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Humor Styles
Humor style refers to a person's habitual conduct or use of humor in daily life, that is, his or her typical and stable pattern of humor behaviors and attitudes. Humor style is related but distinct from other aspects of the sense of humor, including appreciation of different kinds of humor created by others; temperamental traits such as cheerfulness, seriousness, and bad mood that underlie the sense of humor; and humor skills, or the level of ability when producing humor. It is also important to differentiate psychological humor styles from literal styles of comedy as forms of genre. The latter include forms such as high comedy of manners, parody, or farce, which can also have particular humor “flavors.” This entry focuses on personal humor styles, that is, the use of humor as a personality trait. The term use doesn't imply that a person is strategically deciding to engage in a particular style; rather they do so spontaneously and automatically.
In the 17th century, humanists began to distinguish “good humor” from “bad humor.” Good humor referred to benevolent forms of humor in which one would laugh with rather than at somebody. In contrast, bad humor referred to hostile or put-down forms of humor in which one would laugh at the misfortunes of someone else. More recently, researchers have conceptualized positive, negative, and neutral humor styles derived from literature, everyday social behavior, and lexica. The remainder of this entry describes three contemporary conceptualizations of humor style: (1) styles of everyday humorous conduct proposed by Kenneth Craik and colleagues, (2) positive and negative humor styles suggested by Rod Martin and his team, and (3) comical styles derived by the linguist Wolfgang Schmidt-Hidding.
Styles of Everyday Humorous Conduct
The styles of humorous conduct proposed by Kenneth Craik and his colleagues encompass five bipolar styles that supposedly cover the whole range of possible humorous behaviors and attitudes. They distinguish (1) a socially warm versus cold humorous style, describing a socially constructive use of humor in contrast to a tendency to avoid joyful behavior at all; (2) a reflective versus boorish humorous style, which refers to a habit of apprehending and appreciating the humorous side in situations and other people versus a rather competitive, inconsiderate, and pretentious use of humor; (3) a competent versus inept humorous style that describes whether a person is or is not able to tell jokes and anecdotes successfully and be actively witty; (4) an earthy versus repressed humorous style, which depicts joy in telling jokes about taboo topics such as sexual, macabre, or bathroom jokes versus an inhibition toward and rejection of these topics; and (5) a benign versus mean-spirited humorous style that reflects a person's delight in wordplay or otherwise intellectually challenging but harmless jokes, in contrast to scornful or even cruel humor style.
Positive and Negative Humor Styles
Rod Martin and his colleagues proposed a categorization of four humor styles, two of which are thought to be positive and beneficial to oneself or others and two of which are negative and detrimental to oneself or others. People who engage in an (1) affiliative humor style use humor to enhance and ease social relationships. This humor is characterized by being essentially tolerant and benign; it may include gentle teasing or self-deprecating humor and is used to amuse others or relax a tense situation. Also on the positive side, (2) self-enhancing humor describes a style in which an individual maintains a humorous point of view on life and its incongruities. It is the tendency to appreciate the funny aspects of things and is closely related to the use of humor to cope with stressors and regulate negative emotions. On the negative side, people who engage in (3) aggressive humor tend to be sarcastic and ridicule other people without minding its offensive potential. They may try to use humor as a means of manipulation. (4) Self-defeating humor is a humor style directed against oneself. Individuals belittle and put themselves down by humor in order to get others' recognition. Self-defeating humor may be driven by a general low self-esteem.
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- Anthropology, Folklore, and Ethnicity
- Blason Populaire
- Philogelos
- Animal-Related Humor
- Anthropology
- Anti-Proverb
- Carnival and Festival
- College Humor
- Dialect Humor
- Ethnic Jokes
- Ethnicity and Humor
- Feast of Fools
- Folklore
- Fools
- Foolstowns
- Hoax and Prank
- Insult and Invective
- Jewish Humor
- Joke Cycles
- Joking Relationship
- National and Ethnic Differences
- Practical Jokes
- Race, Representations of
- Rituals of Laughter
- Social Network
- Stereotypes
- Targets of Humor
- Trickster
- Urban Legends
- Verbal Dueling
- Xeroxlore
- Antiquity
- Components of Humor
- Culture
- Xiangsheng, History of
- Xiangsheng
- Anthropology
- Carnival and Festival
- Cross-Cultural Humor
- Culture
- Education, Humor in
- Fools
- Foolstowns
- Gallows Humor
- High-Context Humor
- Humorous Names
- Intercultural Humor
- Jewish Humor
- Obscenity
- Puppets
- Race, Representations of
- Ritual Clowns
- Rituals of Inversion
- Scatology
- Sick Humor
- Sports
- Stereotypes
- Verbal Dueling
- Entertainment Industry
- History
- Forest of Laughter and Traditional Chinese Jestbooks
- Huaji-ists, The
- Philogelos
- Xiangsheng, History of
- Ancient Egypt, Humor in
- Arabic Culture, Humor in
- Assyrian and Babylonian Humor
- Biblical Humor
- Buddhism
- Christianity
- Confucianism
- Fabliau
- Feast of Fools
- Greek Visual Humor
- History of Humor: 19th-Century Europe
- History of Humor: Classical and Traditional China
- History of Humor: Early Modern Europe
- History of Humor: Medieval Europe
- History of Humor: Modern and Contemporary China
- History of Humor: Modern and Contemporary Europe
- History of Humor: Modern Japan
- History of Humor: Premodern Japan
- History of Humor: Renaissance Europe
- History of Humor: U.S. Frontier
- History of Humor: U.S. Modern and Contemporary
- Islam
- Jest, Jestbooks, and Jesters
- Magazines and Newspapers Outside the United States
- Magazines and Newspapers, U.S.
- Masks
- Medieval Visual Humor
- Menander
- Mock Epic
- Molière
- Plautus
- Rabelais, François
- Sanskrit Humor
- Satire
- Shakespearean Comedy
- Sitcoms
- Sketch Comedy Shows
- Slapstick
- Stand-Up Comedy
- Tall Tale
- Tragicomedy
- Travesty
- Humor Theory
- 3 WD Humor Test
- Aristotelian Theory of Humor
- Arousal Theory (Berlyne)
- Benign Violation Theory
- Bergson's Theory of the Comic
- Bisociation
- Evolutionary Explanations of Humor
- Framing Theory
- Freudian/Psychoanalytic Theory
- Hobbesian Theory
- Humor Theories
- Humor, Forms of
- Inversion, Topsy-Turvy
- Pattern Recognition
- Platonic Theory of Humor
- Release Theories of Humor
- Reversal Theory
- Simple Form
- Uses and Gratifications Theory
- Linguistics
- Pointe
- Witz
- Xiehouyu
- Ambiguity
- Anti-Proverb
- Aphorism
- Audiovisual Translation
- Computational Humor
- Conversation
- Cross-Cultural Humor
- Culture
- Dialect Humor
- Epigram
- Exaggeration
- Failed Humor
- Gender Roles in Humor
- Humor Markers
- Humor, Computer-Generated
- Humor, Etymology of
- Humor, Forms of
- Humorist
- Incongruity and Resolution
- Irony
- Jokes
- Joking Relationship
- Laugh, Laughter, Laughing
- Linguistic Theories of Humor
- Linguistics
- Maxim
- Mechanisms of Humor
- Metaphor
- Misdirection
- Phonological Jokes
- Politeness
- Punch Line
- Puns
- Reactions to Humor, Non-Laughter
- Rhetoric and Rhetorical Devices
- Riddle
- Second Language Acquisition
- Semantics
- Speech Play
- Teasing
- Tom Swifty
- Translation
- Verbal Humor
- Wellerism
- Literature and Major Literary Figures
- Commedia dell’Arte
- Forest of Laughter and Traditional Chinese Jestbooks
- Kyōgen
- Rakugo
- Senryū
- Share
- Witz
- Absurdist Humor
- Ancient Greek Comedy
- Ancient Roman Comedy
- Anecdote, Comic
- Aphorism
- Aristophanes
- Boccaccio, Giovanni
- Carnivalesque
- Cervantes, Miguel de
- Comedy
- Comic Relief
- Doggerel
- Epigram
- Exaggeration
- Fabliau
- Farce
- Genres and Styles of Comedy
- Goldoni, Carlo
- High Comedy
- Humorous Names
- Inversion, Topsy-Turvy
- Jest, Jestbooks, and Jesters
- Lampoon
- Limericks
- Literature
- Low Comedy
- Menander
- Mime
- Mock Epic
- Molière
- Nonsense
- Parody
- Pastiche
- Pirandello, Luigi
- Plautus
- Poetry
- Postmodern Irony
- Puns
- Rabelais, François
- Rhetoric and Rhetorical Devices
- Satire
- Satyr Play
- Schwank
- Science, Science Fiction, and Humor
- Shakespearean Comedy
- Simple Form
- South American Literature, Humor in
- Tall Tale
- Tragicomedy
- Travesty
- Trickster
- Mathematics, Computer Science, and the Internet
- Africa
- Americas
- Asia
- E’gao: Culture of Internet Spoofing in China
- Forest of Laughter and Traditional Chinese Jestbooks
- Huaji-ists, The
- Kyōgen
- Rakugo
- Senryū
- Share
- Xiangsheng, History of
- Xiangsheng
- Xiehouyu
- Buddhism
- Confucianism
- History of Humor: Classical and Traditional China
- History of Humor: Modern and Contemporary China
- History of Humor: Modern Japan
- History of Humor: Premodern Japan
- Islam
- Southeast Asia, Cartooning in
- Taoism
- Europe
- Commedia dell’Arte
- Lazzi
- Pointe
- Witz
- Ancient Greek Comedy
- Ancient Roman Comedy
- Byzantine Humor
- Fabliau
- Greek Visual Humor
- History of Humor: 19th-Century Europe
- History of Humor: Early Modern Europe
- History of Humor: Medieval Europe
- History of Humor: Modern and Contemporary Europe
- Medieval Visual Humor
- Satyr Play
- Schwank
- Middle East
- Performing Arts
- Commedia dell’Arte
- Lazzi
- Ancient Greek Comedy
- Ancient Roman Comedy
- Burlesque
- Carnivalesque
- Clowns
- Comedy
- Comedy Ensembles
- Comic Opera
- Farce
- Gag
- High Comedy
- Improv Comedy
- Low Comedy
- Masks
- Mime
- Music
- Music Hall
- Musical Comedy
- Parody
- Pastiche
- Puppets
- Satyr Play
- Shakespearean Comedy
- Sketch Comedy Shows
- Slapstick
- Stand-Up Comedy
- Tragicomedy
- Travesty
- Variety Shows
- Philosophy and Religion
- Aesthetics
- Aphorism
- Aristotelian Theory of Humor
- Bergson's Theory of the Comic
- Biblical Humor
- Buddhism
- Christianity
- Clergy
- Comic Frame
- Comic Versus Tragic Worldviews
- Comic World
- Confucianism
- Epigram
- Feast of Fools
- Hobbesian Theory
- Islam
- Jewish Humor
- Judaism
- Paradox
- Philosophy of Humor
- Platonic Theory of Humor
- Religion
- Rituals of Laughter
- Taoism
- Physiology and Biology
- Politics
- Business World
- Education
- Law
- Clinical and Counseling Psychology
- Cognition
- Developmental Psychology
- General Psychology
- Appreciation of Humor
- Failed Humor
- Humor Detection
- Humor Production
- Humor Styles
- Humorous Stimuli, Characteristics of
- Identity
- Laugh, Laughter, Laughing
- Pattern Recognition
- Psychological Distance
- Psychology
- Reactions to Humor, Non-Laughter
- Reception of Humor
- Release Theories of Humor
- Sense of Humor, Components of
- Smiling and Laughter: Expressive Patterns
- Health Psychology
- Interpersonal Relationships
- Motivation and Emotion
- Neuropsychology
- Personality and Social Psychology
- Tests and Measurement
- Sociology
- Aggressive and Harmless Humor
- Carnivalesque
- Conversation
- Cross-Cultural Humor
- Culture
- Dialect Humor
- Ethnic Jokes
- Ethnicity and Humor
- Failed Humor
- Gallows Humor
- Gender Roles in Humor
- High-Context Humor
- Homosexuality, Representation of
- Humor Group
- Identity
- Insult and Invective
- National and Ethnic Differences
- Obscenity
- Play and Humor
- Presidential Humor
- Race, Representations of
- Reactions to Humor, Non-Laughter
- Reception of Humor
- Roman Visual Humor
- Scatology
- Sick Humor
- Social Interaction
- Social Network
- Sociology
- Stereotypes
- Targets of Humor
- Teasing
- Visual Humor
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