Skip to main content icon/video/no-internet

The Sony Walkman was invented in 1979, its digital successor, the Apple iPod, in 2001. Both are portable music machines permitting users to take and create their own personalized sound worlds wherever they go. The Walkman and Apple iPod are technologies of sonic control; the placing of headphones around the ears permits a dramatic reorganization of the user's sound world, in effect empowering the ears of the user. Technology thus transforms the power of the senses. Historically, the ears had always been considered to be a passive sense in so far as we are unable to close them at will, unlike the eyes; the ears are always open. The use of a Walkman or an Apple iPod changes this—for the first time users can traverse the noisy urban scene empowered precisely through filtering out the sounds of the city, replacing them with their own private sound bubble provided by their own choice of music. This capacity for individualizing music consumption, together with the rapid diffusion of these consumer goods has rendered Walkmans and iPods emblematic of consumer culture.

From the Walkman to the Apple iPod

In the first instance, the Sony Corporation, the inventors of the Walkman, didn't know what to call the device—finally agreeing on the term Walkman, which they trademarked. The name itself is instructive—it was a “walking” machine—symbolizing a culture “on the move,” the first truly mobile consumer technology (Bull 2000). Other manufacturers were obliged to use the generic term personal stereo to describe their machines—yet this term was also instructive as it illustrates the intimate and private nature of use. The Walkman quickly became the object of choice for millions of teenagers worldwide who wished to take “their” music with them wherever they went. The early machines used cassette tapes, either prerecorded or, more often than not, compilations made by their owners to cater for a wide range of possible uses. In this way, users began to sync music to mood or place. In subsequent years, Walkmans were able to play CDs and minidisks, much for the same purpose. In the intervening years between the origins of the Walkman and the development of the Apple iPod, the mobile phone became the ubiquitous technology of the mobile age, paving the way for the general acceptance of the private use of communication devices in public (Katz 2006). When the Apple corporation introduced the iPod in 2001, its buyers were initially affluent and technologically sophisticated adults, only later, with much advertising, did the iPod filter into and dominate the youth market (Bull 2007).

With the development of the iPod, consumers could now take thousands of songs with them and the contents of the iPod could be arranged through dedicated playlists that could be amended while on the move or played at random in the shuffle mode. The iPod permitted users to fine-tune their relationship to the environment and themselves through the continual adjusting of their musical choice. It also enabled users to stream their own personalized radio channels with content downloaded from the Internet or to listen to talking books. Users could access a wide range of media; thus, the iPod represents the next stage of consumer culture, one in which users seek out individualized forms of consumption to be accessed when and where they desire.

...

  • Loading...
locked icon

Sign in to access this content

Get a 30 day FREE TRIAL

  • Watch videos from a variety of sources bringing classroom topics to life
  • Read modern, diverse business cases
  • Explore hundreds of books and reference titles

Sage Recommends

We found other relevant content for you on other Sage platforms.

Loading