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Gender Embodiment
Regarding feminine embodiment, this essay examines the literature related to the “thin ideal,” “objectification theory,” “body-ism,” “sexual objectification,” “body surveillance,” and the power dynamics of gendered body portrayals in media, along with research that demonstrates the impact of these messages on women's gender perceptions, self-esteem, pursuit of the thin ideal, distorted perception of body type, dissatisfaction with body, and predisposition toward eating disorders. In regard to masculine embodiment, literature is reviewed regarding recent trends in male objectification in advertising and media, depictions of the “metrosexual” man, and discussion of the “crisis in masculinity,” viewed by some scholars as a backlash against feminism and depictions of the new, “softer” or objectified male.
The centrality of gender embodiment has animated recent debates in media studies about the relationship among gender representations in media, gendered bodies in virtual space, and gender as performance. This debate has been informed by such theoretical disciplines as post-structuralism, feminist theory, cyberfeminism, queer theory, semiotics, performance studies, and transgender studies. Key figures invoked in the conversation range from Sigmund Freud, Jacques Lacan, Plato, and Luce Irigary to Antonio Gramsci, Judith Butler, Michel Foucault, and William Gibson. The essay ends with a discussion of whether essentialist or materialist definitions of gender hinder or advance feminist and democratic causes, using the writing of Butler and performance studies scholars to offer some middle ground to this question of gender and embodiment.
Gender and Femininity: Female Embodiment
In media and culture, women, more so then men, have been defined or self-define in terms of their bodies. Whether this involves replicating or comparing oneself to the thin ideal presented in modern mass media (despite the looming specter of anorexia and bulimia) or altering one's body to heighten perceived sexuality, desirability, or youthfulness (through cosmetic surgery, exercise, or eating) or conforming to definitions of femininity (through fashion and cosmetics), the body has often been culturally signified for women as a source of power (usually sexual, aesthetic, or virginal) or shame (either sexual or non-normative). In media, the female body is frequently a source of power or shame, constructed as either sexually attractive (bombshell or vamp) or sexually dangerous (siren or femme fatale), as either a prize to be honored and protected (the fashion icon, virgin, or mother/homemaker) or an object of sexual desire (lover), conquest (damsel in distress), punishment (bad girl/whore), or excess needing discipline (bitch or fat lady). Whether threat or promise, desirable, dangerous, or shameful, a woman's presence and meaning in media, and possibly in life to the extent that media shape identity and the perceptions of others, have historically been shaped by her body. From this perspective, for women, embodiment matters.
Despite the historical centrality of the female body and feminine embodiment as a frequent source of power or shame in media representations, feminist theorists and critics, particularly as influenced by post-structuralism and new media studies, have been torn over the following questions: Does the physical female body (as spectator/gamer/media producer) still matter? Should control over the female body as promoted in the media (through, for example, plastic surgery, diet, exercise, and body adornment) remain a source of political struggle? Is sexual objectification, as inscribed in the media, a personal choice or a problematic projection for women?
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- Barthes, Roland
- Berger, John
- Bordo, Susan
- Boyd, Danah
- Doane, Mary Ann
- Douglas, Susan J.
- Ellul, Jacques
- Fiske, John
- Gamson, Joshua
- Giroux, Henry
- Guerrilla Girls
- Hall, Stuart
- Hanna, Kathleen
- hooks, bell
- Jenkins, Henry
- Jervis, Lisa
- Jhally, Sut
- Kellner, Douglas
- Kilbourne, Jean
- Kruger, Barbara
- Lasn, Kalle
- McChesney, Robert
- McLuhan, Marshall
- Miller, Mark Crispin
- Moyers, Bill
- Mulvey, Laura
- Radway, Janice
- Rushkoff, Douglas
- Steinem, Gloria
- Cognitive Script Theory
- Critical Theory
- Cultivation Theory
- Desensitization Effect
- Discourse Analysis
- Encoding and Decoding
- Feminism
- Feminist Theory: Liberal
- Feminist Theory: Marxist
- Feminist Theory: Postcolonial
- Feminist Theory: Second Wave
- Feminist Theory: Socialist
- Feminist Theory: Third Wave
- Feminist Theory: Women-of-Color and Multiracial Perspectives
- Gender Schema Theory
- Hegemony
- Ideology
- Male Gaze
- Mass Media
- Media Convergence
- Media Ethnography
- Media Globalization
- Media Rhetoric
- Mediation
- Patriarchy
- Polysemic Text
- Postfeminism
- Postmodernism
- Post-Structuralism
- Quantitative Content Analysis
- Queer Theory
- Reception Theory
- Scopophilia
- Semiotics
- Simulacra
- Social Comparison Theory
- Social Construction of Gender
- Social Learning Theory
- Televisuality
- Textual Analysis
- Transgender Studies
- Transsexuality
- Beauty and Body Image: Beauty Myths
- Beauty and Body Image: Eating Disorders
- Class Privilege
- Heterosexism
- Homophobia
- Identity
- Intersectionality
- Minority Rights
- Misogyny
- Prejudice
- Racism
- Sexism
- Sexuality
- Stereotypes
- Violence and Aggression
- Avatar
- Blogs and Blogging
- Cyberdating
- Cyberpunk
- Cyberspace and Cyberculture
- Cyborg
- Electronic Media and Social Inequality
- E-Zines: Third Wave Feminist
- Hacking and Hacktivism
- Hypermedia
- Massively Multiplayer Online Role-Playing Games
- Multi-User Dimensions
- Online New Media: GLBTQ Identity
- Online New Media: Transgender Identity
- Social Inequality
- Social Media
- Social Networking Sites: Facebook
- Social Networking Sites: Myspace
- Viral Advertising and Marketing
- Virtual Community
- Virtual Sex
- Virtuality
- Web 2.0
- Wiki
- YouTube
- Audiences: Producers of New Media
- Audiences: Reception and Injection Models
- Fairness Doctrine
- Federal Communications Commission
- Media Consolidation
- Network News Anchor Desk
- New Media
- Telecommunications Act of 1996
- Workforce
- Advertising
- Children's Programming: Cartoons
- Children's Programming: Disney and Pixar
- Comics
- E-Zines: Riot Grrrl
- Film: Hollywood
- Film: Horror
- Film: Independent
- Graphic Novels
- Men's Magazines: Lad Magazines
- Men's Magazines: Lifestyle and Health
- Music: Underrepresentation of Women Artists
- Music Videos: Representations of Men
- Music Videos: Representations of Women
- Music Videos: Tropes
- Newsrooms
- Pornification of Everyday Life
- Pornography: Gay and Lesbian
- Pornography: Heterosexual
- Pornography: Internet
- Radio
- Radio: Pirate
- Reality-Based Television: America's Next Top Model
- Reality-Based Television: Makeover Shows
- Reality-Based Television: Wedding Shows
- Romance Novels
- Sitcoms
- Soap Operas
- Sports Media: Extreme Sports and Masculinity
- Sports Media: Olympics
- Sports Media: Transgender
- Talk Shows
- Textbooks
- Toys and Games: Gender Socialization
- Toys and Games: Racial Stereotypes and Identity
- Tropes
- Tween Magazines
- Video Gaming: Representations of Femininity
- Video Gaming: Representations of Masculinity
- Video Gaming: Violence
- Women's Magazines: Fashion
- Women's Magazines: Feminist Magazines
- Women's Magazines: Lifestyle and Health
- Gay and Lesbian Portrayals on Television
- Gender and Femininity: Motherhood
- Gender and Femininity: Single/Independent Girl
- Gender and Masculinity: Black Masculinity
- Gender and Masculinity: Fatherhood
- Gender and Masculinity: Metrosexual Male
- Gender and Masculinity: White Masculinity
- Gender Embodiment
- Heroes: Action and Super Heroes
- Television
- Affirmative Action
- Cultural Politics
- Culture Jamming
- Diversity
- Empowerment
- Equal Employment Opportunity Commission
- Gender Media Monitoring
- Media Literacy
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