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Romance Fiction

Romance fiction typically must have two elements: (1) a central love story and (2) an emotionally satisfying and optimistic ending. Romance fiction is particularly relevant to gender and society for issues of content—how it reinstates or challenges traditional gender expectations—and for how readers use it in social space. Romance fiction, which can be traced back to novelists such as Jane Austen and the Brontë sisters, is a genre of fiction/literature that is primarily associated with women; this has subsequently shaped people's interpretations and willingness to take the genre seriously.

History

Romance fiction can be traced back to “gothic novels,” including those by such authors as Ann Radcliffe, in the 19th century. The works of Jane Austen and the Brontë sisters (Charlotte, Emily, and Anne) have come to be recognized as literature in more recent times, and they continue to serve as templates for many modern romance novels. Though there were periodic “racy” or romantic novels in the mid-20th century, they became increasingly popularized in the 1970s, with what are referred to as “category” romances, especially flourishing in the 1980s in lines such as those by Harlequin and Silhouette publishers. There are currently many subgenres, the newest of which is referred to as “chick lit,” but also including contemporary, historical, inspirational, multicultural, paranormal, regency, romantic suspense, and Westerns.

In the mid-1980s, Janice Radway's study of women's reading practices of romantic fiction altered how many viewed the genre, demonstrating how the time women carved out for themselves was an important aspect of understanding the importance of the genre. Particularly during its early popularity, romance fiction commonly involved rape encounters between the “hero” and “heroine,” thus challenging potential feminist affinities for the genre. This has become less and less common (one might say it is currently out of favor), as increasingly, “modern women's issues” are incorporated into the genre, especially in contemporary and “chick lit,” but even at times in historical romance fiction. Still, aggressive male sexuality and resistant, inexperienced heroines are common.

Conventions of Romance Fiction

The Heroine

Outside of the required romance and optimistic ending, many variations on the plot may occur. The heroine is usually described as beautiful and may be “willful,” “tempestuous,” “stubborn,” or “fiery” (to include just a few of the adjectives often used). She may have some social power or status but find herself in a vulnerable position, whether in terms of reputation, finances, or physical danger. In contemporary romances, she may be generally self-sufficient and put in an unusual position requiring some degree of rescuing; and in historical romances, her vulnerability is often more explicitly tied to her social status and the realities of the time (such as a woman alone on the American frontier in the 19th century). She may be resistant to the hero in some way, whether emotionally (this is more commonly the primary resistance in contemporary fiction), through independence, or even physically. While rape scenarios between hero and heroine were far more common in previous decades, especially in historical romance, some degree of resistance remains common today, whereby the heroine must be “overcome” and “taught” about her sexuality by the hero through encounters that are portrayed as uncharted territory for her. Of course, variations on these themes, such as sexually experienced heroines, are some ways that authors reshape the possibilities of romance fiction.

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