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Hobbyists and amateurs distinguish themselves from many other kinds of participants in leisure in that the first two systematically pursue, typically over a period of many years, a complex, specialized, highly fulfilling free-time activity. Such leisure engenders acquisition of substantial skill, knowledge, or experience, usually a combination of these. Amateurs enjoy a special relationship with professionals in the same activity and with an interested public. Meanwhile, hobbyists are distinguished from amateurs primarily by lack of a professional counterpart. Hobbyists may also have commercial equivalents and often have small publics who are interested in what they achieve.

Sometimes called enthusiasms, amateurism and hobbyism are largely Western pastimes. They are classified as “serious leisure,” which is frequently compared with “casual leisure”: the immediately, intrinsically rewarding, relatively short-lived, pleasurable core activity requiring little or no special training to enjoy it. Thus, a casual leisure dabbler on the piano differs in attitude and acquired skill from an amateur, who in turn differs along these same lines from a professional. Likewise, people who accumulate a few old books are not book collectors, since collectors are hobbyists who, among other accomplishments, systematically acquire books, learn their value as collectibles, and know the place of each in society, culture, and history.

The consumptive practices of hobbyists and amateurs vary considerably according to type of participant. Amateurs are found in art, science, sports, and entertainment. Hobbyists turn up in collecting, making and tinkering activities, activity participation (noncompetitive, rule-based pursuits, e.g., fishing, barbershop singing), sports and games (competitive, rule-based pursuits, e.g., field hockey, long-distance running), and the liberal arts hobbies (extensive self-directed learning in an art, cuisine, language, science, culture, history, etc.).

History

As professionalization spreads from one occupation to another, what was once considered hobbyist leisure in some of these spheres quietly, inevitably, and unnoticeably evolves into a new pursuit—one best named modern amateurism. Modern amateurism has been rising alongside those occupations where some leisure participants in the occupation have discovered a livelihood there and, consequently, can now devote themselves to it as a vocation rather than an avocation.

What has been happening is that those who play at the activities encompassed by these occupations are being overrun in significance, if not in numbers, by professionals and amateurs. It is a process that seems to unfold as follows. As opportunities for full-time pursuit of a skill or activity gradually appear, those people with even an average aptitude for such skills are able to develop them to a level observably higher than that of the typical part-time participant. With today's mass availability of professional performances (or products), whatever the field, new standards of excellence soon confront all participants, professional or not. Although the performances of professionals are frequently impressive, no category of participant is more impressed than that of non-professionals who, through direct experience, know the activity intimately. Indeed, once they become aware of professional standards, all they have accomplished seems mediocre by comparison. They are thus faced with a critical choice in their careers as participants: either restrict identification with the activity to remain largely unaffected by such invidious comparisons or identify sufficiently with it to attempt to meet those standards.

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