Skip to main content icon/video/no-internet

Over time, representations of race have played a significant role in the production of humor in the United States. Writers of different backgrounds ranging from Bret Harte and Mark Twain to Zora Neale Hurston and Langston Hughes have drawn on race representations to create humor in their work, but over time, visual media have had a greater audience among the American public than have written media. This entry focuses on past and present humorous portrayals of various racial groups in America on stage, in silent films, in television, and in motion pictures. Humorous representations of race have both influenced and been influenced by attitudes related to political, social, and economic circumstances. Because African Americans, who have been the most frequently portrayed minority racial group, exemplify this relationship between context and the production of humor, this entry devotes considerable time to discussion of African Americans in a social and historic context. This entry also discusses portrayals of Native Americans, Hispanics, Asians, and Whites. Whereas most portrayals of racial groups brought before the public have originated in the White mainstream, the entry shows that groups such as African Americans have offered sometimes contrasting and self-empowering humorous images of themselves.

Stereotypes

Discussion of humorous constructions of race necessarily calls for attention to the concept of stereotype. The set of beliefs comprising an ideology forms the basis for a stereotype that develops within a group with regard to an outside group. The ideology promotes a perception that all members of the outside group are alike in sharing a non-normative characteristic or set of characteristics that sets them apart as different from the group making the assessment. The targeted characteristics of a stereotyped group may be related to a range of human domains, such as physical features, behavior, or attitudes. Humorous representations exaggerate in foregrounding those characteristics.

Stereotypes in humor can be useful as a shorthand method of helping to convey complex issues and ideas, particularly in relation to social identity. For example, stereotyping is a useful tool for quick delineation of character types in stand-up comedy, where performers have limited time in which to construct characters necessary for the progression of a joke or narrative. A stereotype can not only help establish an instantly recognizable type but also influence audience expectations surrounding the attitudes and behavior of a character. The incongruity that is an outcome of exaggerating a stereotype may itself be a source of humor.

Stereotyping may be innocuous, amounting to good-natured teasing. The danger of stereotyping is that it often combines with prejudice, where ideological thinking allows individuals to take their own group as a normative, positive point of reference and form a negative image of another group based on comparison of the two groups. In forming a negative stereotype, the group making the assessment casts the outside group as either possessing characteristics that the assessing group spurns, or lacking characteristics that the assessing group possesses and considers natural and desirable. Negative stereotyping may serve the function of castigating and demeaning a social group as inferior and undesirable.

...

  • Loading...
locked icon

Sign in to access this content

Get a 30 day FREE TRIAL

  • Watch videos from a variety of sources bringing classroom topics to life
  • Read modern, diverse business cases
  • Explore hundreds of books and reference titles

Sage Recommends

We found other relevant content for you on other Sage platforms.

Loading