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Graffiti
Graffiti and graffito are from the Italian word graffiato meaning “scratched.” The word originates from the Greek γράφειν—graphein —meaning “to write.” The act of writing and drawing on walls goes back to ancient Greek, Roman, and prehistoric times. Contemporary graffiti is most often found within desolate urban spaces: rooftops, overpasses, industrial concrete walls, highway signs, railroad cars, and subway cars. The contemporary graffiti movement is associated with rap and hip-hop culture and music as well as anti-consumerist and anti-corporate ideologies. Graffiti art is often associated with street art where artists use public wall spaces as their canvas for writing and drawing; however, street art tends to include a variety of styles and more completed works of art.
Engraving of the graffito “Kilroy” on the World War II Memorial in Washington, D.C. Kilroy was a popular graffito among American Gls during World War II.
Source: Jason Coyne/Wikimedia Commons (http://jasoncoyne.smugmug.com)

The graffiti artist must work quickly, as the act of creating graffiti is considered to be vandalism. Typical materials include spray paint and stencils that allow for covering large surfaces quickly. Graffiti is a worldwide artistic phenomenon with examples found in North and South America, Europe, the Middle East, and Asia. Many graffiti artists have crossed over into the art world, such as Banksy, whose works are represented by major art galleries. While most graffiti artists are male, there are a number of well-known female graffiti artists. This entry discusses some of the techniques graffiti artists use and the ways in which graffiti can convey humor.
Techniques of Graffiti
Some terms relative to graffiti include tagging, piece, throw-up, and blockbuster. Tagging is a single line of writing, usually an artist's name. A piece is a signature of the artist's name that utilizes stylized and decorative letters and colors, multiple hues, and cartoon-like figures. Throw-ups are usually two color compositions. A blockbuster is a large piece, typically covering a large wall or surface, and utilizes block-shaped letters with two contrasting colors; larger surfaces are often covered with paint rollers. Graffiti artists are also known to create cartoon-like faces or characters that accompany their text. Stencils are often used with spray paint. A more complex style is wildstyle, a form of graffiti that is created by interlocking letters that are undecipherable.
Humor in Graffiti
The act of doing graffiti may be viewed as subversive in that it constitutes a purposeful altering of the look and perception of public or civic space. The graffiti artists use the technique of transposition to create humor by creating images within contexts that are not associated with images, writing, or humor. It is not certain whether the intent of a graffiti artist is to create humor or a comic effect. However, the application of the techniques of exaggeration (with enlarged, “fat,” or distorted letters and words), juxtaposition of incongruous words and images, and contradiction (through stenciling and painting over existing images) by the graffiti artist often does result in a comic effect. In looking at the graffiti images by male and female graffiti artists, differences in imagery are noticeable. Female artists tend to use rounder letters, include personal and cultural symbols such as hearts and flowers, integrate popular culture references and imagery (comic book/Manga figures), and include personal writings such as poems. Many of their works have a whimsical feel through the use of imagery and use of psychedelic coloring.
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