Skip to main content icon/video/no-internet

The culture of consumption in radio is the product of a three-way relationship between audiences, broadcasters, and technology. Although in the contemporary West radio is typically thought of as an entertainment medium, over its long history the nature of radio consumption has changed extensively. Nineteenth-century experiments focused on direct communication, and it was not until the early twentieth century that the notion of broadcasting—from the center to a body of listeners—became widespread. From being the preserve of amateurs, the technology then saw extensive military use in various countries in the period around the First World War, which consolidated its national regulation and localized consumption.

In the 1920s, radio became a social medium, and organizations and companies began to form in the United States and Europe to offer services via radio. In Europe, radio was dominated by state-owned organizations, such as the British Broadcasting Corporation (BBC), in contrast to the dominance of private enterprise seen in the United States from the 1930s. These organizations were complemented in different national systems by smaller broadcasters covering religious, political, and community groups and the unlicensed “radio pirates,” culminating in the huge volume of radio stations we have today. Radio's reach is international; radio broadcasts are transmitted in almost every country, and it is often possible to receive broadcasts and webcasts from elsewhere in the world.

Radio consumption can be functionally divided into three primary categories: technology, content, and message. The first category refers to the way that consumption is driven and supported by innovation in the ways sound is encoded and decoded for over-the-air and Internet distribution. The second refers to the consumption of the music, talk, and so on that forms the mainstay of broadcast, webcast, and podcast content. The last category refers to the purposes of radio, achieved not only primarily through entertainment, information, and advertising but also through the health, educational, and moral messages that appear to varying extents around the world.

Technology

The consumption of radio technology is set in a broader debate that has as its poles technological determinism and voluntarism. From one perspective, new technologies encourage certain behaviors, determining what people do; from the other, people use technologies voluntarily to do certain things, and the direction of technological development is an outcome of their choices. Irrespective of which position a commentator takes, all would agree that radio technology is hugely important in radio consumption. A great deal of consideration has been put into the design of radio receivers over the years, both in technological terms and also in the sense of visual appeal. Buyers select devices that most suit their needs (some amassing extensive collections), and receivers have changed in character, incorporating fashion and technological advances. Originally conceived of as furniture at the centerpiece of the parlor, the technology to receive radio broadcasts can now be found in the car, in portable devices including cell phones, music players, and clocks.

Changes in radio technology have at least in part been responses to consumer demands. The increasing desire for mobile radio in the 1940s was initially served by (heavy) portable tube radios, but the advent of transistor radios in the 1950s meant radio receivers became progressively smaller and lighter. The growing market led to lower prices, wider ownership, and more individual devices, often closely identified with the newly affluent teenagers. Demands for higher fidelity were met in the 1970s with the advent of frequency modulation (FM) broadcasts and receivers; more recently, the arrival of digital radio and the various radio-related experiments on the Internet have responded to a wide selection of perceived audience requirements. Though technological breakthroughs made these systems and devices possible, they had little commercial value without a substantial consumer base that wanted to pay for them.

...

  • Loading...
locked icon

Sign in to access this content

Get a 30 day FREE TRIAL

  • Watch videos from a variety of sources bringing classroom topics to life
  • Read modern, diverse business cases
  • Explore hundreds of books and reference titles

Sage Recommends

We found other relevant content for you on other Sage platforms.

Loading