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Maxim
In everyday language, the word maxim refers to a rule of conduct adopted by an individual to get on in life (e.g., “Trust your crazy ideas!”), or it is used as a synonym for aphorism, a general truth expressed in a laconic form (e.g., François de La Rochefoucauld’s maxims). Theoretically, in the seminal framework developed by the philosopher Herbert Paul Grice (1913–1988), maxims are understood to be basic assumptions of rational conversation mutually shared by the participants. Grice subsumes his maxims under a cooperative principle (“Make your conversational contribution such as is required”) and four categories borrowed from Immanuel Kant. They are cornerstones of bona fide communication, and, thus, their opposites might be regarded as containing the recipe for humorous conversation.
Grice’s work has attracted enormous interest. Relativists have questioned the universality of the maxims, reductionists have tried to reformulate and eliminate them, whereas expansionists have introduced further maxims to capture various aspects of language use. Humor theorists have discovered their explanatory power and offer ways the Gricean framework can tackle or can be accommodated to humorous material such as jokes. This entry discusses how Grice’s maxims and a subsequent list of politeness maxims postulated by linguistics professor Geoffrey N. Leech account for some humor.
Maxims of Cooperation and Politeness
Despite the widespread criticism of his model, most textbooks and studies that discuss Grice’s maxims use the original version that Grice developed and ignore the maxims that others added later.
Quantity
Make your contribution as informative as is required.
Do not make your contribution more informative than is required.
Quality
Do not say what you believe to be false.
Do not say that for which you lack adequate evidence.
Relation/Relevance
Be relevant.
Manner
Be perspicuous:
- Avoid obscurity of expression.
- Avoid ambiguity.
- Be brief.
- Be orderly. (Grice, 1975)
A set of politeness maxims that account for a broader range of humor phenomena was postulated by Leech:
Tact
Minimize cost to other.
Maximize benefit to other.
Generosity
Minimize benefit to self. Maximize cost to self.
Approbation
Minimize dispraise of other.
Maximize praise of other.
Modesty
Minimize praise of self.
Maximize dispraise of self.
Agreement
Minimize disagreement between self and other.
Maximize agreement between self and other.
Sympathy
Minimize antipathy between self and other.
Maximize sympathy between self and other. (Leech, 1983)
Everyone occasionally behaves in ways that are inconsistent with (fail to fulfill, violate, infringe) one or more of these maxims. Grice describes four types of such instances: (1) unostentatious violation (e.g., misleading), (2) opting out (when the speaker indicates that he or she cannot obey the maxims for some reasons), (3) clashing (when the speaker is unable to fulfill a maxim without violating another), and (4) flouting (when a patent violation of a maxim urges the hearer to discover an implicit meaning conveyed by the speaker). Hyperbole and irony flout the first quality maxim, according to Grice.
Leech argues that the relationships between illocutionary goals and social goals can be competitive, convivial, collaborative, or conflictive. These four situations are parallel to the possible relationships between Grice’s and Leech’s maxims. Conflictive situations are greatly sensitive to humor. Clashes between Gricean and Leechian maxims may be humorous.
People sometimes fail to follow the maxims unintentionally. Non-native speakers, for example, may not always be aware of the different meanings and the socially adequate use of words they employ. Helen Spencer-Oatey recalls a case when she, in her early 50s, helped a foreign student of low proficiency in English find his way across London. On reaching the train, the young man tried to express his gratitude by saying, “Thank you very much. You are a very kind old lady,” a quite paradoxical “compliment” (according to the approbation maxims) to which she reacted, understandably, with mixed emotions. Public notices posted to inform an international audience are common sources of ambiguity, such as the following advertisement for donkey rides somewhere outside the English-speaking countries: “Would you like to ride on your own ass?” Ambiguous statements accidentally made by politicians quickly become widely known via traditional media and Internet folklore.
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- Anthropology, Folklore, and Ethnicity
- Blason Populaire
- Philogelos
- Animal-Related Humor
- Anthropology
- Anti-Proverb
- Carnival and Festival
- College Humor
- Dialect Humor
- Ethnic Jokes
- Ethnicity and Humor
- Feast of Fools
- Folklore
- Fools
- Foolstowns
- Hoax and Prank
- Insult and Invective
- Jewish Humor
- Joke Cycles
- Joking Relationship
- National and Ethnic Differences
- Practical Jokes
- Race, Representations of
- Rituals of Laughter
- Social Network
- Stereotypes
- Targets of Humor
- Trickster
- Urban Legends
- Verbal Dueling
- Xeroxlore
- Antiquity
- Components of Humor
- Culture
- Xiangsheng, History of
- Xiangsheng
- Anthropology
- Carnival and Festival
- Cross-Cultural Humor
- Culture
- Education, Humor in
- Fools
- Foolstowns
- Gallows Humor
- High-Context Humor
- Humorous Names
- Intercultural Humor
- Jewish Humor
- Obscenity
- Puppets
- Race, Representations of
- Ritual Clowns
- Rituals of Inversion
- Scatology
- Sick Humor
- Sports
- Stereotypes
- Verbal Dueling
- Entertainment Industry
- History
- Forest of Laughter and Traditional Chinese Jestbooks
- Huaji-ists, The
- Philogelos
- Xiangsheng, History of
- Ancient Egypt, Humor in
- Arabic Culture, Humor in
- Assyrian and Babylonian Humor
- Biblical Humor
- Buddhism
- Christianity
- Confucianism
- Fabliau
- Feast of Fools
- Greek Visual Humor
- History of Humor: 19th-Century Europe
- History of Humor: Classical and Traditional China
- History of Humor: Early Modern Europe
- History of Humor: Medieval Europe
- History of Humor: Modern and Contemporary China
- History of Humor: Modern and Contemporary Europe
- History of Humor: Modern Japan
- History of Humor: Premodern Japan
- History of Humor: Renaissance Europe
- History of Humor: U.S. Frontier
- History of Humor: U.S. Modern and Contemporary
- Islam
- Jest, Jestbooks, and Jesters
- Magazines and Newspapers Outside the United States
- Magazines and Newspapers, U.S.
- Masks
- Medieval Visual Humor
- Menander
- Mock Epic
- Molière
- Plautus
- Rabelais, François
- Sanskrit Humor
- Satire
- Shakespearean Comedy
- Sitcoms
- Sketch Comedy Shows
- Slapstick
- Stand-Up Comedy
- Tall Tale
- Tragicomedy
- Travesty
- Humor Theory
- 3 WD Humor Test
- Aristotelian Theory of Humor
- Arousal Theory (Berlyne)
- Benign Violation Theory
- Bergson's Theory of the Comic
- Bisociation
- Evolutionary Explanations of Humor
- Framing Theory
- Freudian/Psychoanalytic Theory
- Hobbesian Theory
- Humor Theories
- Humor, Forms of
- Inversion, Topsy-Turvy
- Pattern Recognition
- Platonic Theory of Humor
- Release Theories of Humor
- Reversal Theory
- Simple Form
- Uses and Gratifications Theory
- Linguistics
- Pointe
- Witz
- Xiehouyu
- Ambiguity
- Anti-Proverb
- Aphorism
- Audiovisual Translation
- Computational Humor
- Conversation
- Cross-Cultural Humor
- Culture
- Dialect Humor
- Epigram
- Exaggeration
- Failed Humor
- Gender Roles in Humor
- Humor Markers
- Humor, Computer-Generated
- Humor, Etymology of
- Humor, Forms of
- Humorist
- Incongruity and Resolution
- Irony
- Jokes
- Joking Relationship
- Laugh, Laughter, Laughing
- Linguistic Theories of Humor
- Linguistics
- Maxim
- Mechanisms of Humor
- Metaphor
- Misdirection
- Phonological Jokes
- Politeness
- Punch Line
- Puns
- Reactions to Humor, Non-Laughter
- Rhetoric and Rhetorical Devices
- Riddle
- Second Language Acquisition
- Semantics
- Speech Play
- Teasing
- Tom Swifty
- Translation
- Verbal Humor
- Wellerism
- Literature and Major Literary Figures
- Commedia dell’Arte
- Forest of Laughter and Traditional Chinese Jestbooks
- Kyōgen
- Rakugo
- Senryū
- Share
- Witz
- Absurdist Humor
- Ancient Greek Comedy
- Ancient Roman Comedy
- Anecdote, Comic
- Aphorism
- Aristophanes
- Boccaccio, Giovanni
- Carnivalesque
- Cervantes, Miguel de
- Comedy
- Comic Relief
- Doggerel
- Epigram
- Exaggeration
- Fabliau
- Farce
- Genres and Styles of Comedy
- Goldoni, Carlo
- High Comedy
- Humorous Names
- Inversion, Topsy-Turvy
- Jest, Jestbooks, and Jesters
- Lampoon
- Limericks
- Literature
- Low Comedy
- Menander
- Mime
- Mock Epic
- Molière
- Nonsense
- Parody
- Pastiche
- Pirandello, Luigi
- Plautus
- Poetry
- Postmodern Irony
- Puns
- Rabelais, François
- Rhetoric and Rhetorical Devices
- Satire
- Satyr Play
- Schwank
- Science, Science Fiction, and Humor
- Shakespearean Comedy
- Simple Form
- South American Literature, Humor in
- Tall Tale
- Tragicomedy
- Travesty
- Trickster
- Mathematics, Computer Science, and the Internet
- Africa
- Americas
- Asia
- E’gao: Culture of Internet Spoofing in China
- Forest of Laughter and Traditional Chinese Jestbooks
- Huaji-ists, The
- Kyōgen
- Rakugo
- Senryū
- Share
- Xiangsheng, History of
- Xiangsheng
- Xiehouyu
- Buddhism
- Confucianism
- History of Humor: Classical and Traditional China
- History of Humor: Modern and Contemporary China
- History of Humor: Modern Japan
- History of Humor: Premodern Japan
- Islam
- Southeast Asia, Cartooning in
- Taoism
- Europe
- Commedia dell’Arte
- Lazzi
- Pointe
- Witz
- Ancient Greek Comedy
- Ancient Roman Comedy
- Byzantine Humor
- Fabliau
- Greek Visual Humor
- History of Humor: 19th-Century Europe
- History of Humor: Early Modern Europe
- History of Humor: Medieval Europe
- History of Humor: Modern and Contemporary Europe
- Medieval Visual Humor
- Satyr Play
- Schwank
- Middle East
- Performing Arts
- Commedia dell’Arte
- Lazzi
- Ancient Greek Comedy
- Ancient Roman Comedy
- Burlesque
- Carnivalesque
- Clowns
- Comedy
- Comedy Ensembles
- Comic Opera
- Farce
- Gag
- High Comedy
- Improv Comedy
- Low Comedy
- Masks
- Mime
- Music
- Music Hall
- Musical Comedy
- Parody
- Pastiche
- Puppets
- Satyr Play
- Shakespearean Comedy
- Sketch Comedy Shows
- Slapstick
- Stand-Up Comedy
- Tragicomedy
- Travesty
- Variety Shows
- Philosophy and Religion
- Aesthetics
- Aphorism
- Aristotelian Theory of Humor
- Bergson's Theory of the Comic
- Biblical Humor
- Buddhism
- Christianity
- Clergy
- Comic Frame
- Comic Versus Tragic Worldviews
- Comic World
- Confucianism
- Epigram
- Feast of Fools
- Hobbesian Theory
- Islam
- Jewish Humor
- Judaism
- Paradox
- Philosophy of Humor
- Platonic Theory of Humor
- Religion
- Rituals of Laughter
- Taoism
- Physiology and Biology
- Politics
- Business World
- Education
- Law
- Clinical and Counseling Psychology
- Cognition
- Developmental Psychology
- General Psychology
- Appreciation of Humor
- Failed Humor
- Humor Detection
- Humor Production
- Humor Styles
- Humorous Stimuli, Characteristics of
- Identity
- Laugh, Laughter, Laughing
- Pattern Recognition
- Psychological Distance
- Psychology
- Reactions to Humor, Non-Laughter
- Reception of Humor
- Release Theories of Humor
- Sense of Humor, Components of
- Smiling and Laughter: Expressive Patterns
- Health Psychology
- Interpersonal Relationships
- Motivation and Emotion
- Neuropsychology
- Personality and Social Psychology
- Tests and Measurement
- Sociology
- Aggressive and Harmless Humor
- Carnivalesque
- Conversation
- Cross-Cultural Humor
- Culture
- Dialect Humor
- Ethnic Jokes
- Ethnicity and Humor
- Failed Humor
- Gallows Humor
- Gender Roles in Humor
- High-Context Humor
- Homosexuality, Representation of
- Humor Group
- Identity
- Insult and Invective
- National and Ethnic Differences
- Obscenity
- Play and Humor
- Presidential Humor
- Race, Representations of
- Reactions to Humor, Non-Laughter
- Reception of Humor
- Roman Visual Humor
- Scatology
- Sick Humor
- Social Interaction
- Social Network
- Sociology
- Stereotypes
- Targets of Humor
- Teasing
- Visual Humor
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