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Trickster
The trickster is a type of character found in myths and folk tales around the world, who throws cultural boundaries into relief by crossing them in sly and audacious ways. Tricksters often display primal and unbridled desire as well as clever thinking, pursuing gratification in an almost infantile manner even as their cravings remain decidedly adult. Ever on the move, they illuminate the centers of culture by carrying out their exploits from the margins. This entry discusses different types of tricksters, issues surrounding tricksters, and the appearance of tricksters in literature.
Trickster incarnations around the world include Eshu (Nigerian), Hermes (Ancient Greek), Loki (Norse), Till Eulenspiegel (German), Susa-No-o (Japanese), Bricriu (Irish), Maui (Maori), and Agu Tompa (Tibetan). Tricksters sometimes take animal form, such as Monkey (Chinese), the spiders Anansi (West African) and Ture (Central African), Bre’r Rabbit (African American), and various Native American manifestations, including Coyote, Hare, Raven, and Mink. The medieval tale of Marcolf, which gained particular popularity in Germany, pits the physically deformed peasant in competitive dialogue with the biblical paragon of wisdom, King Solomon, during which the trickster trumps his opponent’s every pronouncement with a base and witty riposte. Lists of tricksters see a certain amount of overlap with those of fools and clowns.
The Norse trickster Loki, as portrayed in “The Punishment of Loki” by 19th-century French artist Louis Huard

Source: Keary, A., & Keary, E. (1893). The heroes of Asgard: Tales from Scandinavian mythology. London, UK: Macmillan; Wikimedia Commons.
Paul Radin’s The Trickster: A Study in American Indian Mythology, published in 1956, is considered a breakthrough attempt to collect and theorize indigenous trickster cycles, although his critical stance is problematized by contributors to Troubling Tricksters: Revisioning Critical Conversations (2010). Radin’s study includes an essay by psychoanalyst Carl G. Jung, who theorizes a trickster archetype that embodies an undifferentiated consciousness with divine aspirations. In the social sciences, anthropologists like Claude Lévi-Strauss, Victor Turner, and Mary Douglas have in their own ways called attention to tricksters' engagements with categories of social thought and framing.
Statue of the German trickster Till Eulenspiegel in Mölln, Germany

Source: Hans Weingartz/Wikimedia Commons.
Trickster Qualities
William J. Hynes (1997) notes six characteristic trickster-like traits, not all of which may appear in any given manifestation: (1) ambiguity, anomaly, or interplay of opposites; (2) deception and trickery; (3) disguise and shape-shifting; (4) inversion of situation or position; (5) uncertain or mixed birth, somewhere between the godly and earthly; and (6) a “sacred and lewd bricoleur” in Claude Lévi-Strauss’s sense of someone who resourcefully transforms whatever objects are at hand, including the body’s coarsest products. In many cases, trickster machinations connect to narratives about origins or transformations of the world and its inhabitants. This last feature leads sometimes to their characterizations as culture heroes and spiritual guides.
Trickster figures and their mischievous exploits are often humorous. They routinely engage in disapproved behaviors like lying and cheating, putting the spectator in the ambivalent position of joining in the ridicule while, perhaps, deriving vicarious pleasure from it. Their best laid plans often reverse laughably upon themselves to humiliating effect, which in common comic custom never prevents them from returning to scheme another day.
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- Anthropology, Folklore, and Ethnicity
- Blason Populaire
- Philogelos
- Animal-Related Humor
- Anthropology
- Anti-Proverb
- Carnival and Festival
- College Humor
- Dialect Humor
- Ethnic Jokes
- Ethnicity and Humor
- Feast of Fools
- Folklore
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- Foolstowns
- Hoax and Prank
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- Jewish Humor
- Joke Cycles
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- National and Ethnic Differences
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- Race, Representations of
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- Antiquity
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- Feast of Fools
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- History of Humor: 19th-Century Europe
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- History of Humor: Premodern Japan
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- Jest, Jestbooks, and Jesters
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- Jest, Jestbooks, and Jesters
- Lampoon
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- Mime
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- Molière
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- Rhetoric and Rhetorical Devices
- Satire
- Satyr Play
- Schwank
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- E’gao: Culture of Internet Spoofing in China
- Forest of Laughter and Traditional Chinese Jestbooks
- Huaji-ists, The
- Kyōgen
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- Share
- Xiangsheng, History of
- Xiangsheng
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- Medieval Visual Humor
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- Slapstick
- Stand-Up Comedy
- Tragicomedy
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- Biblical Humor
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- Pattern Recognition
- Psychological Distance
- Psychology
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- Reception of Humor
- Release Theories of Humor
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- Smiling and Laughter: Expressive Patterns
- Health Psychology
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- Aggressive and Harmless Humor
- Carnivalesque
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- Cross-Cultural Humor
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- Dialect Humor
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- Failed Humor
- Gallows Humor
- Gender Roles in Humor
- High-Context Humor
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- Identity
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- National and Ethnic Differences
- Obscenity
- Play and Humor
- Presidential Humor
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- Reactions to Humor, Non-Laughter
- Reception of Humor
- Roman Visual Humor
- Scatology
- Sick Humor
- Social Interaction
- Social Network
- Sociology
- Stereotypes
- Targets of Humor
- Teasing
- Visual Humor
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