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William Carlos Williams, “To Elsie” (1923)
Perhaps the premier imagist poet in the United States, William Carlos Williams also served as a physician in New Jersey. His poem “To Elsie” metaphorizes modernist concerns with collapsing social institutions in the figure of Elsie, the “broken-brained” maid who took care of his house. Enshrining a common eugenics theme of hereditary degeneration, Elsie represents both an infantilized disabled woman and a symbol of capitalism's unbridled pursuit of consumerist lifestyles.
The pure products of America go crazy—
mountain folk from Kentucky
or the ribbed north end of Jersey
with its isolate lakes and
valleys, its deaf-mutes, thieves
old names and promiscuity between
devil-may-care men who have taken to railroading
out of sheer lust of adventure—
and young slatterns, bathed in filth
from Monday to Saturday
to be tricked out that night with gauds
from imaginations which have no
peasant traditions to give them character
but flutter and flaunt
sheer rags—succumbing without emotion
save numbed terror
under some hedge of choke-cherry or viburnum—
which they cannot express—
Unless it be that marriage perhaps
with a dash of Indian blood
will throw up a girl so desolate so hemmed round
with disease or murder
that she'll be rescued by an agent—
reared by the state and
sent out at fifteen to work in some hard-pressed
house in the suburbs—
some doctor's family, some Elsie—voluptuous water
expressing with broken
brain the truth about us—her great
ungainly hips and flopping breasts
addressed to cheap jewelry
and rich young men with fine eyes
as if the earth under our feet were
an excrement of some sky
and we degraded prisoners destined
to hunger until we eat filth
while the imagination strains after deer
going by in fields of goldenrod in
the stifling heat of September Somehow
it seems to destroy us
It is only in isolate flecks that something
is given off
No one
to witness
and adjust, no one to drive the car
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