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Broadly speaking, postcolonial theory or postcolonialism looks into processes of colonization and decolonization. Postcolonial theory engages questions about how cultures create identities after colonization, about the subjugation of colonized peoples' knowledge and histories, about the use and misuse of knowledge about colonized peoples by Westerners, and about the creative ways in which colonized and formerly colonized peoples respond to their oppression. Additionally, postcolonial theory extends beyond traditional geographical colonialism into neocolonial relationships between nations, questioning why such relationships exist. Communication scholars have taken up postcolonial theory primarily in order to critique the Eurocentrism of both scholarship and beliefs about communicative and rhetorical practice and to center knowledge produced from other locales and subjects.

Emergence of Postcolonial Theory

Many parts of the world have been impacted by colonialism and continue to be shaped through neocolonial relationships and various kinds of cultural imperialism. One historical trajectory of contemporary postcolonial theory marks its origins at World War II, with Indian independence from Britain as one of the hallmarks of the scholarly enterprise. The third-world migration to cities and the emergence of English-speaking formerly colonized academics in the Western academy created the push for postcolonial theorizing. Specifically, postcolonial theorists asked the West to confront its colonial history and refused what Dipesh Chakraborty calls a waiting room version of history where colonized and formerly colonized peoples are configured in a liminal, or threshold, space in relation to the West. This is, however, only one version of the emergence of postcolonial theory.

Other scholars such as Angelita Reyes, mark the emergence of something called postcoloniality in the 19th century. Frantz Fanon is sometimes credited for the earliest postcolonial writing in books such as his 1952 text, Black Skin, White Mask. Still other scholars contend that Edward Said's 1978 book, Orientalism, is the hallmark text in postcolonial theory. Other key figures in postcolonial theory include Gayatri Spivak, Homi Bhabha, Albert Memmi, and Aime Cesaire.

Though there are disagreements about the origin of postcolonial theorizing, a number of similarities exist across versions of postcolonialism. Foremost, postcolonial theory is a transformative stance, focused on reconfiguring epistemic or knowledge structures and making connections to groups' and cultures' obliterated pasts. This is not simply an intellectual endeavor, although much good work remains to be done in the academy. In that vein, postcolonial theory challenges established disciplinary knowledge that has been created through the force of modernity and long histories of imperialism. Postcolonial theory thus provides historical and transnational depth to understandings of culture and power.

Western Modernity

Although not its only focus, a central concern for postcolonial scholars centers upon the impact of Western modernity. Although the modern has been characterized a number of ways, the characteristics associated with Western modernity have often been taken as the standard by which all other nations are evaluated, and those nations that are radically different from the West often are imagined to be exotic, backward, or wrong. One way the primacy of Western modernity persists is through what Said calls orientalism, which he describes as functioning in the dichotomy between the Occident, or Western European countries and more recently the United States, and the orient, or non-Western, typically Asian regions. Orientalism is not only a simple geographic distinction that the world is made of two unequal parts called the orient and the Occident, but it also engenders a range of interests. As an occidental construction, orientalism creates and also maintains an intention to know, or even to control and manipulate, what is a very different world. Whether in politics, media, or literature, orientalism has led to very limited representations of the orient. Such depictions fashion people in exotic and sometimes passive ways that work to remove their agency or ability to be considered fully human actors in the Western imaginary.

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