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Postmodernism
Postmodernism is a critical practice of describing and critiquing what proponents view as the fractured experiences of contemporary life. Its position is primarily that of the sceptic in questioning any supposed grand theories or truths. Often criticized as relativistic, postmodernism targets the prevailing values and structures of meaning that persisted through modernism. While postmodernists are not in full agreement and do not regularly and consistently use the term, the common concerns of postmodernism include questions of identities and the formation of the self; truth and representation, especially in images and language, and the work of power structures for social control and marginalization. Postmodernism theory is notoriously difficult, and its texts are often criticized for their opacity, although demonstrating the elusiveness of meaning is part of the point. Postmodernism enjoys a wide purview and is commonly employed within critical theory. It has found particular standing within the arts, literature and humanities, claiming, as proponents do, the world as a ‘text’.
This entry covers the historical development of postmodernism as well as several key theorists, their primary contributions and central issues, such as identity, truth and representation and the media. It concludes with consideration of postmodernism’s relevance to action research.
Historical Development
As the ‘post’ indicates, postmodernism is in part a response to the positions of modernism. Some theorists view postmodernism as a continuation of modernism in its pursuit of individual truths and blurring of high and low culture. Others view postmodernism as a distinct divergence or correction to modernism because of its more self-aware contextualization, its more thorough scepticism and the rejection of progression or any foundational truths—individual or collective.
Postmodernism rose in prominence during and following the Cold War decades as traditional structures and institutions of meaning continued to lose standing. Especially in Western Europe and the USA, people increasingly lost confidence in their governments through war and scandals and lost faith in religion as the old cultural traditions for the pursuit of a meaningful life suffered in competition with increased individual freedoms and opportunities, however constrained. These cultural changes occurred at a time when easier travel, increased migration and the expansion of broadcast and interactive media were crumbling traditional boundaries.
The events of September 11, however, signalled to many an end to the rise of postmodernism. The consequences of a relativist view of truth became more problematic in a world where differing versions of truth contributed to terrorist acts. While the blurring of boundaries and the fusion of entertainment and reality that distinguished the attacks were considered the hallmarks of postmodernism—the news footage frequently was said to resemble that of a Hollywood disaster film—the stakes were far greater than the weight of postmodern theory. Still, postmodernism remains widely influential within critical theory.
Key Figures and Contributions
Jean-François Lyotard and Questioning Meta-Narratives
Many key postmodern theorists are French intellectuals. At the forefront of these is the philosopher and literary critic Jean-François Lyotard, who was born in Versailles and had an international academic career teaching in Algeria and Paris as well as the USA, Canada and Brazil. A strong proponent of postmodernism, Lyotard was especially critical of the meta-narratives that held cultural positions of privilege in going largely unquestioned.
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