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Social Network
A social network is a system of interrelationships between actors within a social system. Most typically, the actors of interest are individuals within some defined social group, such as members of a family, students within a classroom, employees within an organization, or residents within a town. Researchers in disciplines such as anthropology, sociology, psychology, epidemiology, and communications use social networks to define characteristics of groups or individuals within the network. For example, “dense” networks are those with many interconnections between individuals. At the individual level, individuals can be described as being “central” (or popular) if they are connected to many others, or as representing “structural holes” if the individual helps bridge a relationship between two otherwise unconnected people.
Social networks can be described using both qualitative and quantitative methods. Qualitatively, social networks can be defined or portrayed through techniques such as participant observation or interviews with members of social groups. Quantitatively, social networks can be established through sociometric methods, in which researchers typically ask individuals to provide numerical responses to questions about some aspects of their relationships with other group members. Social networks are often represented graphically in a sociogram, which depicts who each individual or “node” is connected to, and sometimes the strength of those connections (i.e., strong or weak ties), or their valence (i.e., positive or negative ties).
Social networks are relevant to the discussion of humor because humor is thought to play an important role in creating and maintaining the social relationships that define a social network, and social networks provide the social context in which humor behavior happens. In other words, humor is both a cause and an effect of social networks, as it influences both whether and how people affiliate with one another. This entry discusses the role of humor in the formation, maintenance, and perpetuation of social networks and as a consequence of social network structure.
Humor and the Formation of Social Networks
Ties form within social networks for many reasons, including proximity, similarity, social sharing of knowledge, expertise, or kinship. However, humor might also play an important role in forming social relationships and shaping social networks insofar as it facilitates liking and interpersonal attraction. There is also considerable evidence to suggest that humor appreciation and positive emotions are closely related, even at a neurological level. When we associate another person with positive emotions (i.e., it “feels good” to be around him or her), we want to be around that person more. In addition, there is some evidence that the sound of another person’s laughter tends to attract people to that individual, and even more so over time. That is, over time, we associate the pleasurable experience of positive emotions with individuals with whom we share humor and laughter, and the very sound of our laughter tends to reinforce others' bonds to us.
Cecily Cooper (2008), in her relational process model of humor, expanded upon the impact of positive affect on relationships by noting that humor can be used to facilitate self-disclosure and perceptions of similarity and can decrease perceptions of hierarchy or status differences. For example, people can use humor to reveal things about themselves, which tends to heighten a sense of closeness and intimacy. Similarly, the types of things people joke about tend to reveal something about them, and if one’s humor makes that person seem more similar to us, we like the person even more. Finally, humor has the potential to reduce perceptions of formal status differences between people, which might otherwise represent barriers to the development of relationships. In particular, self-deprecating humor on the part of a higher status person might alleviate concerns that a lower status person might have about developing a relationship with a high-status individual. However, it is important to note that humor can also be used to reinforce status differences and limit the formation of relationships. For example, use of strongly aggressive or sarcastic humor by high-status individuals, or humor that belittles or disparages others, tends to make the high-status person less accessible by others. In social network terms, positive affect, liking, similarity, and hierarchical salience can influence whether a given interpersonal bond exists at all, and if it exists, whether it is strong or weak, or positive or negative.
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- Anthropology, Folklore, and Ethnicity
- Blason Populaire
- Philogelos
- Animal-Related Humor
- Anthropology
- Anti-Proverb
- Carnival and Festival
- College Humor
- Dialect Humor
- Ethnic Jokes
- Ethnicity and Humor
- Feast of Fools
- Folklore
- Fools
- Foolstowns
- Hoax and Prank
- Insult and Invective
- Jewish Humor
- Joke Cycles
- Joking Relationship
- National and Ethnic Differences
- Practical Jokes
- Race, Representations of
- Rituals of Laughter
- Social Network
- Stereotypes
- Targets of Humor
- Trickster
- Urban Legends
- Verbal Dueling
- Xeroxlore
- Antiquity
- Components of Humor
- Culture
- Xiangsheng, History of
- Xiangsheng
- Anthropology
- Carnival and Festival
- Cross-Cultural Humor
- Culture
- Education, Humor in
- Fools
- Foolstowns
- Gallows Humor
- High-Context Humor
- Humorous Names
- Intercultural Humor
- Jewish Humor
- Obscenity
- Puppets
- Race, Representations of
- Ritual Clowns
- Rituals of Inversion
- Scatology
- Sick Humor
- Sports
- Stereotypes
- Verbal Dueling
- Entertainment Industry
- History
- Forest of Laughter and Traditional Chinese Jestbooks
- Huaji-ists, The
- Philogelos
- Xiangsheng, History of
- Ancient Egypt, Humor in
- Arabic Culture, Humor in
- Assyrian and Babylonian Humor
- Biblical Humor
- Buddhism
- Christianity
- Confucianism
- Fabliau
- Feast of Fools
- Greek Visual Humor
- History of Humor: 19th-Century Europe
- History of Humor: Classical and Traditional China
- History of Humor: Early Modern Europe
- History of Humor: Medieval Europe
- History of Humor: Modern and Contemporary China
- History of Humor: Modern and Contemporary Europe
- History of Humor: Modern Japan
- History of Humor: Premodern Japan
- History of Humor: Renaissance Europe
- History of Humor: U.S. Frontier
- History of Humor: U.S. Modern and Contemporary
- Islam
- Jest, Jestbooks, and Jesters
- Magazines and Newspapers Outside the United States
- Magazines and Newspapers, U.S.
- Masks
- Medieval Visual Humor
- Menander
- Mock Epic
- Molière
- Plautus
- Rabelais, François
- Sanskrit Humor
- Satire
- Shakespearean Comedy
- Sitcoms
- Sketch Comedy Shows
- Slapstick
- Stand-Up Comedy
- Tall Tale
- Tragicomedy
- Travesty
- Humor Theory
- 3 WD Humor Test
- Aristotelian Theory of Humor
- Arousal Theory (Berlyne)
- Benign Violation Theory
- Bergson's Theory of the Comic
- Bisociation
- Evolutionary Explanations of Humor
- Framing Theory
- Freudian/Psychoanalytic Theory
- Hobbesian Theory
- Humor Theories
- Humor, Forms of
- Inversion, Topsy-Turvy
- Pattern Recognition
- Platonic Theory of Humor
- Release Theories of Humor
- Reversal Theory
- Simple Form
- Uses and Gratifications Theory
- Linguistics
- Pointe
- Witz
- Xiehouyu
- Ambiguity
- Anti-Proverb
- Aphorism
- Audiovisual Translation
- Computational Humor
- Conversation
- Cross-Cultural Humor
- Culture
- Dialect Humor
- Epigram
- Exaggeration
- Failed Humor
- Gender Roles in Humor
- Humor Markers
- Humor, Computer-Generated
- Humor, Etymology of
- Humor, Forms of
- Humorist
- Incongruity and Resolution
- Irony
- Jokes
- Joking Relationship
- Laugh, Laughter, Laughing
- Linguistic Theories of Humor
- Linguistics
- Maxim
- Mechanisms of Humor
- Metaphor
- Misdirection
- Phonological Jokes
- Politeness
- Punch Line
- Puns
- Reactions to Humor, Non-Laughter
- Rhetoric and Rhetorical Devices
- Riddle
- Second Language Acquisition
- Semantics
- Speech Play
- Teasing
- Tom Swifty
- Translation
- Verbal Humor
- Wellerism
- Literature and Major Literary Figures
- Commedia dell’Arte
- Forest of Laughter and Traditional Chinese Jestbooks
- Kyōgen
- Rakugo
- Senryū
- Share
- Witz
- Absurdist Humor
- Ancient Greek Comedy
- Ancient Roman Comedy
- Anecdote, Comic
- Aphorism
- Aristophanes
- Boccaccio, Giovanni
- Carnivalesque
- Cervantes, Miguel de
- Comedy
- Comic Relief
- Doggerel
- Epigram
- Exaggeration
- Fabliau
- Farce
- Genres and Styles of Comedy
- Goldoni, Carlo
- High Comedy
- Humorous Names
- Inversion, Topsy-Turvy
- Jest, Jestbooks, and Jesters
- Lampoon
- Limericks
- Literature
- Low Comedy
- Menander
- Mime
- Mock Epic
- Molière
- Nonsense
- Parody
- Pastiche
- Pirandello, Luigi
- Plautus
- Poetry
- Postmodern Irony
- Puns
- Rabelais, François
- Rhetoric and Rhetorical Devices
- Satire
- Satyr Play
- Schwank
- Science, Science Fiction, and Humor
- Shakespearean Comedy
- Simple Form
- South American Literature, Humor in
- Tall Tale
- Tragicomedy
- Travesty
- Trickster
- Mathematics, Computer Science, and the Internet
- Africa
- Americas
- Asia
- E’gao: Culture of Internet Spoofing in China
- Forest of Laughter and Traditional Chinese Jestbooks
- Huaji-ists, The
- Kyōgen
- Rakugo
- Senryū
- Share
- Xiangsheng, History of
- Xiangsheng
- Xiehouyu
- Buddhism
- Confucianism
- History of Humor: Classical and Traditional China
- History of Humor: Modern and Contemporary China
- History of Humor: Modern Japan
- History of Humor: Premodern Japan
- Islam
- Southeast Asia, Cartooning in
- Taoism
- Europe
- Commedia dell’Arte
- Lazzi
- Pointe
- Witz
- Ancient Greek Comedy
- Ancient Roman Comedy
- Byzantine Humor
- Fabliau
- Greek Visual Humor
- History of Humor: 19th-Century Europe
- History of Humor: Early Modern Europe
- History of Humor: Medieval Europe
- History of Humor: Modern and Contemporary Europe
- Medieval Visual Humor
- Satyr Play
- Schwank
- Middle East
- Performing Arts
- Commedia dell’Arte
- Lazzi
- Ancient Greek Comedy
- Ancient Roman Comedy
- Burlesque
- Carnivalesque
- Clowns
- Comedy
- Comedy Ensembles
- Comic Opera
- Farce
- Gag
- High Comedy
- Improv Comedy
- Low Comedy
- Masks
- Mime
- Music
- Music Hall
- Musical Comedy
- Parody
- Pastiche
- Puppets
- Satyr Play
- Shakespearean Comedy
- Sketch Comedy Shows
- Slapstick
- Stand-Up Comedy
- Tragicomedy
- Travesty
- Variety Shows
- Philosophy and Religion
- Aesthetics
- Aphorism
- Aristotelian Theory of Humor
- Bergson's Theory of the Comic
- Biblical Humor
- Buddhism
- Christianity
- Clergy
- Comic Frame
- Comic Versus Tragic Worldviews
- Comic World
- Confucianism
- Epigram
- Feast of Fools
- Hobbesian Theory
- Islam
- Jewish Humor
- Judaism
- Paradox
- Philosophy of Humor
- Platonic Theory of Humor
- Religion
- Rituals of Laughter
- Taoism
- Physiology and Biology
- Politics
- Business World
- Education
- Law
- Clinical and Counseling Psychology
- Cognition
- Developmental Psychology
- General Psychology
- Appreciation of Humor
- Failed Humor
- Humor Detection
- Humor Production
- Humor Styles
- Humorous Stimuli, Characteristics of
- Identity
- Laugh, Laughter, Laughing
- Pattern Recognition
- Psychological Distance
- Psychology
- Reactions to Humor, Non-Laughter
- Reception of Humor
- Release Theories of Humor
- Sense of Humor, Components of
- Smiling and Laughter: Expressive Patterns
- Health Psychology
- Interpersonal Relationships
- Motivation and Emotion
- Neuropsychology
- Personality and Social Psychology
- Tests and Measurement
- Sociology
- Aggressive and Harmless Humor
- Carnivalesque
- Conversation
- Cross-Cultural Humor
- Culture
- Dialect Humor
- Ethnic Jokes
- Ethnicity and Humor
- Failed Humor
- Gallows Humor
- Gender Roles in Humor
- High-Context Humor
- Homosexuality, Representation of
- Humor Group
- Identity
- Insult and Invective
- National and Ethnic Differences
- Obscenity
- Play and Humor
- Presidential Humor
- Race, Representations of
- Reactions to Humor, Non-Laughter
- Reception of Humor
- Roman Visual Humor
- Scatology
- Sick Humor
- Social Interaction
- Social Network
- Sociology
- Stereotypes
- Targets of Humor
- Teasing
- Visual Humor
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