiences: Producers of New Media
- Audiences: Reception and Injection Models
- Fairness Doctrine
- Federal Communications Commission
- Media Consolidation
- Network News Anchor Desk
- New Media
- Telecommunications Act of 1996
- Workforce
- Advertising
- Children's Programming: Cartoons
- Children's Programming: Disney and Pixar
- Comics
- E-Zines: Riot Grrrl
- Film: Hollywood
- Film: Horror
- Film: Independent
- Graphic Novels
- Men's Magazines: Lad Magazines
- Men's Magazines: Lifestyle and Health
- Music: Underrepresentation of Women Artists
- Music Videos: Representations of Men
- Music Videos: Representations of Women
- Music Videos: Tropes
- Newsrooms
- Pornification of Everyday Life
- Pornography: Gay and Lesbian
- Pornography: Heterosexual
- Pornography: Internet
- Radio
- Radio: Pirate
- Reality-Based Television: America's Next Top Model
- Reality-Based Television: Makeover Shows
- Reality-Based Television: Wedding Shows
- Romance Novels
- Sitcoms
- Soap Operas
- Sports Media: Extreme Sports and Masculinity
- Sports Media: Olympics
- Sports Media: Transgender
- Talk Shows
- Textbooks
- Toys and Games: Gender Socialization
- Toys and Games: Racial Stereotypes and Identity
- Tropes
- Tween Magazines
- Video Gaming: Representations of Femininity
- Video Gaming: Representations of Masculinity
- Video Gaming: Violence
- Women's Magazines: Fashion
- Women's Magazines: Feminist Magazines
- Women's Magazines: Lifestyle and Health
- Gay and Lesbian Portrayals on Television
- Gender and Femininity: Motherhood
- Gender and Femininity: Single/Independent Girl
- Gender and Masculinity: Black Masculinity
- Gender and Masculinity: Fatherhood
- Gender and Masculinity: Metrosexual Male
- Gender and Masculinity: White Masculinity
- Gender Embodiment
- Heroes: Action and Super Heroes
- Television
- Affirmative Action
- Cultural Politics
- Culture Jamming
- Diversity
- Empowerment
- Equal Employment Opportunity Commission
- Gender Media Monitoring
- Media Literacy
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